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« Reply #690 on: 21:04:50, 05-06-2007 » |
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Nice one Ian   A |
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trained-pianist
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« Reply #691 on: 21:08:49, 05-06-2007 » |
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 I should buy it. I don't have Grieg Lyric Piece op. 57. How many are there in op. 57. The first one is a Study (dedicated to M Tchaikovsky). The second is Sad Song, then Mazurka. Fifth piece is Mazurka again, Song without words, Waltz, Waltz again, Russian Dance that I played when young (it is a good one). Skerzo is nomber eleven, Interrupted Dreams is the last. I have the whole book edited by Goldenweiser (taught at the same time with Neihous) of Schumann pieces of intermediate difficulty. There is Arabesque, Children scenes op 15, Five songs from me cycle Forest Scenes, Leaf from the album op 99, etc. They are nice. But I don't have Grieg. That is not good. |
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« Reply #692 on: 21:12:33, 05-06-2007 » |
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Ian Pace
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« Reply #693 on: 21:14:09, 05-06-2007 » |
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I should buy it. I don't have Grieg Lyric Piece op. 57. How many are there in op. 57. Or you can download them (and many other Grieg piano pieces) here. The first one is a Study (dedicated to M Tchaikovsky). The second is Sad Song, then Mazurka. Fifth piece is Mazurka again, Song without words, Waltz, Waltz again, Russian Dance that I played when young (it is a good one). Skerzo is nomber eleven, Interrupted Dreams is the last. Which pieces are you talking about here? |
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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« Reply #694 on: 21:16:02, 05-06-2007 » |
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Meanwhile.......  A |
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Ian Pace
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« Reply #695 on: 21:18:46, 05-06-2007 » |
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Page 581 of the Qur'ān.  |
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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« Reply #696 on: 21:21:59, 05-06-2007 » |
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cool pickie Ian  A |
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Ian Pace
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« Reply #697 on: 21:22:20, 05-06-2007 » |
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« Last Edit: 21:24:13, 05-06-2007 by Ian Pace »
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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« Reply #698 on: 21:23:56, 05-06-2007 » |
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« Reply #699 on: 21:24:44, 05-06-2007 » |
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Snap! (after I just removed my 582, as you had already done that number!)
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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« Reply #700 on: 21:25:23, 05-06-2007 » |
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« Reply #701 on: 21:30:58, 05-06-2007 » |
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I was talking about Tchaikovsky pieces op 40. I have them edited by Goldenweiser. He taught at the same time with Neihaus. They thought he was a little too dry. people liked Neihaus and Igumnov more. Igumnov was shy and did not like to teach in Master class setting. Neihaus loved to teach in front of an audience. He could fire up in front of people. Goldenweiser made the editing of Tchaikovsky pieces I wrote about. They are intermediate difficulty pieces.
Study, Sad song, Funeral March, two mazurkas, Song with no words, In the village, two waltzes, Scerzo, Interrupted Dreams.
I am discovering York Bowen at the moment. I love his Preludes (24).
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« Reply #702 on: 21:33:25, 05-06-2007 » |
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Stephen Hough has made a lovely cd of most of them t-p. Worth a listen. Meanwhile:-  A |
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« Reply #703 on: 22:23:01, 05-06-2007 » |
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« Reply #704 on: 22:28:32, 05-06-2007 » |
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Green. Always green.
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