Thought the Curran was terrific though. 90 minutes was perhaps a little long, but for £80,000 you want your money's worth. And in general the energy and imagination never flagged, and it surprised me at least a dozen times over the hour and a half. I'm now utterly convinced that if London had a big public spectacle of experimental music once a month it would be a much happier place
Seconded. A thought which occurred, however, was how the Curran may have compared with an outdoor work by Henry Brant. For example,
Fire on the Amstel (1984) which apparently involves 100 flutes, 4 jazz drummers, 4 street organs, 4 church carillons + 4 concert bands. Anybody experienced Brant outdoors ?