time_is_now
|
|
« Reply #525 on: 00:13:17, 19-01-2008 » |
|
I'm sure I must have asked this before, IGI, but I think it was in the days of the official BBC boards when we all knew each other less well: which MDC did you use to go to? I was assistant manager of the South Kensington branch until it closed, and after that of the Strand branch until, erm, that one closed too. (That all somehow makes me sound bad in a way I wasn't intending. )
|
|
|
Logged
|
The city is a process which always veers away from the form envisaged and desired, ... whose revenge upon its architects and planners undoes every dream of mastery. It is [also] one of the sites where Dasein is assigned the impossible task of putting right what can never be put right. - Rob Lapsley
|
|
|
Reiner Torheit
|
|
« Reply #526 on: 06:42:17, 19-01-2008 » |
|
Fie, tinners, fie... I'm sure neither enterprise would have struggled against the Triple Axis of colossal rents, public indifference and the Cult Of Hayley Westenra for as long, without you at the helm. Reminds me of "Journey's End", really
|
|
|
Logged
|
"I was, for several months, mutely in love with a coloratura soprano, who seemed to me to have wafted straight from Paradise to the stage of the Odessa Opera-House" - Leon Trotsky, "My Life"
|
|
|
Ron Dough
|
|
« Reply #527 on: 09:21:12, 19-01-2008 » |
|
tinners, since you mention MDC in South Ken, does the name Ron Bezubka mean anything to you?
|
|
|
Logged
|
|
|
|
George Garnett
|
|
« Reply #528 on: 09:30:25, 19-01-2008 » |
|
I was assistant manager of... the Strand branch until, erm, that one closed too. Well I never. That was my 'local' which I often used to pop into for a swift Orff or something on the way home. I must have bought many things from the young tinners if only I had known. It was a shame when it closed particularly as I would have thought I had spent enough there all by myself to keep the thing going. (It had a great Closing Down Sale though, I must say, which I pillaged mercilessly.)
|
|
« Last Edit: 09:31:59, 19-01-2008 by George Garnett »
|
Logged
|
|
|
|
Il Grande Inquisitor
|
|
« Reply #529 on: 12:18:28, 19-01-2008 » |
|
I'm sure I must have asked this before, IGI, but I think it was in the days of the official BBC boards when we all knew each other less well: which MDC did you use to go to? I was assistant manager of the South Kensington branch until it closed, and after that of the Strand branch until, erm, that one closed too. (That all somehow makes me sound bad in a way I wasn't intending. ) I sometimes visited the Strand shop, especially to pore over the sale items, which could well be where I bought the Shostakovich set. I was sorry to see it close. I also go to the St Martin's shop to search for operatic bargains. I only really visit the South Bank shop when I'm at the RFH.
|
|
|
Logged
|
Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
|
|
|
time_is_now
|
|
« Reply #530 on: 12:22:46, 19-01-2008 » |
|
tinners, since you mention MDC in South Ken, does the name Ron Bezubka mean anything to you?
It certainly does, although he'd left at least a couple of years before I joined the company.
|
|
|
Logged
|
The city is a process which always veers away from the form envisaged and desired, ... whose revenge upon its architects and planners undoes every dream of mastery. It is [also] one of the sites where Dasein is assigned the impossible task of putting right what can never be put right. - Rob Lapsley
|
|
|
thompson1780
|
|
« Reply #531 on: 12:57:38, 19-01-2008 » |
|
I was assistant manager of... the Strand branch until, erm, that one closed too. Well I never. That was my 'local' which I often used to pop into for a swift Orff or something on the way home. I must have bought many things from the young tinners if only I had known. It was a shame when it closed particularly as I would have thought I had spent enough there all by myself to keep the thing going. (It had a great Closing Down Sale though, I must say, which I pillaged mercilessly.) Is that the one next to Coutts? I think I may have stumbled across that closing down sale too. To think we all met tinners before he was, er, tinners. Tommers
|
|
|
Logged
|
Made by Thompson & son, at the Violin & c. the West end of St. Paul's Churchyard, LONDON
|
|
|
George Garnett
|
|
« Reply #532 on: 13:01:47, 19-01-2008 » |
|
I think I may have stumbled across that closing down sale too.
Ah yes, that trick step just inside the door! I'd forgotten that. As I always did. time-was-when
|
|
|
Logged
|
|
|
|
time_is_now
|
|
« Reply #533 on: 13:15:42, 19-01-2008 » |
|
Yes, and to think I met all of you before you were, well, you!
