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Author Topic: Prom 2: Music from Great British Films - BBC Concert Orchestra/John Wilson  (Read 840 times)
eruanto
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« Reply #15 on: 10:51:15, 19-07-2007 »

Reply #3, martle.  Cheesy
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martle
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« Reply #16 on: 11:06:36, 19-07-2007 »

Woops! Sorry.  Embarrassed
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Green. Always green.
Tony Watson
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« Reply #17 on: 22:37:32, 28-07-2007 »

I saw some of this on BBC2 this evening. Perhaps there was an explanation at the beginning that I missed but the picture quality was different from the usual - more like a film (which would have been appropriate of course but it was slightly disconcerting). And did I hear correctly that Britten had been approached to write the music for Lawrence of Arabia but he didn't have enough time? I wonder what it would have sounded like. I think the closest he got to it was a camel in Noye's Fludde.
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Tony Watson
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« Reply #18 on: 09:00:35, 01-08-2007 »

I've just found this from somewhere else, which bears out my reply 17.

http://www.bbc.co.uk/dna/mbradio3/F7497567?thread=4413034&skip=0&show=20#p51474995

It's a bit of a relief. I was beginning to think my senses were starting to play up.
« Last Edit: 09:03:08, 01-08-2007 by Tony Watson » Logged
smittims
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« Reply #19 on: 10:13:08, 01-08-2007 »

I think it was Walton,not Britten,who was oroginally approached to write the score for 'Lawrence of Arabia'.I can just imagine what it would have sounded like. I do think Maurice Jarre did a spleidid job,though.

I was interested to see the BBC concert orchestra strings playing portamento,unlike the LPO on the film soundtrack. The conductor on that occasion,Sir Adrian Boult,was  I think an opponent of string portamento,and gradually excised it from the BBC SO's playing during his time there.

I don't think Britten was interested in writing film music after his days with the GPO: 'Coal Face 'and 'Night Mail' of course are classics. I especially like the music  for 'Coal Face' ingeniously scored for piano and percussion,with  a tiny choir, all suggesting a much bigger ensemble. Here are the seeds of his later effective percussion writing in 'Billy Budd' 'Noyes Fludde' and the Church Parables. .
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Stanley Stewart
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Well...it was 1935


« Reply #20 on: 16:12:49, 01-08-2007 »

 "Love From a Stranger", adapted from Frank Vosper's play, was provided with a nifty Britten score, in 1936, the same year as "Night Mail", Smittims.
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Ron Dough
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« Reply #21 on: 16:48:07, 01-08-2007 »

And made available on an NMC disc, to boot:

http://www.mdt.co.uk/MDTSite/product//NMCD073.htm
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TommyPearson
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« Reply #22 on: 17:44:23, 02-08-2007 »

I think it was Walton,not Britten,who was oroginally approached to write the score for 'Lawrence of Arabia'.I can just imagine what it would have sounded like. I do think Maurice Jarre did a spleidid job,though.


Hello Smittims,
I've spoken to Maurice Jarre about this on many occasions.
It was indeed Walton that was approached first for Lawrence, as was pointed out in the Prom script, but Britten WAS approached too, later on. The idea was for Britten to write the 'English' music, Khatchaturian to write the more exotic 'foreign' music, and Maurice Jarre would fill in the gaps. But Britten needed six months to write his bit and that simply wasn't an option for David Lean and the distributors. Richard Rodgers was then brought in to write some themes (which he did), but during the play-through Lean was distraught - he hated the themes. Jarre stepped up to the plate, played the theme he'd been working on anyway, and Lean put his hand on Jarre's shoulder and said 'That's it.' The rest is history.
Jarre told me that he can still 'feel' Lean's hand on his shoulder - he knows what that moment meant for the rest of his career.

bws,
Tommy
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