This can help avoid confusion later on for the eagle-eyed ones who spot that the crotchet showing C on a treble clef is, actually, positioned lower than the one showing A.
Yeah, but do they win the 2p if they get it right? Perhaps if you made it £2 instead of 2p you'd have them all singing Allegri's
Miserere at sight in a couple of months
Start them singing on a truly "professional" basis
I've been tempted by such thoughts in the past
Does anyone still use Kodaly hand-signing, or is that old hat these days?
Leave things long enough, and they come back into fashion. I saw a colleague using it only a few weeks ago (with cornets playing five-note melodies), I know others who do make use of it, and it's something I wish I was more familiar with.
The first thought was: given that educational philosophies take a certain amount of time to translate "events on the ground" into styles of teaching, structures of curricula, contents of classrooms and so forth, they are bound, especially in times of rapid technological change like this one, going to be behind the game. So, for example, though there may be a movement towards a "post-literate" culture in which items of knowledge can be searched out on the internet when needed rather than learned, in which musical notation is no longer connected with pencil and paper, and so on, that isn't going to be reflected in educational practice until a future time when things will have moved on further.
There seems to be several elements to this. The first is the general question of adjusting education to fit with realities. There's a danger that this overlaps into politician-style tinkering, with a desire to see immediate results. The reality is that even a fundamental change in education will not produce noticeable results for the wider world in anything less than a decade or two. Even if education does keep pace with technological progress, the impression can be that it is not doing so - an 18-year-old leaving school today obviously can't have been taught using today's technology for the past fourteen years!
There's also perhaps the fact that some parts of education are by their very nature backward-looking, and I mean this without it having automatically negative connotations, and music notation certainly is a point where this is prominent. It is very much about connections with traditions, not only those of European notated music, but also the interdependent ones of instruments themselves. While I accept that we might move to a point where notation is at least far less connected with the physical act of creating it, nonetheless I am sure that actually putting pencil to paper will remain an invaluable way of understanding how various aspects of notation came into being.