DracoM
Posts: 72
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« Reply #1 on: 18:56:57, 04-03-2007 » |
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"Choral Evensong (Sung by Boys', Girls', Senior Girls' & Men's Voices)"
- from the Cathedral's own website showing the composition of the choir(s) - hence explaining the kinds of sounds we heard.
Looking at the geography of the cathedral is revealing. To any mb members at the service - did they all range themselves on the steps up to the Quire on the nave side? Might explain some aspects of the ...erm..."sound spectrum"? There's a pretty dry acoustic to sing into at Rochester - or that's the way it came over.
The Tomkins is one of my all time favourite anthems, deceptively difficult, beautiful counterpoint and overlapping anguish. Sung a touch tentatively on the top line I thought, but musically, and the tenors really carried it and altos cut through when it mattered. Nice planning to have the unaccompanied at the start and the 'big show piece' at the end, BTW.
My heart always goes out to any choir scaling the heights of the Howells St. Paul's Mag - it is a monster sing, with everybody flat out near the top of the register while the organ is hammering it out as well. Thrilling piece, brought off here pretty well - great stuff by Daniel Soper. Psalms were energetic, roisterous but a tad ragged to be honest. Not a terribly attractive chant, actually, IMHO, but quot homines etc. The Balfour Gardiner is a ripe old warhorse and everybody has jam, and they gave it full whack. One or two moments of insecure intonation and at one point the tempo got snagged - organ a fraction out with parts of the choir, some of whom sank into a bit of a plod, but the finale was highly effective.
Top prize to Charles Andrews and his stunning Langlais, brilliant registration, and stomping power. It is a show stopper, and how no-one clapped at the end of it, I'll never know!!
Judging by the published Sunday schedule for the choirs, Sunday Mar 4th has been a pretty knackering one! Many thanks to all concerned.
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