time_is_now
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« Reply #15 on: 22:29:42, 12-11-2008 » |
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Remember the egregious Igor's mal mot "if Richard, then Wagner - if Strauss, then Johann"? (to which my immediate retort was "if Igor, then Prince")? I didn't know you ever met Stravinsky, Alistair!
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The city is a process which always veers away from the form envisaged and desired, ... whose revenge upon its architects and planners undoes every dream of mastery. It is [also] one of the sites where Dasein is assigned the impossible task of putting right what can never be put right. - Rob Lapsley
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ahinton
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« Reply #16 on: 22:54:26, 12-11-2008 » |
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Remember the egregious Igor's mal mot "if Richard, then Wagner - if Strauss, then Johann"? (to which my immediate retort was "if Igor, then Prince")? I didn't know you ever met Stravinsky, Alistair! Ah, the things that you don't know, tinners! Never mind - just don't Agonise over them, for I hail from Dunfermline, not Dumbarton (neither of which is located in Rossignol & Cromarty) and Strawhisky (as he once sought to briefly to dub himself) is not made in either place, as no doubt you already know. I did not meet him, of course; my quoted retort occurred (as I'm sure you've actually managed in any case to deduce) when first I heard that (in)famous remark of his although, that said, I would quite have liked to have met him if only to be able to utter it to his face had such an opportunity to do so ever presented itself...
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Kuhlau
 
Gender: 
Posts: 60
Kasper Meier
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« Reply #17 on: 23:30:50, 12-11-2008 » |
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This hideously ponderous recording is to be avoided at all costs:  By the time Vengerov has finished (slowly) molesting the first movement cadenza, one has forgotten what the hell one was listening to ... FK
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richard barrett
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« Reply #18 on: 23:39:35, 12-11-2008 » |
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Continuing on my Four Seasons theme, here's another recording which sadly doesn't have the excuse that it's played on traditional Japanese instruments: 
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Kuhlau
 
Gender: 
Posts: 60
Kasper Meier
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« Reply #19 on: 23:53:46, 12-11-2008 » |
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Continuing on my Four Seasons theme, here's another recording which sadly doesn't have the excuse that it's played on traditional Japanese instruments:  Will there ever come a time, I wonder, when it'll be okay for me to confess that, while I don't rate this as highly as I do Europa Galante's outing with Fabio Biondi, I nonetheless rather enjoy it from time to time? FK
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Robert Dahm
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« Reply #20 on: 02:20:56, 13-11-2008 » |
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No. That time will never come.
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Kittybriton
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« Reply #21 on: 16:12:11, 14-11-2008 » |
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Poor Viv. How many centuries does it take to get over being used as "Elevator Music"?
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Click me -> About meor me -> my handmade storeNo, I'm not a complete idiot. I'm only a halfwit. In fact I'm actually a catfish.
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richard barrett
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« Reply #22 on: 16:22:37, 14-11-2008 » |
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Poor Viv. How many centuries does it take to get over being used as "Elevator Music"?
Don't get me wrong, Kitty, I'm very fond of Vivaldi's music, just not the way it gets mangled by Eraserhead there.
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brassbandmaestro
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« Reply #23 on: 16:27:53, 14-11-2008 » |
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What about Kennedy's irracesable recording of Beethoven's VC?
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richard barrett
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« Reply #24 on: 16:40:44, 14-11-2008 » |
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irracesable I'm sure we'd all agree if we had any idea what this word means! Shame about those Vivaldi operas, eh?
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Bryn
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« Reply #25 on: 16:43:46, 14-11-2008 » |
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What about Kennedy's irracesable recording of Beethoven's VC?
Would that be the one with Tennstedt or his more recent one? 
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Bryn
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« Reply #26 on: 16:50:17, 14-11-2008 » |
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By the way, for "irrecesable", Google suggest "irrevesable" might have been intended, but that doesn't help much, does it?
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brassbandmaestro
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« Reply #27 on: 16:50:58, 14-11-2008 » |
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His more recent one with those Polish guys. Absolutely horrid!
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richard barrett
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« Reply #28 on: 17:07:13, 14-11-2008 » |
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Irreversible? Irreplaceable? Irresolvable? Irreconcilable? Inaccessible?
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ahinton
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« Reply #29 on: 17:11:05, 14-11-2008 » |
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Irreversible? Irreplaceable? Irresolvable? Irreconcilable? Inaccessible?
"Call me irresponsible"? "Irreplaceable you"? Hmmm..
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