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Author Topic: Competition: Two- to Sixty-Second Repertoire Test  (Read 29230 times)
Baz
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« Reply #2505 on: 00:08:09, 21-03-2008 »

Is No.411 Waxman's Carmen Fantasy?

It is!
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Baz
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« Reply #2506 on: 00:08:43, 21-03-2008 »

409 is the second movement of Korngold's Violin Concerto.

It is!!

(And 410 then?)
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Tony Watson
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« Reply #2507 on: 00:16:58, 21-03-2008 »

Is 410 Prokofiev's 2nd violin concerto?
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Il Grande Inquisitor
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« Reply #2508 on: 00:25:40, 21-03-2008 »

410 - Bartok's Violin Concerto No.2?
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Il Grande Inquisitor
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« Reply #2509 on: 00:32:46, 21-03-2008 »

Aha, we have just 'twigged' that Mr Iron has (presumably) taken all three clips (409-411) from the same disc and that No.410 is Miklos Rozsa's Violin Concerto, op.24 (played by Mr Heifetz?)  Smiley
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Turfan Fragment
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Formerly known as Chafing Dish


« Reply #2510 on: 00:33:37, 21-03-2008 »

A clue for Puzzle 405: click on the smiley to hear the excerpt!

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Baz
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« Reply #2511 on: 09:27:37, 21-03-2008 »

Is 410 Prokofiev's 2nd violin concerto?

Not Prokofiev.
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Baz
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« Reply #2512 on: 09:28:05, 21-03-2008 »

410 - Bartok's Violin Concerto No.2?

Not Bartok.
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Baz
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« Reply #2513 on: 09:30:25, 21-03-2008 »

Aha, we have just 'twigged' that Mr Iron has (presumably) taken all three clips (409-411) from the same disc and that No.410 is Miklos Rozsa's Violin Concerto, op.24 (played by Mr Heifetz?)  Smiley

Indeed it is IGI - and I somehow knew you would eventually link all three extracts to the same disc.
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Sydney Grew
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« Reply #2514 on: 10:23:52, 21-03-2008 »

Good morning all! It is time for a second clue to puzzle 398: it was written in Los Angeles before the last War by an excessively famous Viennese composer. It is in the key of G minor, and besides the chorus and orchestra heard in our extract it calls for a speaker.
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Baz
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« Reply #2515 on: 10:47:48, 21-03-2008 »

[Reservation for Puzzles 412, 413 and 414...]

…And here are the puzzles:

Puzzle 412

Puzzle 413

Puzzle 414

« Last Edit: 10:54:32, 21-03-2008 by Baz » Logged
Il Grande Inquisitor
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« Reply #2516 on: 10:51:37, 21-03-2008 »

Good morning all! It is time for a second clue to puzzle 398: it was written in Los Angeles before the last War by an excessively famous Viennese composer. It is in the key of G minor, and besides the chorus and orchestra heard in our extract it calls for a speaker.


Good morning, Mr Grew! Could 398 be Arnold Schoenberg's A Survivor from Warsaw?
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Il Grande Inquisitor
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« Reply #2517 on: 11:20:10, 21-03-2008 »

Good morning all! It is time for a second clue to puzzle 398: it was written in Los Angeles before the last War by an excessively famous Viennese composer. It is in the key of G minor, and besides the chorus and orchestra heard in our extract it calls for a speaker.


Good morning, Mr Grew! Could 398 be Arnold Schoenberg's A Survivor from Warsaw?

Prompted by Mr Sudden's post, we shall now have a second attempt at 398 - Schoenberg's Kol Nidre, Opus 39?
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
Sydney Grew
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« Reply #2518 on: 11:30:36, 21-03-2008 »

Good morning all! It is time for a second clue to puzzle 398: it was written in Los Angeles before the last War by an excessively famous Viennese composer. It is in the key of G minor, and besides the chorus and orchestra heard in our extract it calls for a speaker.

Good morning, Mr Grew! Could 398 be Arnold Schoenberg's A Survivor from Warsaw?

Sorry no that is not it.

Prompted by Mr Sudden's post, we shall now have a second attempt at 398 - Schoenberg's Kol Nidre, Opus 39?

But congratulations yes that is the one. It was written in 1938; to our ears it sounds rather crude, but Malcolm Macdonald indicates the opposite. Schoenberg took a collection of the flourish-like motives which make up the traditional Kol Nidre, and submitted them to "serial treatment within a tonal framework." The construction of the work, adds Mr. Macdonald, is "totally disciplined: every bar, every idea is derived from the given melodic fragments, whether by mirror forms or interpenetration of motives."
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Il Grande Inquisitor
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« Reply #2519 on: 11:38:33, 21-03-2008 »

Hurrah!

Here is Puzzle No.391: SendSpace or Rapidshare

A first clue to No.391: this 1990 composition is rather appropriate for this week, I think, tomorrow especially.

A second clue to No.391: this composer, born in 1944, describes his composition using an apt quote: "Remember me when you come into your Kingdom," and "Today you will be with me in Paradise."
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