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Author Topic: Goodall's 'Mastersingers'  (Read 1240 times)
Ron Dough
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« Reply #45 on: 18:10:41, 28-08-2008 »

Stereo broadcasting was rolled out on R3 from as early as 1962, Stanley, and O.B.s from that date were being recorded in stereo: there's at least one from that year preserved on the BBC legends label (Rozhdestvensky's DSCH4), so there should have been no obvious reason for poor quality in a 1968 broadcast, with six years of practice in hand. If the discs are sourced from a private collector's tape, then there are many more variables which might suggest why the sound is strange: bad reception, poor quality tape or a slow tape-speed, even tape degradation (over forty years, very possible).
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Swan_Knight
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« Reply #46 on: 18:13:37, 28-08-2008 »

I listened to this recording during my trip to Israel
On headphones, I hope! Shocked


Oh, yes! Don't worry, I'm not that stupid..... Wink
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...so flatterten lachend die Locken....
makropulos
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« Reply #47 on: 19:20:26, 28-08-2008 »

I listened to this recording during my trip to Israel: most enjoyable and the translation didn't hurt too much. Rather more distracting was the sound....as Stanley has said, it's clearly a stereo recording, but seems to have been taped by a member of the audience - the quality is very much 'bootleg'.

It certainly wasn't taped by a member of the audience - the credits to the BBC at the back of the booklet indicate that this is a copy of the broadcast, albeit one that is perhaps not in the best condition after 40 years. Speaking for myself, I didn't find find the sound much of a distraction. What I'm not sure about is whether I prefer this February 1968 broadcast to the one in September 1968. Despite the stage trumpets being out of step with everyone else at the start of the final scene, I find that performance even more involving in some ways.
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Swan_Knight
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« Reply #48 on: 20:07:56, 28-08-2008 »

I listened to this recording during my trip to Israel: most enjoyable and the translation didn't hurt too much. Rather more distracting was the sound....as Stanley has said, it's clearly a stereo recording, but seems to have been taped by a member of the audience - the quality is very much 'bootleg'.

It certainly wasn't taped by a member of the audience - the credits to the BBC at the back of the booklet indicate that this is a copy of the broadcast, albeit one that is perhaps not in the best condition after 40 years. Speaking for myself, I didn't find find the sound much of a distraction. What I'm not sure about is whether I prefer this February 1968 broadcast to the one in September 1968. Despite the stage trumpets being out of step with everyone else at the start of the final scene, I find that performance even more involving in some ways.

Is that the performance that features a supposedly 'bad' tenor (not Remedios)? If so, who was the offending singer?
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...so flatterten lachend die Locken....
makropulos
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« Reply #49 on: 20:39:03, 28-08-2008 »

I listened to this recording during my trip to Israel: most enjoyable and the translation didn't hurt too much. Rather more distracting was the sound....as Stanley has said, it's clearly a stereo recording, but seems to have been taped by a member of the audience - the quality is very much 'bootleg'.

It certainly wasn't taped by a member of the audience - the credits to the BBC at the back of the booklet indicate that this is a copy of the broadcast, albeit one that is perhaps not in the best condition after 40 years. Speaking for myself, I didn't find find the sound much of a distraction. What I'm not sure about is whether I prefer this February 1968 broadcast to the one in September 1968. Despite the stage trumpets being out of step with everyone else at the start of the final scene, I find that performance even more involving in some ways.

Is that the performance that features a supposedly 'bad' tenor (not Remedios)? If so, who was the offending singer?

That's the one. He's just fine, and his name is Connell Byrne.
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