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ahinton
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« Reply #30 on: 13:35:19, 11-07-2007 » |
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I think that Elliott Carter also went through a very flat period
Can't say I've ever noticed that; when do you suppose that this may have occurred? Just curious! Best, Alistair |
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increpatio
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« Reply #31 on: 13:42:15, 11-07-2007 » |
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I think that Elliott Carter also went through a very flat period
Worse than Reger's?  |
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martle
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« Reply #32 on: 13:45:09, 11-07-2007 » |
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I think that Elliott Carter also went through a very flat period
Worse than Reger's? 'patio,  More like an accidental period, really. |
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Green. Always green.
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time_is_now
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« Reply #33 on: 13:47:09, 11-07-2007 » |
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I think that Elliott Carter also went through a very flat period
Can't say I've ever noticed that; when do you suppose that this may have occurred? Just curious! I don't know about Tantris, but I think it was the 80s (I'm pretty sure I've already said this in more detail in the Carter thread). LIAJREWBJB FJSDHFKJGSGFDS! KJB!!!!!!!!! FISH FISH FISCH By the way. D flat minor? Which makes the chord under F# into some kind of French third I guess? IUHFISJHKTJHZKRJGLKRJXJFBKJHBXKJNFOIUWPOIUPRWQPIQPIURJPTEW,MNZX F I S C H |
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The city is a process which always veers away from the form envisaged and desired, ... whose revenge upon its architects and planners undoes every dream of mastery. It is [also] one of the sites where Dasein is assigned the impossible task of putting right what can never be put right. - Rob Lapsley
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increpatio
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« Reply #34 on: 13:59:41, 11-07-2007 » |
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LIAJREWBJB FJSDHFKJGSGFDS! KJB!!!!!!!!! FISH FISH FISCH
By the way. D flat minor? Don't dis' it until you've tried it! From his book of modulations, that being an example of a modulation from D flat minor to B major. Takes all sorts, eh? Which makes the chord under F# into some kind of French third I guess?
Enharmonically it's neapolitan with respect to DbMinor...but...maybe best seen as part of some transitional key? Unless you mean the second chord...in which case I'd probably go with the same answer  F I S C H
I'd stick to vegetarian if I were you; looks like you've got digestion issues at the moment. |
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« Last Edit: 14:02:28, 11-07-2007 by increpatio »
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richard barrett
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« Reply #35 on: 14:01:20, 11-07-2007 » |
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From his book of modulations, that being an example of a modulation from D flat minor to B major. Takes all sorts, eh? Which makes the chord under F# into some kind of French third I guess?
Enharmonically it's neapolitan with respect to DbMinor...but...maybe best seen as part of some transitional key? This tonal music is much too complicated for me. |
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time_is_now
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« Reply #36 on: 14:02:55, 11-07-2007 » |
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OH ALRIGHT, Neapolitan not French. I couldn't be bothered working out which. SCHMEAPOLITISSSSSSSSSSSSSSS
SSSSSSSSSSSSS
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The city is a process which always veers away from the form envisaged and desired, ... whose revenge upon its architects and planners undoes every dream of mastery. It is [also] one of the sites where Dasein is assigned the impossible task of putting right what can never be put right. - Rob Lapsley
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increpatio
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« Reply #37 on: 14:05:19, 11-07-2007 » |
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This tonal music is much too complicated for me.
Maybe you should consider going without then  |
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« Last Edit: 14:12:19, 11-07-2007 by increpatio »
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martle
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« Reply #38 on: 14:05:43, 11-07-2007 » |
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I have a sneaking suspicion that tinners has finished both his articles. |
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Green. Always green.
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oliver sudden
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« Reply #39 on: 14:05:55, 11-07-2007 » |
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tinnies, is your keyboard OK?
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increpatio
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« Reply #40 on: 14:07:09, 11-07-2007 » |
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I have a sneaking suspicion that tinners has finished both his articles. Ah, yes, wordcramp. Everything makes sense now. |
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time_is_now
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« Reply #41 on: 14:07:33, 11-07-2007 » |
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no, sorry
nowhere near
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The city is a process which always veers away from the form envisaged and desired, ... whose revenge upon its architects and planners undoes every dream of mastery. It is [also] one of the sites where Dasein is assigned the impossible task of putting right what can never be put right. - Rob Lapsley
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ahinton
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« Reply #42 on: 14:15:17, 11-07-2007 » |
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From his book of modulations, that being an example of a modulation from D flat minor to B major. Takes all sorts, eh? Which makes the chord under F# into some kind of French third I guess?
Enharmonically it's neapolitan with respect to DbMinor...but...maybe best seen as part of some transitional key? This tonal music is much too complicated for me. Then may I respectfully and politely urge you to try abit harder, Richard? After all, "this tonal music" isn't all tricksy stuff about French, Neapolitan, German, etc. sixths (and it would probably be a might too complicated for me if it were). In any case, you're almost certainly one of a very select few here who would recognise a Welsh sixth from a hundred - er - steps... Best, Alistair |
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increpatio
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« Reply #43 on: 14:18:10, 11-07-2007 » |
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no, sorry
nowhere near
boooo(-lez...see? still on topic); hope you get finished up with them sometime soonish, but hope more that I at least get started with mine first. |
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