That trick step tricked a few people, George. I hope you weren't one of the ones who came away bloodied from the encounter.
|
|
|
Logged
|
The city is a process which always veers away from the form envisaged and desired, ... whose revenge upon its architects and planners undoes every dream of mastery. It is [also] one of the sites where Dasein is assigned the impossible task of putting right what can never be put right. - Rob Lapsley
|
|
|
Reiner Torheit
|
|
« Reply #534 on: 14:33:25, 19-01-2008 » |
|
tinners, since you mention MDC in South Ken, does the name Ron Bezubka mean anything to you?
Is the eponymous Ron after whom "Ron's Music" was named before it become MDC, by any chance? I remember their shop up the road from Baker Street towards St John's Wood...
|
|
|
Logged
|
"I was, for several months, mutely in love with a coloratura soprano, who seemed to me to have wafted straight from Paradise to the stage of the Odessa Opera-House" - Leon Trotsky, "My Life"
|
|
|
George Garnett
|
|
« Reply #535 on: 14:40:34, 19-01-2008 » |
|
I hope you weren't one of the ones who came away bloodied from the encounter.
Never bloodied, t-i-n, just a bit bowed occasionally. I think it was the handwritten "Look out for the Trick Step" notice that always distracted me for just long enough to fall over it. The staff were always knowledgeable and helpful, I must say, particularly with questions like "Who was Shostakovich?" (just to keep on topic). I was very chuffed to see in the South Bank MDC the other day that no less than three R3OK contributers had their very own named sections. "I know them" I thought to myself proudly .
|
|
« Last Edit: 14:51:16, 19-01-2008 by George Garnett »
|
Logged
|
|
|
|
Ron Dough
|
|
« Reply #536 on: 17:52:01, 19-01-2008 » |
|
No Rei, (though he did once understudy me in Rep. years back, and I've certainly bought a few items from both South Ken. and the Strand, possibly even from time_not_yet).
|
|
|
Logged
|
|
|
|
Bryn
|
|
« Reply #537 on: 21:57:27, 22-01-2008 » |
|
Both the Melodya Borodin and the Brilliant Rubio sets of the Shostakovich Quartets arrived today. I have cassettes of a QEH survey of the quartets, et. played by the Borodins (ex Radio 3 FM), but apart from that and a 'live' CD with the 8th quartet, this is the first set recorded by them to come my way. I probably know the Fitzwilliam recordings the best, then those by the Emersons and the Shostakovich Quartet. I have the Brodskys but have hardly dipped into that set as yet.
What is it with Melodya? Why the ridiculously thin card for the box, as with the Kondrashin symphonies set, yet heavy weight card for the individual sleeves?
I am currently listening to th 4th (Borodins), and am already glad to have invested in the set. Perhaps unusually, the 4th was the first I remember getting to know, via a recording by the Beethoven Quartet which occupied the final side of a 2 LP set of the 8th Symphony (Gauk conducting, IIRC).
The Borodins' 4th having now finished, I have put the Rubios' on. The recorded sound is not as good, but as I adjust to it, their performance sounds well considered, if not quite as searching as that of the Borodins.
|
|
|
Logged
|
|
|
|
Il Grande Inquisitor
|
|
« Reply #538 on: 10:04:42, 27-01-2008 » |
|
Just a quick heads up that Tommy Pearson has posted a link to the latest Stage and Screen Online edition which features a discussion with Mark Fitz-Gerald about the reconstruction/ arrangement of DSCH's Odna. I'll also put the link to the download here.
|
|
« Last Edit: 10:06:34, 27-01-2008 by Il Grande Inquisitor »
|
Logged
|
Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
|
|
|
Il Grande Inquisitor
|
|
« Reply #539 on: 22:02:11, 12-02-2008 » |
|
After a period of some time without purchasing CDs (see New Year Resolutions thread!) I splashed out all of £3.50 on an Amazon marketplace purchase of The Limpid Stream: I had only heard a few numbers from this before and it's attractive music; one or two pieces were also used in his Jazz Suites. Rozhdestvensky brings the whole thing off with his usual charm. Have other members heard this or seen the ballet performed? I think the Bolshoi brought it to London last summer. Any opinions on Shostakovich ballet music? I think I shall look out The Bolt now!
|
|
|
Logged
|
Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
|
|
|
|