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harmonyharmony
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« Reply #75 on: 23:51:54, 17-09-2007 » |
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How disappointing.
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'is this all we can do?' anonymous student of the University of Berkeley, California quoted in H. Draper, 'The new student revolt' (New York: Grove Press, 1965) http://www.myspace.com/itensemble |
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George Garnett
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« Reply #76 on: 08:03:44, 18-09-2007 » |
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with a pudgy little 8-year-old finger.  |
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ahinton
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« Reply #77 on: 09:19:15, 18-09-2007 » |
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"Ah what relief it would be if the world were to have less content." Less of THAT kind of content indeed, some might argue... Best, Alistair |
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richard barrett
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« Reply #78 on: 18:57:47, 29-09-2007 » |
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I once wrote a piano concerto in which Michael Nyman played the solo part.
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Chafing Dish
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« Reply #79 on: 19:27:19, 29-09-2007 » |
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I once wrote a piano concerto in which Michael Nyman played the solo part.
This to believe I find hard. |
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richard barrett
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« Reply #80 on: 19:40:09, 29-09-2007 » |
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I once wrote a piano concerto in which Michael Nyman played the solo part.
This to believe I find hard. The case it however is. |
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harmonyharmony
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« Reply #81 on: 19:41:20, 29-09-2007 » |
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I once wrote a piano concerto in which Michael Nyman played the solo part.
Is there a recording? |
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'is this all we can do?' anonymous student of the University of Berkeley, California quoted in H. Draper, 'The new student revolt' (New York: Grove Press, 1965) http://www.myspace.com/itensemble |
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Chafing Dish
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« Reply #82 on: 19:58:43, 29-09-2007 » |
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Is there a recording?
This is the best I could do. |
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richard barrett
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« Reply #83 on: 20:08:01, 29-09-2007 » |
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I once wrote a piano concerto in which Michael Nyman played the solo part.
Is there a recording? Unfortunately not, nor is there a score any more (it happened in 1981 and I later threw out everything I'd written before autumn '82 or so and most of what I wrote in the following year too). It came from a time when some of the things I wrote were of the repetitive/minimalist variety, and it was written for an SPNM composers' workshop in which the Michael Nyman Band took part. (The piano, by the way, was silent until the last four bars.) I could probably more or less reconstruct it from memory but it wouldn't really be worth it.  |
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thompson1780
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« Reply #84 on: 20:11:24, 29-09-2007 » |
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but it wouldn't really be worth it. A bit like chafe's download then.....  Tommo (ooooh! handbags!) |
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Made by Thompson & son, at the Violin & c. the West end of St. Paul's Churchyard, LONDON
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richard barrett
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« Reply #85 on: 20:13:58, 29-09-2007 » |
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A bit like chafe's download then..... In it there too a mistake is. *tsk* |
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« Last Edit: 20:16:40, 29-09-2007 by richard barrett »
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Chafing Dish
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« Reply #86 on: 20:22:46, 29-09-2007 » |
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Yes, there was a fake tenor in the Barrett role... I think he's more of a bass.
As for the textual discrepancy, I think you and I are reading from different editions.
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thompson1780
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« Reply #87 on: 20:38:44, 29-09-2007 » |
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Oh, I forgot to say... I've been down this, from Junction (the buildings just after Thoma) in 51.3 seconds http://www.cresta-run.com/html/test_mov.html.....and I'm itching to go again! Tommooooooooooooooooooooooohhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh |
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Made by Thompson & son, at the Violin & c. the West end of St. Paul's Churchyard, LONDON
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stuart macrae
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« Reply #88 on: 02:46:45, 30-09-2007 » |
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I once spent an afternoon with Richard Stilgoe.
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George Garnett
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« Reply #89 on: 22:19:54, 01-10-2007 » |
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Something about me that even I didn't know until a few days ago is that I know Roger Norrington's brother. I mean I knew that I knew Roger Norrington's brother but what I didn't know was that it was Roger Norrington's brother that I knew.
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