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Author Topic: Musical phobias  (Read 1033 times)
ahinton
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« Reply #30 on: 14:50:36, 03-09-2007 »

I think this idea could run and run, and would certainly make a nice change from the repertoire warhorses being constantly trotted out, although it might be as well to keep it as a hobby for now, or at least to hold some wild horses in reserve to drag in listeners who might shy at the prospect. For those of us whose tastes are less blinkered, it sounds like a dead cert. May I be first past the post to suggest that you seriously consider for inclusion the stage works of Cavalli, which are economically scored (the brass section represented only by a unique horn) and whose convoluted plots are full of all manner of horseplay. Of course, there may be regulations restricting the public staging of certain acts involving animals, but as we all know the law is an ass.
Priceless! Each way one looks at it, this accumulator of equine ideas is in every sense a surefire winner and your particular virtuosity of horsemanship (what a strange word that is - "horse", "man" and "ship" all just thrown together as if that alone could confer sense upon it) is demonstrated beyond question as well capable of racing on furlonger than any of the rest of us could manage.

Thinking of my own speculative remark earlier about opera at Royal Ascot, I suppose my mention of vintage Krug ought to have included reference to champagne at the bit, but I'll stake my last penny on the fact that anyone and everyone here already recognises that I'm infinitely more slow-witted than Pegasus Barrett, so I'm sure that no one was surprised. That said, I suppose that the best seats for such an operatic production would be in the Royal Horse Box...

Nah - forget all this snobby rich-set stuff; what we need 'ere in good ol' England is an operatically staged version of Drop the Dead Donkey, set on the muddy beach in Weston-super-Mare (from which it has been said that on a clear day one can see Swansea if one is looking in the wrong direction).

Time to Robert Bolt, methinks; I'll get me riding breeches (having already committed more breaches of good taste than any forum deserves)...

Best,

Alistair
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Reiner Torheit
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« Reply #31 on: 15:02:58, 03-09-2007 »

The first performance of IL COMBATTIMENTO DI TANCREDI E CLORINDA featured a horse...  it belonged to Monteverdi's patron, who loaned it for the occasion, and Tancredi made his entrance upon it  (presumably in the section marked "trotto").

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"I was, for several months, mutely in love with a coloratura soprano, who seemed to me to have wafted straight from Paradise to the stage of the Odessa Opera-House"
-  Leon Trotsky, "My Life"
harmonyharmony
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« Reply #32 on: 15:55:36, 03-09-2007 »

My personal phobia is Prokofiev's Classical Symphony.  I really do not like to listen to it, and just the prospect of doing so, or worse still playing it, gets me worked up.  Rimsky-Korsakov has the same effect to a lesser degree.
OK, this isn't a phobia but I find listening to Prok 1 really unsatisfying. I have this amazing version of it in my head that does all sorts of really cool things (with the relationships of themes and recurrence - sort of a cross between the Franck symphony and the Prok) but whenever I hear it I think 'is that it?' and it makes me all sort of confused and sad.
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autoharp
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« Reply #33 on: 16:22:07, 03-09-2007 »

Tippett's 2nd piano sonata.
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roslynmuse
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« Reply #34 on: 16:26:45, 03-09-2007 »

The last sound of the 1970s version of the Dr Who theme closing credits. That had me hiding more than any Dalek (seriously!) (I was only about 9...)
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Janthefan
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« Reply #35 on: 16:45:21, 03-09-2007 »

I am afraid that Radio 3 will play "Rhapsody in Blue" again soon.....
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oliver sudden
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« Reply #36 on: 23:22:38, 03-09-2007 »

OK, this isn't a phobia but I find listening to Prok 1 really unsatisfying. I have this amazing version of it in my head that does all sorts of really cool things

So do I and the cover looks like this:



Wink
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George Garnett
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« Reply #37 on: 23:44:05, 03-09-2007 »

These horse-operas don't have to be Royal Ascot and funny hats, you know.






                                                         The Ride of the Valkyries
« Last Edit: 12:01:36, 04-09-2007 by George Garnett » Logged
ahinton
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« Reply #38 on: 07:55:29, 04-09-2007 »

These horse-operas don't have to be Royal Ascot and funny hats, you know.






                                                            The Ride of the Valkyries
I wonder if that's not unakin to the vision that Schumann might have had if he'd realised that Wagner shamlessly purloined one of his ideas for what is so often referred to in English as the Ride of the Valkyries? (see the former's Gesänge der Frühe, Op. 133/3); perhaps he could even have been justified in saying "my horse, my horse - your kingdom, but my horse..."

Ah, well...

Best,

Alistair
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Reiner Torheit
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« Reply #39 on: 11:34:52, 04-09-2007 »

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"I was, for several months, mutely in love with a coloratura soprano, who seemed to me to have wafted straight from Paradise to the stage of the Odessa Opera-House"
-  Leon Trotsky, "My Life"
eruanto
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« Reply #40 on: 11:47:28, 04-09-2007 »

I'm deeply ashamed to state that my 'phobia' is more-or-less anything by RVW. furchtbar.
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