A Journal of the Plague Year Daniel Defoe  
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Classic 1722 account of the epidemic that ravaged England nearly 60 years earlier. Defoe used his considerable talents as a journalist and novelist to reconstruct—historically and fictionally—the Great Plague of London in 1664-65. Written as an eyewitness report, the novel abounds in memorable and realistic details.

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Intensive Science & Virtual Philosophy Manuel DeLanda  
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Intensive Science and Virtual Philosophy cuts to the heart of the philosophy of Gilles Deleuze and of today's science wars. At the start of the 21st Century, Deleuze is now regarded as the most radical and influential of contemporary philosophers. Yet his work is widely misunderstood and misinterpreted. In this already classic work Manuel DeLanda does what the growing host of Deleuzians have falled to do - he makes sense of Deleuze for both analytic and continental thought, for both science and philosophy.

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Bergsonism Gilles Deleuze  
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In this analysis of one major philosopher by another, Gilles Deleuze identifies three pivotal concepts - duration, memory, and élan vital - that are found throughout Bergson's writings and shows the relevance of Bergson's work to contemporary philosophical debates. He interprets and integrates these themes into a single philosophical program, arguing that Bergson's philosophical intentions are methodological. They are more than a polemic against the limitations of science and common sense, particularly in Bergson's elaboration of the explanatory powers of the notion of duration - thinking in terms of time rather than space.

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Difference and Repetition Gilles Deleuze, Paul Patton  
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This is a classic contemporary philosophy and a key work in the oeuvre of Gilles Deleuze. It is a brilliant exposition of the critique of identity, and indentity that limits human activity and thought, and it develops two key concepts; pure difference and complex repitition.

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How to Read Derrida Penelope Deutscher  
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An idiosyncratic and highly controversial French philosopher, Jacques Derrida inspired profound changes in disciplines as diverse as law, anthropology, literature and architecture. In Derrida's view, texts and contexts are woven with inconsistencies and blindspots, which provide us with a chance to think in new ways about, among other things, language, community, identity and forgiveness. Derrida's suggestions for "how to read" lead to a new vision of ethics and a new concept of responsibility. Penelope Deutscher discusses extracts from the full range of Derrida's work, including. Of Grammatology, Dissemination, Limited Inc, The Other Heading: Reflections on Europe, Monolinguism of the Other, Given Time, and Force of Law.

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The Complete Poems Emily Dickinson, Thomas Herbert Johnson  
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The only authoritative paperback collection of all of Emily Dickinson's poetry. The editor has assembled a reading text of the preferred forms of all 1,775 poems, and has included in his introduction an explanation of his selection of texts, plus a helpful outline of Emily Dickinson's career.

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Introduction to the Reading of Lacan : The Unconscious Structured Like a Language Joel Dor  
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Joel Dor's Introduction to the reading of Lacan is the demystifying first in the Lacanian Clinical Field, a landmark series that elucidates clinical applications of Lacanian theory for the English-speaking audience. Dor probes the link between structuralism and linguistic theory, clarifying Lacan's famous formulation that the unconscious is structured like a language, and proving that the mighty if opaque ideas of Jacques Lacan can be made understandable

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Dore's Illustrations for "Paradise Lost" Gustave Dore  
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All 50 of Doré’s powerful illustrations for Milton’s epic poem, with quotes from the text and a plot summary of the entire poem.

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The Writings Of Marcel Duchamp Marcel Duchamp, Michel Sanouillet, Elmer Peterson  
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In the twenties, Surrealists proclaimed that words had stopped playing around and had begun to make love. Nowhere is this more apparent than in the writings of Marcel Duchamp, who fashioned some of the more joyous and ingenious couplings and uncouplings in modern art. This collection beings together two essential interviews and two statements about his art that underscore the serious side of Duchamp. But most of the book is made up of his experimental writings, which he called ”Texticles,” the long and extraordinary notes he wrote for The Bride Stripped Bare By Her Bachelors, Eben (also known as The Large Glass), and the outrageous puns and alter-ego he constructed for his female self, Rrose Sélavy (”Eros, c’est la vie” or “arouser la vie”—“drink it up”; “celebrate life”). Wacky, perverse, deliberately frustrating, these entertaining notes are basic for understanding one of the twentieth century’s most provocative artists, a figure whose influence on the contemporary scene has never been stronger.

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Modern Algebra: An Introduction John R. Durbin  
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Written to help students learn the basic concepts of modern algebra and how to handle abstract ideas and proofs. Begins by introducing readers to the mechanics of proofs such as implications, contrapositives, converses, quantifiers and more. The fundamental concepts of groups, rings and fields are presented, along with the use of these concepts through other math courses, by characterizing each of the basic number systems—integers, rational, real and complex numbers. Packed with examples and problems, it includes a variety of applications to both motivate and show the usefulness of modern algebra.

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Partitas: BWV 825-827 Nos. 1-3 Walter Emery  
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Published within the 'Signature' Series, a series of authoritative performing editions of standard keyboard works, prepared from original sources by leading scholars. Including informative introductions and performance notes

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