richard barrett
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« Reply #75 on: 21:42:12, 06-05-2007 » |
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just a little too "advanced" for a beginner used only to Johannes Brahms the composer Well, Baz, particle physics is known for its virtuoso demands on both brain and fingers. For one thing, you can never be absolutely certain you've played the right notes. Notes, Richard - "NOTES". Whoever mentioned anything about "notes". Isn't that what these are?
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« Last Edit: 21:44:10, 06-05-2007 by richard barrett »
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Baziron
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« Reply #76 on: 21:47:43, 06-05-2007 » |
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just a little too "advanced" for a beginner used only to Johannes Brahms the composer Well, Baz, particle physics is known for its virtuoso demands on both brain and fingers. For one thing, you can never be absolutely certain you've played the right notes. Notes, Richard - "NOTES". Whoever mentioned anything about "notes". Isn't that what these are? Looks more like "Me and my shadow" to me. Baz
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increpatio
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« Reply #77 on: 21:49:44, 06-05-2007 » |
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just a little too "advanced" for a beginner used only to Johannes Brahms the composer Well, Baz, particle physics is known for its virtuoso demands on both brain and fingers. For one thing, you can never be absolutely certain you've played the right notes. Notes, Richard - "NOTES". Whoever mentioned anything about "notes". Isn't that what these are? To clarify: is the joke that energy states of atoms are like modes of oscillation for a string (from which the notes of our main scales are derived)?
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Baziron
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« Reply #78 on: 21:54:49, 06-05-2007 » |
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just a little too "advanced" for a beginner used only to Johannes Brahms the composer Well, Baz, particle physics is known for its virtuoso demands on both brain and fingers. For one thing, you can never be absolutely certain you've played the right notes. Notes, Richard - "NOTES". Whoever mentioned anything about "notes". Isn't that what these are? To clarify: is the joke that energy states of atoms are like modes of oscillation for a string (from which the notes of our main scales are derived)? My God! That sounds like one hell of a joke! Baz
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Strangeways
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« Reply #79 on: 21:58:07, 06-05-2007 » |
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These are such pritty pictures. I don't know what they are but they are prity.
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richard barrett
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« Reply #80 on: 22:01:21, 06-05-2007 » |
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My God! That sounds like one hell of a joke! Baz Wait till you hear the punchline: Laugh? I thought I'd bust a gut.
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Baziron
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« Reply #81 on: 22:04:47, 06-05-2007 » |
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My God! That sounds like one hell of a joke! Baz Wait till you hear the punchline: Laugh? I thought I'd bust a gut. Well, Richard. Let's not beat about the bush shall we? It looks decidedly "Schenkerian" to me! Nothing "suspicious" you understand; just a bit "Schenkerian". Baz
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increpatio
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« Reply #82 on: 22:06:44, 06-05-2007 » |
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These are such pritty pictures. I don't know what they are but they are prity.
The string modes can look quite pretty also if tastefully graphed...*looks on google*
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Baziron
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« Reply #83 on: 22:16:23, 06-05-2007 » |
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Stranggewwayys, This also looks pritty don't you think? Baz
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richard barrett
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« Reply #84 on: 22:24:04, 06-05-2007 » |
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Lovely, Baz. What was this thread supposed to be about again? Oh yes.
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Baziron
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« Reply #85 on: 22:31:44, 06-05-2007 » |
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Lovely, Baz. What was this thread supposed to be about again? Oh yes. That's what is started out as, but a new Member came along and changed it to: He/she seemed to be confusing this thread with the "Circular Breathing" one, and forgot exactly how Brahms managed to do it his way! Baz
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Ian Pace
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« Reply #86 on: 22:32:33, 06-05-2007 » |
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Let's be on the safe side, and talk about nosh? That seems to fit every thread there is.
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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Baziron
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« Reply #87 on: 22:38:02, 06-05-2007 » |
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Let's be on the safe side, and talk about nosh? That seems to fit every thread there is.
OK Ian - here goes... Happy now? Baz
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increpatio
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« Reply #88 on: 22:38:47, 06-05-2007 » |
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Ok, here's a highly disrespectful question: what's the oddest thing you've ever successfully managed to do (with your free hand) while playing a piece for one hand? I can manage a bowl of spaghetti shapes without effecting my playing too much once I have a piece learned and a comfortable fork.
Or: where do you put your other hand (supposing you have one), when you are playing such a piece?
"no no no, you play the left hand etude with your left hand, while making circles on your forehead with your right hand".
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« Last Edit: 22:41:17, 06-05-2007 by increpatio »
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Ian Pace
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« Reply #89 on: 22:39:21, 06-05-2007 » |
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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