After all, did not Adorno write "A poetic tremor is expected of every example of emphatic objectivity"?
Well, if by that, Ollie, you mean that Weber's pianism was *blatently* influenced by various Beethovinian pianistic tropes, then I'm sure I don't have to tell you that many would disagree. You could do a lot worse than leaf through Felix Lechter's 1983 thesis,
Weber and the Immanence of Tropism (available in the BL if you get stuck). I find that whole issue highly problematic, of course, but then I tend to the view that shallots need far longer to mature in the skillet than most would contend.