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Parsifal1882
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« Reply #15 on: 05:39:36, 11-06-2007 » |
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Currently residing outside the UK, I wonder if anyone here will be attending the funeral. May you rest in peace, Sir.
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« Last Edit: 05:41:51, 11-06-2007 by Parsifal1882 »
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Il duolo della terra nel chiostro ancor ci segue, solo del cor la guerra in ciel si calmera! E la voce di Carlo! E Carlo Quinto! Mio padre! O ciel!
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martle
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« Reply #16 on: 11:35:52, 11-06-2007 » |
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I will be, Parsifal.
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Green. Always green.
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martle
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« Reply #17 on: 10:47:11, 13-06-2007 » |
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Green. Always green.
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time_is_now
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« Reply #18 on: 11:11:16, 13-06-2007 » |
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That's a wonderful obit! Thanks, M.
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The city is a process which always veers away from the form envisaged and desired, ... whose revenge upon its architects and planners undoes every dream of mastery. It is [also] one of the sites where Dasein is assigned the impossible task of putting right what can never be put right. - Rob Lapsley
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blue_sheep
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« Reply #19 on: 12:09:06, 13-06-2007 » |
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Likewise, many thanks for posting that.
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Parsifal1882
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« Reply #20 on: 18:50:02, 13-06-2007 » |
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I really didn't know that much about DOS. Cheers, martle.
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Il duolo della terra nel chiostro ancor ci segue, solo del cor la guerra in ciel si calmera! E la voce di Carlo! E Carlo Quinto! Mio padre! O ciel!
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Evan Johnson
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« Reply #21 on: 20:02:05, 13-06-2007 » |
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... had he written anything at all published on Clementi? If so, I'd love to take a look at it!
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Ian Pace
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« Reply #22 on: 20:05:08, 13-06-2007 » |
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There's an old article entitled 'Au creux nant musicien: Recent Work by Aldo Clementi', in CONTACT No. 23 (Winter 1981), pp. 5-9.
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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richard barrett
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« Reply #23 on: 20:14:10, 13-06-2007 » |
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... had he written anything at all published on Clementi? If so, I'd love to take a look at it!
I found that Contact article that Ian mentions absolutely captivating when it came out, and many of the ideas in it found their way into what I was writing at the time, though it was another three or four years before I actually heard any of the music, which I must say I found somewhat disappointing, having constructed for myself an aural image of it which it somehow failed to live up to. |
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martle
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« Reply #24 on: 22:16:29, 13-06-2007 » |
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... had he written anything at all published on Clementi? If so, I'd love to take a look at it!
Evan As I mention above, he delivered a brilliant talk on Clementi barely three weeks before his death. I'm hopeful that it will be in a state to be published (it sounded as though it was). Various people working on that right now... |
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Green. Always green.
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Evan Johnson
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« Reply #26 on: 16:44:09, 22-06-2007 » |
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... had he written anything at all published on Clementi? If so, I'd love to take a look at it!
Evan As I mention above, he delivered a brilliant talk on Clementi barely three weeks before his death. I'm hopeful that it will be in a state to be published (it sounded as though it was). Various people working on that right now... Wonderful - keep us posted! Speaking of Clementi, there are wonderful things on this new disc, which is now spinning chez me, and which features prominent contributions from an (erstwhile?) R3OK maven... |
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time_is_now
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« Reply #27 on: 14:32:34, 22-09-2007 » |
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There's an old article entitled 'Au creux nant musicien: Recent Work by Aldo Clementi', in CONTACT No. 23 (Winter 1981), pp. 5-9. Just reminded myself of something from a few weeks back - does anyone have a copy of this they could possibly scan/photocopy (I didn't say that, of course!) for a poor non-academically-affiliated music writer with no JSTOR access?  |
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The city is a process which always veers away from the form envisaged and desired, ... whose revenge upon its architects and planners undoes every dream of mastery. It is [also] one of the sites where Dasein is assigned the impossible task of putting right what can never be put right. - Rob Lapsley
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Ian Pace
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« Reply #28 on: 14:39:01, 22-09-2007 » |
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There's an old article entitled 'Au creux nant musicien: Recent Work by Aldo Clementi', in CONTACT No. 23 (Winter 1981), pp. 5-9. Just reminded myself of something from a few weeks back - does anyone have a copy of this they could possibly scan/photocopy (I didn't say that, of course!) for a poor non-academically-affiliated music writer with no JSTOR access? I have it - can get that to you. CONTACT isn't on JSTOR, anyhow. |
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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time_is_now
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« Reply #29 on: 14:43:08, 22-09-2007 » |
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I have it - can get that to you. You're a star, Ian!  CONTACT isn't on JSTOR, anyhow. Ah, well, there you go. Since I don't have JSTOR access I just tend to assume that everything I want is there. A curious psychological phenomenon which one might call 'wish nearly-fulfilment', I suppose - the idea that you can't have everything you want, but it's only just out of reach. |
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The city is a process which always veers away from the form envisaged and desired, ... whose revenge upon its architects and planners undoes every dream of mastery. It is [also] one of the sites where Dasein is assigned the impossible task of putting right what can never be put right. - Rob Lapsley
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