martle
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« Reply #15 on: 23:45:55, 16-08-2007 » |
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Was 'tree-mendous' fun, I can tell you.
Know what you mean there, Ian! Brought back memories of my first ever sherbet fountain (and, of course the associated pleasures of seeing Bobby Moore presenting the 1945 budget, live(!) on the wireless!). But of course you and I are getting a bit old in the tooth to be troubling the youngsters with such cricketing trivia!
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« Last Edit: 23:52:30, 16-08-2007 by martle »
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Green. Always green.
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Ian Pace
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« Reply #16 on: 00:03:34, 17-08-2007 » |
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Was 'tree-mendous' fun, I can tell you.
Know what you mean there, Ian! Brought back memories of my first ever sherbet fountain (and, of course the associated pleasures of seeing Bobby Moore presenting the 1945 budget, live(!) on the wireless!). But of course you and I are getting a bit old in the tooth to be troubling the youngsters with such cricketing trivia! Yes, I remember that, I connect it all with Sir Stafford Cripps, who knew when he'd been tangoed. But in the midst of all that, Flanagan turned up, asking to go to Sidcup, and I saw him expand outwards, thinking this was body-popping, but he said that it must be all that McVities topping.
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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Tony Watson
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« Reply #17 on: 00:08:58, 17-08-2007 » |
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Martle,
I hope you weren't in a public house wearing a hat when you were listening to the wireless in 1945.
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Ian Pace
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« Reply #18 on: 00:12:46, 17-08-2007 » |
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Martle,
I hope you weren't in a public house wearing a hat when you were listening to the wireless in 1945.
What were the laws of admissibility of evidence at that stage, Tony?
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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Ian Pace
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« Reply #20 on: 00:15:52, 17-08-2007 » |
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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Alison
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« Reply #21 on: 00:20:28, 17-08-2007 » |
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What, in any case, are the defining characteristics of Goodge Street underground station ?
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Ian Pace
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« Reply #22 on: 00:21:52, 17-08-2007 » |
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What, in any case, are the defining characteristics of Goodge Street underground station ?
Trust me, Alison, they're trrific, reallly triffic.
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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Alison
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« Reply #23 on: 00:37:58, 17-08-2007 » |
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The grime readily transfers to piano keys if not washed off before practice.
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Ian Pace
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« Reply #24 on: 00:46:11, 17-08-2007 » |
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The grime readily transfers to piano keys if not washed off before practice.
It all depends - I think you might be demonstrating a disturbing tendency to conflate the Risorgimento with the actions of average small business owners, with the connivance of their white-collar employees, in bringing about such a situation.
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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Tony Watson
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« Reply #25 on: 00:51:07, 17-08-2007 » |
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This is an amazing thread. At last I can actually understand what Ian is saying.
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stuart macrae
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« Reply #26 on: 00:52:36, 17-08-2007 » |
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Yes- but what none of you are telling me is which sort of cheese will actually give me the best nightmares.
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Daniel
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« Reply #27 on: 00:57:36, 17-08-2007 » |
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What, in any case, are the defining characteristics of Goodge Street underground station ?
1. No 2. Not really 3. 47
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Kittybriton
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« Reply #28 on: 02:00:43, 17-08-2007 » |
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What, in any case, are the defining characteristics of Goodge Street underground station ?
1. No 2. Not really 3. 47 Which explains why I always end up in Seven Sisters if I don't take the Circle Line. I thought it was 42. BTW, Stuart Macrae, did Kate get home safely? I can recommend Asda's cheddar if it helps.
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Click me -> About meor me -> my handmade storeNo, I'm not a complete idiot. I'm only a halfwit. In fact I'm actually a catfish.
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Alison
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« Reply #29 on: 08:22:04, 17-08-2007 » |
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I take it as axiomatic that clergy wives are predisposed towards myalgic encephalomyelitis.
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