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The Radio 3 Boards > Admin Boards > Viewable archives > Proms 2007 > Prom 33: BBC Philharmonic - Gianandrea Noseda
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Author Topic: Prom 33: BBC Philharmonic - Gianandrea Noseda  (Read 735 times)
martle
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« Reply #15 on: 13:26:34, 09-08-2007 »
Tony, that's the Tocatta from Pulcinella, and it's in E. Tricky! There's also the repeated figure at the end of the suite, constantly ending on a high concert C.
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Green. Always green.
martle
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« Reply #16 on: 13:31:27, 09-08-2007 »
... and here is a recording! Tocatta starts at 4 mins in.

http://www.youtube.com/watch?v=tgcPF8fSOig
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Green. Always green.
Tony Watson
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« Reply #17 on: 13:41:21, 09-08-2007 »
That's it exactly, O Green One. Quick work!
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harrumph
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« Reply #18 on: 15:56:17, 09-08-2007 »
Quote from: oliver sudden on 13:19:58, 09-08-2007
...It's unlikely that a band trumpet player for example would be required to hang on to top A for what seems like half an hour while the orchestra tries to wipe him off the stage with a horrible dissonance (as happens in Mahler 10), so anyone playing that piece has my full sympathy.
Ah, but on Tuesday they shared out that note between three of them!

Not daft, these professionals  Smiley
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Bryn
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« Reply #19 on: 20:23:36, 09-08-2007 »
Anyone seeking after the Wigglesworth BBCMM cover disc's contents might like to drop me a PM within the next few hours, though it might mean you taking some FLAC.
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oliver sudden
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« Reply #20 on: 20:36:10, 09-08-2007 »
Quote from: harrumph on 15:56:17, 09-08-2007
Quote from: oliver sudden on 13:19:58, 09-08-2007
...It's unlikely that a band trumpet player for example would be required to hang on to top A for what seems like half an hour while the orchestra tries to wipe him off the stage with a horrible dissonance (as happens in Mahler 10), so anyone playing that piece has my full sympathy.
Ah, but on Tuesday they shared out that note between three of them!

Not daft, these professionals  Smiley
Not daft, Deryck Cooke - that's indeed how he's laid it out in the finale. Indeed between bars 267 and 287 all four trumpets get a go although the second not quite so prominently as the other three.

Did that happen in the first movement as well then? Makes sense I guess.
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