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The Radio 3 Boards > The Music Boards > Music Through The Ages > Subjects, countersubjects, &c.
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Author Topic: Subjects, countersubjects, &c.  (Read 574 times)
Turfan Fragment
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Formerly known as Chafing Dish
« Reply #15 on: 23:18:44, 09-09-2008 »
Groocock's book is not the most creative analysis book I've run across, it's a little null-acht-vierzehn.

But I have been lately enjoying the work of one David Ledbetter
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oliver sudden
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« Reply #16 on: 23:24:33, 09-09-2008 »
Is null-acht-vierzehn anything like null-acht-fünfzehn?
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richard barrett
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« Reply #17 on: 23:34:18, 09-09-2008 »
Quote from: oliver sudden on 23:24:33, 09-09-2008
Is null-acht-vierzehn anything like null-acht-fünfzehn?

If anything it's even slightly more so.
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Turfan Fragment
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Formerly known as Chafing Dish
« Reply #18 on: 02:15:38, 10-09-2008 »
Quote from: richard barrett on 23:34:18, 09-09-2008
Quote from: oliver sudden on 23:24:33, 09-09-2008
Is null-acht-vierzehn anything like null-acht-fünfzehn?

If anything it's even slightly more so.
It may or may not be, but 08/15 is what I meant.  Roll Eyes

Also interesting, in that it is very rich looking but strangely useless, is the book by Johann Nepomuk David which demonstrates the most arcane sort of motivic analysis. He btw was one of Helmut Lachenmann's teachers.

Anyway, this isn't really on topic.
« Last Edit: 02:17:21, 10-09-2008 by Turfan Fragment » Logged
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