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Author Topic: Now spinning  (Read 89672 times)
time_is_now
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« Reply #1800 on: 16:48:48, 28-11-2007 »

Yes, I second CD.

I know what you mean about Paul's Barraqué book, autoh, even though I'm enough of a fan of his style to know the last 2 or 3 paragraphs of that book off by heart (how sad is that?). I posted them without attribution when you mentioned Barraqué on the M&S board the other day, wondering if the second-person thing would provoke any negative comments, but you must have recognised the source if you'd just been reading it!

I ought to go back and add an attribution really. Just wanted to get an unprejudiced reaction from you and Bryn first. Wink
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The city is a process which always veers away from the form envisaged and desired, ... whose revenge upon its architects and planners undoes every dream of mastery. It is [also] one of the sites where Dasein is assigned the impossible task of putting right what can never be put right. - Rob Lapsley
autoharp
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« Reply #1801 on: 18:04:11, 28-11-2007 »

Ah, yes. Thanks for that. Spotted the post, but failed to put two + two together . . .
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harmonyharmony
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« Reply #1802 on: 11:10:01, 29-11-2007 »

I've done just the first disc so far, martle (mainly because I just had to go back to the concerto): the Fantasia is spot-on, and he makes the first sonata sound so easy that he can let it flow and dance excatly as he pleases, which pleases me too. I'm saving the second disc - with the final three sonatas -  until later, but will report back, promise.
I now have the first sonata in my head and the only recording that I have (in order to exorcise it) is on LP in Durham...
Grrr... I may have to visit the GOR Room if this continues.
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'is this all we can do?'
anonymous student of the University of Berkeley, California quoted in H. Draper, 'The new student revolt' (New York: Grove Press, 1965)
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Stanley Stewart
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Well...it was 1935


« Reply #1803 on: 15:08:54, 30-11-2007 »

The arrival of a DVD, a 4 CD set and a 100pp paperback 'The Unpublished Letters'; all under the umbrella of John McCormack (1884-1945), Icon of an Age, The Anthology; quickly set me spinning as it indicated a most inviting treasure trove.

Even sampling the recordings and browsing the paperback of Letters, I sensed that McCormack probably had the same performance qualities I so enjoyed in Carlo Bergonzi's platform and operatic work: an initial unassuming presence but, as soon as he sang, he became a natural communicator of the emotional sense - truth? - in a song or aria.  Stylistic grace, focussed tone along with a thrilling grasp of the power of the word in singing.   McCormack's eloquence here is absolute.   

In the last day or two, even the chore of raking leaves in my garden has been lightened as I hum the tunes of so many well known ballads.    John McCormack made literally hundreds of recordings but listening to Hugo Wolf's Anakreans Grab and Ganymed, I regret the shortfall in his Wolf recordings.   Walther von Stolzing's, Morgenlich leuchtend is also a treat and it was good to hear the sadness and irony in Off to Philadelphia.   I'll also dig into my vinyl collection to see whether there is a further selection of Handel.

CD 3 offers a selection of Unpublished Recordings and the final CD is a selection of Golden Voices:  Patti, Tamagno, Battistini, de Lucia, Melba, Bonci, Tetrazinni, Butt, Caruso, Zenatello, Garbin, Chaliapin, Gluck, Galli-Curci, Bori, Muzio (ah me!), Tauber, Plunket Greene, O'Sullivan and JC Doyle.

 JC Doyle is recipient and originator of postcards and letters with McCormack, covering the years 1906/07.    Indeed, the Dublin baritone shared a concert platform with John McCormack and James Joyce in 1904.   Joyce abandoned a singing career but included references to both in Ulysses.   

"When Leopold Bloom had brought breakfast up to his wife Molly he asked her what she intends singing.  'La ci darem with JC Doyle, she said, and 'Love's Old Sweet Song'.     In another passage when Leopold Bloom is asked by Mr Power, 'Have you good artists?'  Bloom replies, 'O yes, we'll have all topnobbers.  JC Doyle and John MacCormack (sic) I hope and.  The best, in fact"     McCormack was also the model for Shaun the Post in Finnegan's Wake.

