Bryn
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« Reply #2295 on: 22:08:08, 16-03-2008 » |
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372 - sounds like Rossini's Barber of Seville Overture. It can't be that easy, can it? There's a catch, surely?
Indeed there is. No, in this instance, the work concerned is not by Rossini.
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Bryn
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« Reply #2296 on: 22:13:34, 16-03-2008 » |
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Here is Puzzle 373. Will anybody who participated in this, or any other performance of the work, in this, or an earlier version, please have the good grace to refrain from attempting a solution to the puzzle?
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Il Grande Inquisitor
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« Reply #2297 on: 22:14:00, 16-03-2008 » |
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372: Thought so. Is it quoted in John Corigliano's Phantasmagoria (on "The Ghosts of Versailles")?
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Bryn
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« Reply #2298 on: 22:18:58, 16-03-2008 » |
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372: Thought so. Is it quoted in John Corigliano's Phantasmagoria (on "The Ghosts of Versailles")?
I am most interested to learn that. However, that is not the work from which this clip was taken.
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Tony Watson
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« Reply #2299 on: 22:23:32, 16-03-2008 » |
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Is 372 Rossini's Overture to Aureliano in Palmira? It's what he used again for the Barber of Seville.
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Bryn
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« Reply #2300 on: 22:29:58, 16-03-2008 » |
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Is 372 Rossini's Overture to Aureliano in Palmira? It's what he used again for the Barber of Seville.
No, sorry, not that either. Wrong century.
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Bryn
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« Reply #2301 on: 22:33:13, 16-03-2008 » |
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Now for the last in the current trio, Puzzle 374, a rather longer clip, this time.
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Bryn
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« Reply #2302 on: 22:43:38, 16-03-2008 » |
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Wild guess at Puzzle 371, Shostakovich Cheryomushki
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Il Grande Inquisitor
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« Reply #2303 on: 22:48:17, 16-03-2008 » |
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Puzzle 375: SS or RSPuzzle 376: SS or RSPuzzle 377: SS or RS
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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George Garnett
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« Reply #2304 on: 22:50:32, 16-03-2008 » |
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Here is Puzzle 373. Will anybody who participated in this, or any other performance of the work, in this, or an earlier version, please have the good grace to refrain from attempting a solution to the puzzle? Well at least that means I am eligible to attempt a solution. Is it from Cardew: The Great Learning?
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oliver sudden
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« Reply #2305 on: 22:51:23, 16-03-2008 » |
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Now for the last in the current trio, Puzzle 374, a rather longer clip, this time. Cage Sonatas and Interludes?
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Bryn
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« Reply #2306 on: 22:54:22, 16-03-2008 » |
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Here is Puzzle 373. Will anybody who participated in this, or any other performance of the work, in this, or an earlier version, please have the good grace to refrain from attempting a solution to the puzzle? Well at least that means I am eligible to attempt a solution. Is it from Cardew: The Great Learning? I am afraid that will not do, GG. I need not only the specific work from that collection, but the particular version. You see, it is not from a performance of any part of the published edition.
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Bryn
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« Reply #2307 on: 22:56:36, 16-03-2008 » |
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Now for the last in the current trio, Puzzle 374, a rather longer clip, this time. Cage Sonatas and Interludes? You're at it again, aren't you, Ollie. Just after the 20 point. No, that is not a prepared piano, nor a sonata or interlude, and neither is it by Cage.
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oliver sudden
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« Reply #2308 on: 23:00:00, 16-03-2008 » |
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Hm. I may have to go through Sergei Leiferkus's entire discography... Prokofiev: Semyon Kotko?
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Il Grande Inquisitor
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« Reply #2309 on: 23:02:06, 16-03-2008 » |
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Hm. I may have to go through Sergei Leiferkus's entire discography... Prokofiev: Semyon Kotko? That would be a no, I'm afraid, Mr Sudden.
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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