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The Radio 3 Boards > General Chat > The Coffee Bar > Separated At Birth
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Author Topic: Separated At Birth  (Read 14518 times)
Kittybriton
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Thank you for the music ...


WWW
« Reply #60 on: 13:55:22, 25-02-2007 »
I'm sure Morticiaa would be amused by...
Uncle Fester and
Jean Sibelius
for which suggestion I am indebted (albeit ten years late) to Balaam's Music, Bury. St.Edmunds  Embarrassed

Also featuring, the late Roger Delgado aka The Master (Doctor Who)
vs Peter Warlock
« Last Edit: 14:18:51, 25-02-2007 by Kittybriton » Logged
Click me ->About me
or me ->my handmade store
No, I'm not a complete idiot. I'm only a halfwit. In fact I'm actually a catfish.
trained-pianist
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« Reply #61 on: 16:06:55, 25-02-2007 »
Does he looks like anybody you know?
It is Bach, they think. I don't think it is.
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tonybob
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vrooooooooooooooom
« Reply #62 on: 16:21:39, 25-02-2007 »
Quote from: trained-pianist on 16:06:55, 25-02-2007
Does he looks like anybody you know? It is Bach, they think. I don't think it is.

too true.
this is Bach:

the image tp posted is clearly Donald Sinden
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sososo s & i.
martle
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« Reply #63 on: 17:47:31, 25-02-2007 »
A charlie at the bar


Charlie at bar 46
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Green. Always green.
roslynmuse
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« Reply #64 on: 22:17:11, 25-02-2007 »
Alec Guinness (wearing glasses)


Gustav Holst (not wearing glasses)
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roslynmuse
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« Reply #65 on: 22:21:04, 25-02-2007 »
Vaughan Williams



Patrick Moore
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roslynmuse
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« Reply #66 on: 22:45:56, 25-02-2007 »
Elizabeth Lutyens



Norman Bates' mother
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Ian Pace
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« Reply #67 on: 12:34:55, 26-02-2007 »
Ian Hendry               


Pierre Boulez






Peter Sellers                      Luciano Berio

 
« Last Edit: 21:14:00, 04-03-2007 by Ian Pace » Logged
'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
Ian Pace
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« Reply #68 on: 13:00:46, 26-02-2007 »
The Mothers of Invention            The Arditti Quartet (a few years ago)

 
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
time_is_now
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« Reply #69 on: 13:50:10, 26-02-2007 »
I can't find any decent shots online, but Krystian Zimerman and Jeremy Irons is another favourite.

There's also the story of a certain famously tactless conductor at a drinks party when Tom Ades entered the room (this would have been about 8 or 9 years ago, when Tom had long-ish hair and liked to wear a white velvet suit):

"Hello Oscar! Where's Bosie?", JC called across the room.

I believe Tom had his hair cut the next day.
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The city is a process which always veers away from the form envisaged and desired, ... whose revenge upon its architects and planners undoes every dream of mastery. It is [also] one of the sites where Dasein is assigned the impossible task of putting right what can never be put right. - Rob Lapsley
Mary Chambers
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« Reply #70 on: 15:10:05, 26-02-2007 »
A white velvet suit?   Shocked Shocked Shocked

You haven't got a photo of that, have you?
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thompson1780
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« Reply #71 on: 22:45:28, 26-02-2007 »
PRESCOTT                                         PAVAROTTI
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Made by Thompson & son, at the Violin & c. the West end of St. Paul's Churchyard, LONDON
roslynmuse
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« Reply #72 on: 23:04:25, 26-02-2007 »
Dame Joan Sutherland




Miss Piggy
« Last Edit: 00:14:07, 27-02-2007 by roslynmuse » Logged
thompson1780
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« Reply #73 on: 00:02:27, 27-02-2007 »
MARTINU         TOMMY from Ground Force
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Made by Thompson & son, at the Violin & c. the West end of St. Paul's Churchyard, LONDON
Ian Pace
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« Reply #74 on: 00:30:52, 27-02-2007 »
Quote from: thompson1780 on 22:45:28, 26-02-2007
PRESCOTT                                         PAVAROTTI

Shouldn't that be Hattersley?
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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