AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAARRRRRRRRRRRRRRRRRRRRRRGGGHHHHHHHHHHHHHHHHHHHH!!!!!!!!!!!
Unfortunately, due to illness, Angelika Kirchschlager is unable to take part in the Basel Chamber Orchestra concert on Wednesday 30th January. The Orchestra and Southbank Centre are extremely grateful to Sarah Connolly for taking her place at very short notice. The programme remains unchanged.
Sarah Connolly has appeared in recital in London and New York and her many concert engagements include appearances at the Salzburg Festival, BBC Proms, Vienna Konzerthaus, Berlin Philharmonie and the Amsterdam Concertgebouw. In opera, she has recently appeared at La Scala, Milan; the Glyndebourne Festival and Scottish Opera. She is also a favourite at the English National Opera.
Should you no longer wish to attend the concert please telephone us on 0871 663 2500 and we will arrange for a refund for you. Please also contact us should you have any queries.
I do hope that you will choose to come on 30th and we look forward to welcoming you.
In the space of a fortnight, I've lost out on Netrebko, Scholl and Kirchschlager.
Ironically, Sarah Connolly - who, in the right repertoire, is a singer I would go ANYWHERE for - has recently only turned up as a substitute for somebody else. First there was the Barbican concert "with Thomas Hampson and Susan Graham " which ended up being "with Bryn Terfel and Sarah Connolly". Terrific concert. Now there's this.
And yet on the day I TRY to hear Sarah Connolly - and by TRY, I mean a 1000-mile round trip on an overnight train two days before moving house - she cancelled. (That was Scottish Opera Rosenkavalier, which fortunately has now been bought by ENO and will be appearing in London in a matter of months). Now she has cancelled again.
I am honestly not sure what to do about this. I love SC but have no especial desire to hear her sing Les nuits d'ete. I had a front-row seat for Kirchschlager. In fact, I also had a front-row seat for Kirchschlager about 9 months ago when she as supposed to sing the title role in Ariodante. She cancelled at the last minute, and I - being overtired and having heard a lot of Handel opera in the preceding couple of months - returned my ticket, notwithstanding the prospect of Danielle de Niese as Ginevra.
I'm on a training course outside London 9-5 on Wednesday and would welcome a night of not being in town. However there's just a tiny part of me that says Sarah Connolly's Nuits d'ete might actually be unmissable.
What do I do?
P.S. For those who have been reading threads on TOP in the last fortnight, I am determined NOT to turn into ecudorion