|
time_is_now
|
 |
« Reply #435 on: 23:47:39, 05-05-2007 » |
|
I didn't/don't think it's ever been commercially released... It definitely has bits of vinyl 'crackle', though, in which case I think it must be transferred from an old commercial release. PM me if you want a copy - I'd be happy to oblige. |
|
|
|
|
Logged
|
The city is a process which always veers away from the form envisaged and desired, ... whose revenge upon its architects and planners undoes every dream of mastery. It is [also] one of the sites where Dasein is assigned the impossible task of putting right what can never be put right. - Rob Lapsley
|
|
|
|
time_is_now
|
|
« Reply #436 on: 23:48:51, 05-05-2007 » |
|
in its time (1961) Well, if I'd known that I might have pricked up my ears a bit more. |
|
|
|
|
Logged
|
The city is a process which always veers away from the form envisaged and desired, ... whose revenge upon its architects and planners undoes every dream of mastery. It is [also] one of the sites where Dasein is assigned the impossible task of putting right what can never be put right. - Rob Lapsley
|
|
|
|
Ian Pace
|
|
« Reply #437 on: 23:50:16, 05-05-2007 » |
|
I didn't/don't think it's ever been commercially released... It definitely has bits of vinyl 'crackle', though, in which case I think it must be transferred from an old commercial release. PM me if you want a copy - I'd be happy to oblige. I'm pretty positive there hasn't been a release of that, certainly not in vinyl days (nor on CD unless there's some very obscure mixed CD out there somewhere). Could the 'crackle' have come from elsewhere? |
|
|
|
|
Logged
|
'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
|
|
|
|
Biroc
|
|
« Reply #438 on: 23:53:03, 05-05-2007 » |
|
I didn't/don't think it's ever been commercially released... It definitely has bits of vinyl 'crackle', though, in which case I think it must be transferred from an old commercial release. PM me if you want a copy - I'd be happy to oblige. I'm pretty positive there hasn't been a release of that, certainly not in vinyl days (nor on CD unless there's some very obscure mixed CD out there somewhere). Could the 'crackle' have come from elsewhere? Original radio broadcast perhaps? |
|
|
|
|
Logged
|
"Believe nothing they say, they're not Biroc's kind."
|
|
|
|
thompson1780
|
|
« Reply #439 on: 23:54:26, 05-05-2007 » |
|
Zemlinsky - Die Seejungfrau - Pesko, Sinfonie Orchester des Sudwestrundfunks, Baden Baden
Tommo Tommo
|
|
|
|
|
Logged
|
Made by Thompson & son, at the Violin & c. the West end of St. Paul's Churchyard, LONDON
|
|
|
|
oliver sudden
|
|
« Reply #440 on: 23:56:28, 05-05-2007 » |
|
What a very southwestroundspark evening we're having, Tommo...
|
|
|
|
|
Logged
|
|
|
|
|
roslynmuse
|
|
« Reply #441 on: 00:11:18, 06-05-2007 » |
|
It's been a Bridge night for me (partly thanks to Syd!) - Oration, Allegro moderato for strings, Prayer. Hickox/ Chandos vol 4. All new to me; some startling moments in Oration (add a bit of percussion and some bars would sound like Tout un monde lointain!!!), Prayer is OK, a bit chorally-overblown (and a rather self-flagellatory text by Thomas a Kempis); Allegro moderato by far the tightest piece, will give it another spin...
|
|
|
|
|
Logged
|
|
|
|
|
time_is_now
|
|
« Reply #442 on: 00:35:29, 06-05-2007 » |
|
Is Oration the cello concerto? If so, I think I prefer Phantasm, the piano concertante work from around the same time (although I've only heard them once each, and in the cello one Steven Isserlis was well-nigh drowned out by the Albert Hall acoustic).
|
|
|
|
|
Logged
|
The city is a process which always veers away from the form envisaged and desired, ... whose revenge upon its architects and planners undoes every dream of mastery. It is [also] one of the sites where Dasein is assigned the impossible task of putting right what can never be put right. - Rob Lapsley
|
|
|
|
BobbyZ
|
|
« Reply #443 on: 11:19:08, 06-05-2007 » |
|
Is Oration the cello concerto? If so, I think I prefer Phantasm, the piano concertante work from around the same time (although I've only heard them once each, and in the cello one Steven Isserlis was well-nigh drowned out by the Albert Hall acoustic).
Yes, Oration is the cello concerto. There's a performance on R3 next Friday ( 11th ) when Perfomance on 3 is a concert from the Manchester Cello Festival. Britten and Walton's concertos also. |
|
|
|
|
Logged
|
Dreams, schemes and themes
|
|
|
|
Biroc
|
|
« Reply #444 on: 17:51:02, 06-05-2007 » |
|
Currently spinning: DW 17: Doubles/Schatten II by Bernhard Lang. Good stuff.
|
|
|
|
|
Logged
|
"Believe nothing they say, they're not Biroc's kind."
|
|
|
|
aaron cassidy
|
|
« Reply #445 on: 17:59:32, 06-05-2007 » |
|
Currently spinning: DW 17: Doubles/Schatten II by Bernhard Lang. Good stuff.
Indeed. |
|
|
|
|
Logged
|
|
|
|
|
Jonathan
|
|
« Reply #446 on: 18:04:32, 06-05-2007 » |
|
Just heard Glinka transcribed Liszt - Chernoor's March from Russlan, Liszt Grossekonzertstucke on themes by Mendelssohn and lastly, Liszt's Grands Galop Chromatique in the 4 hand version.
|
|
|
|
|
Logged
|
Best regards,
Jonathan
*********************************************
"as the housefly of destiny collides with the windscreen of fate..."
|
|
|
|
Biroc
|
|
« Reply #447 on: 18:53:54, 06-05-2007 » |
|
Post-Lang spinning: Die Elenden sollen essen BWV 75, Gardiner. Excellent.
|
|
|
|
|
Logged
|
"Believe nothing they say, they're not Biroc's kind."
|
|
|
|
Chafing Dish
Guest
|
|
« Reply #448 on: 19:23:37, 06-05-2007 » |
|
I submit myself to a regular diet of Henry Threadgill. Anyone else think this is extremely under-rated?
|
|
|
|
|
Logged
|
|
|
|
|
richard barrett
Guest
|
|
« Reply #449 on: 19:26:55, 06-05-2007 » |
|
I submit myself to a regular diet of Henry Threadgill. Anyone else think this is extremely under-rated?
Oh yes. |
|
|
|
|
Logged
|
|
|
|
|
