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Author Topic: The Proms: Then (1984) and Now  (Read 5070 times)
richard barrett
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« Reply #105 on: 19:47:35, 29-07-2007 »

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Bryn
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« Reply #106 on: 19:59:37, 29-07-2007 »

Oh come on, Richard. That's a very poor effort compared to Varčse.

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richard barrett
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« Reply #107 on: 20:10:48, 29-07-2007 »

Yet another philistine who doesn't appreciate the subtlety of Roger Moore's acting...
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martle
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« Reply #108 on: 21:59:46, 29-07-2007 »



Now, that's class.
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Green. Always green.
thompson1780
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« Reply #109 on: 23:12:14, 29-07-2007 »

The Uzbeks were pretty stunning, Tommo: suddenly the story of Joshua and Jericho seemed somehow less improbable...

Cheers Ron,  Managed to catch it on Listen Again.

Earlier in the Month I caught some Tibetan Monks at the Henley Festival - quite a similar sound.  They were stonkingly loud, and I can imagine the Uzbeks were too.

Tommo
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Made by Thompson & son, at the Violin & c. the West end of St. Paul's Churchyard, LONDON
thompson1780
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« Reply #110 on: 23:14:55, 29-07-2007 »

Anybody else feel a sense of H&N-type late evening ghettoisation for the second Prom?

But it's Susanna Mälkki......  why would anyone leave?

Tommo
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Made by Thompson & son, at the Violin & c. the West end of St. Paul's Churchyard, LONDON
Ron Dough
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« Reply #111 on: 22:41:33, 31-07-2007 »

Wednesday 8 August 1984

Brahms
Symphony No.3 in F major (37 mins)

Interval

Dvo?ák
Violin Concerto in A minor (33 mins)
Johann Strauss II
March from The Gypsy Baron (3mins)
Cuckoo Polka (4 mins)
Tritsch-Tratsch Polka (3 mins)
The Blue Danube (10 mins)
Perpetuum Mobile (3 mins)

Nigel Kennedy violin

Royal Philharmonic Orchestra
Conducted by James Loughran


Wednesday I August 2007


Kurtág's funeral ode on the death of his teacher András Mihály prefaces one of the greatest of all Romantic symphonies: Mahler's Ninth, written soon after the death of his own daughter, which opens with the irregular rhythm in imitation of Mahler's own failing heartbeat. Ilan Volkov conducts the BBC SSO, an orchestra with which he has enjoyed a warm rapport since he became its Chief Conductor in 2003.


György Kurtág
Stele (14 mins)

Interval

Mahler
Symphony No. 9 in D (85 mins)

BBC Scottish Symphony Orchestra
Ilan Volkov conductor
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martle
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« Reply #112 on: 22:46:02, 31-07-2007 »

Er, no contest?  Roll Eyes
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Ron Dough
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« Reply #113 on: 22:55:45, 31-07-2007 »

1984 is a very strange programme indeed, isn't it? The Strauss seems to be tacked-on to make up for the fact that there was to be no separate Strauss evening that year: a break with tradition.
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oliver sudden
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« Reply #114 on: 23:03:17, 31-07-2007 »

Last time I saw a contest that unbalanced, Australia was playing cricket.
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roslynmuse
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« Reply #115 on: 23:26:35, 31-07-2007 »

I'm slightly surprised that there have been no comments about the previous 1984 Prom, but how about this one?

Wednesday 1 August 1984

Harrison Birtwistle
Three Movements with Fanfares (15 mins)
Nomos (15 mins)

Interval

Bartok
Sonata for two pianos and percussion (25 mins)

Interval

Berio
Sinfonia (26 mins)


Robert Bridge piano
Jonathan Higgins piano
Tristan Fry percussion
James Holland percussion
Electric Phoenix

BBC Symphony Orchestra
Conducted by Elgar Howarth



This was my first ever prom! Sat right up near the top, almost at the gallery. Electric Phoenix were great that night. The Berio was my incentive for going and like smittims I remember the Nomos reference in the 3rd mt. Even just reading the quotes touches on some very deep memories. What a wonderful piece it is, and how underrated Berio still is.
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Ron Dough
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« Reply #116 on: 18:56:48, 02-08-2007 »

Thursday 9 August 1984

Mozart
Adagio and Fugue in C minor, K. 546 (8 mins)
Beethoven
Symphony No. 2 in D major (35 mins)

Interval

Haydn
Mass in D Minor (Nelson) (43 mins)

Eiddwen Harrhy soprano
Carolyn Watkinson mezzo-soprano
Philip Langridge tenor
Malcolm King bass

Schütz Choir of London
London Classical players
Conductor Roger Norrington


Thursday 2 August 2007
Royal Albert Hall: 700pm


Debussy's exuberant celebration of spring, in which he sought to 'cover as wide a range of sensations as possible', and his fellow Frenchman's swirling deconstruction of the Viennese waltz, throw into relief Prokofiev's last Western commission before returning to the USSR, performed by the star soloist from 2005's First Night. David Matthews' Sixth Symphony, commissioned by the John S. Cohen Foundation, receives its first performance following the warm reception given to Matthews' Fifth Symphony at the Proms in 1999.


Debussy
Printemps (16 mins)
Prokofiev
Violin Concerto No. 2 in G minor (27 mins)

interval

David Matthews
Symphony No. 6 (world premiere) (35 mins)
Ravel
La valse (12 mins)

Janine Jansen violin
BBC National Orchestra of Wales
Jac van Steen conductor
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richard barrett
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« Reply #117 on: 19:08:27, 02-08-2007 »

Who is this Janine Jansen anyway?
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Ron Dough
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« Reply #118 on: 19:12:32, 02-08-2007 »

How would I know? You've got to be cooooooooooooool, FAB and have a critical command of emoticons to appreciate her, I suspect.
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Ron Dough
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« Reply #119 on: 22:25:03, 02-08-2007 »

Friday 10 August 1984

Debussy
Ibéria (19 mins)
Stravinsky
Symphonies of Wind Instruments (9 mins)

Interval

Bartók
Duke Bluebeard's Castle (60 mins)

Julia Hamari soprano
Laszlo Polgar bass

BBC Symphony Orchestra
Conducted by Peter Eötvös


Friday 3 August 2007

Stravinsky's buzzing scherzo inspired by the 'vital energy' and 'ferocious lyricism' of the world of bees sets the scene for the extreme virtuosity of Magnus Lindberg's Clarinet Concerto. Semyon Bychkov, making his first Proms appearance with the BBC Symphony Orchestra, also conducts Rakhmaninov's expansively lyrical Second Symphony, whose bitter-sweet Adagio carries the most lyrical clarinet solo in the orchestral repertory.


Stravinsky
Scherzo fantastique (12 mins)
Magnus Lindberg
Clarinet Concerto (20 mins)

Interval

Rakhmaninov
Symphony No. 2 in E minor (60 mins)

Kari Kriikku clarinet
BBC Symphony Orchestra
Semyon Bychkov conductor
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