This sensitive, scholarly portrayal of Shona musicians and the African Musical tradition is highly engaging and comprehensive in its range of data. Paul Berliner provides the complete cultural context for the music and an intimate, precise account of the meaning of the instrument and its music.

"Paul Berliner's The Soul of Mbira is probably the best ethnography ever written about an African musical tradition. It is a complete classic . . . . I know of no other instrument with the range of the mbira, and the book is equal to the instrument."—John Chernoff

This is the definitive edition of one of America's greatest poets, increasingly recognised as one of the greatest English-language poets of the 20th century, loved by readers and poets alike. This collection includes her four published volumes, fifty uncollected works, and translation of Octavio Paz, Max Jacob and others. Bishop's poems combine humour and sadness, pain and acceptance, and observe nature and lives in perfect miniaturist close-up. The themes central to her poetry are geography and landscape (from New England, where she grew up, to Brazil and Florida where she later lived), human connection with the natural world, questions of knowledge and perception, and the ability or inability of form to control chaos. Her father died when she was one, her mother was committed to a mental hospital when Elizabeth was five, and her life was often psychologically or physically difficult. She was witty and shunned self-pity, but some poems thinly conceal her estrangements as a woman, a lesbian, an orphan, a geographically rootless traveler, a frequently hospitalized asthmatic, and a sufferer of depression and alcoholism. "I'm not interested in big-scale work as such," she once told Lowell. "Something needn't be large to be good." 'When we read her, we enter the classical serenity of a new country,' Robert Lowell. If ever there was a poet whose every scrap of writing should be in print, that poet must be Elizabeth Bishop' Christopher Reid.

The text of each poem is given in letterpress on the page facing the color plate, and a brief commentary by Sir Geoffrey Keynes on each poem follows. It is printed on paper especially manufactured to match the tint of that used by Blake.

One of the great English Romantic poets, William Blake (1757-1827) was an artist, poet, mystic and visionary. His work ranges from the deceptively simple and lyrical "Songs of Innocence" and their counterpoint "Experience" - which juxtapose poems such as "The Lamb and The Tyger", and "The Blossom and The Sick Rose" - to highly elaborate, apocalyptic works, such as "The Four Zoas", "Milton" and "Jerusalem". Throughout his life Blake drew on a rich heritage of philosophy, religion and myth, to create a poetic worlds illuminated by his spiritual and revolutionary beliefs that have fascinated, intrigued and enchanted readers for generations.

Heinrich Schenker's theoretical and analytical method occupies a central (and often troubling) position in modern Anglo-American musical studies. His writings claim to resubstantiate the unique artistic presence of the canonic work, and reject those disciplines, such as psychoacoustics and systematic musicology, which derive from the natural sciences. This book rereads Schenker's project as an attempt to reconstruct music theory as a discipline against the background of the new empirical musical sciences of the later nineteenth century, such as the psychological and historical investigations of music.

A new book by America's leading literary critic on the uses of deep reading. Practical, inspirational and learned, How to Read and Why is Bloom's manifesto for the preponderance of written culture. In the vastly influential The Western Canon, Harold Bloom outlined what we should read to understand a greater depth of the individual self. How to Read and Why continues the argument and focusses on how we use literature in order to gain deeper self-awareness. Poems, stories, novels, plays and parables are all analysed as forms of writing as immersion, the language of individuality and inwardness: Shakespeare's sonnets, the short stories of Hemingway and de Cervantes, the novels of Proust and Calvino, Sophocles's Oedipus Rex and Mark's Gospel. Harold Bloom also addresses the idea of why we read: increased individuality, respite from visual bombardment, a return to 'deep feeling' and 'deep thinking'. How to Read and Why is an essential book for any reader, an introduction to the world of written culture, an inspirational self-help book for students and teachers alike.

Borges' stories have a deceptively simple, almost laconic style. In maddeningly ingenious stories that play with the very form of the short story, Borges returns again and again to his themes: dreams, labyrinths, mirrors, infinite libraries, the manipulations of chance, gaucho knife-fighters, transparent tigers and the elusive nature of identity itself.

'Nobody before Borges had ever attempted this strange and wonderful mixture of arcana, popular literature, national myth, the nature of time and classical themes. Now we can see it in all its intense and disturbing brilliance, certain that we will never see anything like it again' - Justin Cartwright, "Independent on Sunday".

'One of the most remarkable artists of our age' - Mario Vargas Llosa. "The Book of Sand" was the last of Borges' major collections to be published. The stories are, in his words, 'variations on favourite themes...combining a plain and at times almost colloquial style with a fantastic plot'. It includes such marvellous tales as "The Congress", "Undr" and "The Mirror and the Mask". Also included are the handful of stories written right at the end of Borges' life - "August 25, 1983", "Blue Tigers", "The Rose of Paracelsus" and "Shakespeare's Memory".

At the age of seventy, after a gap of twenty years, Jorge Luis Borges returned to writing short stories. In Brodie’s Report, he returned also to the style of his earlier years with its brutal realism, nightmares, and bloodshed. Many of these stories, including "Unworthy" and "The Other Duel," are set in the macho Argentinean underworld, and even the rivalries between artists are suffused with suppressed violence. Throughout, opposing themes of fate and free will, loyalty and betrayal, time and memory flicker in the recesses of these compelling stories, among the best Borges ever wrote.

Though best known in the English speaking world for his short fictions and poems, Borges is revered in Latin America equally as an immensely prolific and beguiling writer of non-fiction prose. In "The Total Library", more than 150 of Borges' most brilliant pieces are brought together for the first time in one volume - all in superb new translations. More than a hundred of the pieces have never previously been published in English. "The Total Library" presents Borges at once as a deceptively self-effacing guide to the universe and as the inventor of a universe that is an indispensible guide to Borges.

A new and revised edition, in a new livery of the most comprehensive single-volume dictionary available on mathematics. With over 9000 definitions and 400 diagrams, this is the one dictionary of mathematics any student of the subject will ever need.