I'm now saving the DVD for the weekend but this is already a rare package; such a treat.
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Bryn
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« Reply #1804 on: 17:35:32, 30-11-2007 »

Currently spinning here:

Bartok - First Piano Concerto - Rudolf Serkin, Columbia Film Symphony Orchesta, George Szell. Well good it is, too.
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C Dish
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« Reply #1805 on: 21:34:33, 30-11-2007 »

I am UTTERLY ignorant of the music of Tippett, not having heard A SINGLE NOTE of any of his works. Think I would I like it?
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inert fig here
richard barrett
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« Reply #1806 on: 21:40:14, 30-11-2007 »

I would suggest you begin with the Concerto for Orchestra. I wouldn't suggest that to most people as their introduction to Tippett, but most people aren't Chafing Dishes.
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Ron Dough
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« Reply #1807 on: 21:48:07, 30-11-2007 »

r,

A very wise choice, particularly as if Mr Dish cares to inspect a consignment sent in his direction a few weeks back, he might well discover that someone else had independently reached the same conclusion, and furnished him with a performance of this very work...
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time_is_now
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« Reply #1808 on: 22:37:58, 30-11-2007 »

r,

A very wise choice, particularly as if Mr Dish cares to inspect a consignment sent in his direction a few weeks back, he might well discover that someone else had independently reached the same conclusion, and furnished him with a performance of this very work...
Grin

I third the recommendation.

I would also suggest that the Third Symphony might be a good meeting point for tippets and chafing dishes, although again - most people not being chafing dishes - I'm recommending it here for the first three movements (rather than the finale, for which I recommended it to stuart macrae a few weeks ago).
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The city is a process which always veers away from the form envisaged and desired, ... whose revenge upon its architects and planners undoes every dream of mastery. It is [also] one of the sites where Dasein is assigned the impossible task of putting right what can never be put right. - Rob Lapsley
richard barrett
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« Reply #1809 on: 22:59:58, 30-11-2007 »

the Third Symphony might be a good meeting point for tippets and chafing dishes

That would have been my second choice. Also much to be said for King Priam if you like that kind of thing (ie. opera) (thank you time_is_now).

NS: Smetana - Ma vlast (Norrington)

(the waterlooish location of my temporary place of work yesterday enabled me to take advantage of Gramex's 50%-off-everything sale, at which I became a little too enthusiastic, to the point of inadvertently acquiring two recordings of Schnittke's 8th symphony)
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Bryn
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« Reply #1810 on: 23:11:14, 30-11-2007 »

the Third Symphony might be a good meeting point for tippets and chafing dishes



NS: Smetana - Ma vlast (Norrington)



Small world! I was spinning that this afternoon, having found it at HMV 'Bond Street' on Thursday afternoon. How very different the reduced orchestration, etc. makes it.

[Actiually, "reduced orchestation" is a bit misleading. Perhaps "putative reconstruction of the orignal orchestration" would express it better.
« Last Edit: 23:22:11, 30-11-2007 by Bryn » Logged
time_is_now
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« Reply #1811 on: 23:16:04, 30-11-2007 »

Small word!
Which one, Bryn? 'Ma' or 'vlast'? Wink (Oh we are all being horrible to you tonight aren't we!)

PS You're welcome, richard barrett.
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The city is a process which always veers away from the form envisaged and desired, ... whose revenge upon its architects and planners undoes every dream of mastery. It is [also] one of the sites where Dasein is assigned the impossible task of putting right what can never be put right. - Rob Lapsley
time_is_now
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« Reply #1812 on: 23:16:52, 30-11-2007 »

NS. (Do tubes spin?)

Don't watch it without a piano handy if you're one of those people who needs to go off and play a perfect cadence. It ends mid-flow in a most frustrating manner, as one of Milly's Victorians might have said ...
« Last Edit: 23:20:47, 30-11-2007 by time_is_now » Logged

The city is a process which always veers away from the form envisaged and desired, ... whose revenge upon its architects and planners undoes every dream of mastery. It is [also] one of the sites where Dasein is assigned the impossible task of putting right what can never be put right. - Rob Lapsley
Bryn
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« Reply #1813 on: 23:18:04, 30-11-2007 »

Try and redefine that one, Kitty. Wink
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Bryn
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« Reply #1814 on: 23:21:01, 30-11-2007 »

(Do tubes spin?)

From the point of view of the rotors in a vibraphone, yes.
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