time_is_now
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« Reply #345 on: 00:27:59, 06-02-2008 » |
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In the mean time HERE or HERE is a grand old lady who becomes only more beautiful with every year that passes! Fibich - Poème?
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The city is a process which always veers away from the form envisaged and desired, ... whose revenge upon its architects and planners undoes every dream of mastery. It is [also] one of the sites where Dasein is assigned the impossible task of putting right what can never be put right. - Rob Lapsley
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Sydney Grew
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« Reply #346 on: 00:36:29, 06-02-2008 » |
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In the mean time HERE or HERE is a grand old lady who becomes only more beautiful with every year that passes! Fibich - Poème? Quite right Mr. Now; that was quick too! It is extracted from his greater work "At Twilight," which we have sometimes seen described as a "Symphonic Scene" and at others as an "Idyll." It may interest Members to learn that Fibich came from a long line of forestry officials.
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thompson1780
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« Reply #347 on: 00:37:45, 06-02-2008 » |
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It is Fibich's Poeme, but I believe in its guise as one of the tunes of "At Twilight". Just Lovely.
Mr Grew, I also believe you were looking into my mind, as that was also on my list of snatches to submit.
Thank you
Mr 1780
[Oh look you've just said this]
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Made by Thompson & son, at the Violin & c. the West end of St. Paul's Churchyard, LONDON
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time_is_now
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« Reply #348 on: 00:43:46, 06-02-2008 » |
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Woo-hoo!!! Tinners knows some standard repertoire!!!!!
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The city is a process which always veers away from the form envisaged and desired, ... whose revenge upon its architects and planners undoes every dream of mastery. It is [also] one of the sites where Dasein is assigned the impossible task of putting right what can never be put right. - Rob Lapsley
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thompson1780
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« Reply #349 on: 00:44:31, 06-02-2008 » |
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46 sounds very much like Rachmaninov - indeed the start like a Rach version of God Save the King. It isn't PC No.2 or No.3, and I don't believe it is No.1, so I will go for Piano Concerto No.4
Tommo
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Made by Thompson & son, at the Violin & c. the West end of St. Paul's Churchyard, LONDON
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stuart macrae
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« Reply #350 on: 02:42:56, 06-02-2008 » |
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Quite right Mr. Thompson (or should that be Mr. 1780??) and well done!
The recording is of Rachmaninov himself at the piano, with the Philadelphia Orchestra and Eugene Ormandy.
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stuart macrae
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« Reply #351 on: 02:56:14, 06-02-2008 » |
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As Rachmaninov appears to be too easy for you lot, HERE and HERE is Puzzle 47!
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Il Grande Inquisitor
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« Reply #352 on: 07:06:18, 06-02-2008 » |
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As it has remained unsolved for five days now, we can reveal that Puzzle 25 ( SendSpace and Rapidshare) is the Prelude in Act III of Giuseppe Verdi’s opera I Lombardi alla Prima Crociata.
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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Antheil
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« Reply #353 on: 08:48:46, 06-02-2008 » |
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Have I downloaded the wrong file? Puzzle 47 appears to be 'I'd like to teach the world to sing' by the New Seekers Written by Roger Cook & Roger Greenaway as 'Mom, True Love and Apple Pie', reworked into a version called 'True Love and Apple Pie' , re-written again by Cook, Greenaway, Bill Back and Billy Davis as the Coca Cola jingle Note to our Esteemed Quiz Moderator Mr. Grew, I have been back to Puzzle 47 and it has changed - but it was The New Seekers before (causing me to get some strange looks here in the office) so please don't dock me any points.
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« Last Edit: 09:30:47, 06-02-2008 by Antheil the Termite Lover »
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Reality, sa molesworth 2, is so sordid it makes me shudder
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oliver sudden
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« Reply #354 on: 09:18:51, 06-02-2008 » |
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As Rachmaninov appears to be too easy for you lot, HERE and HERE is Puzzle 47! [ recte 48] The snatch begins rather like Chausson's Le Temps des lilas so we shall take a punt on that. The song has an independent existence but also appears as a section of his Poème de l'amour et de la mer. If not then it is either a quotation or a remarkable coincidence for which the loss of some points would be a small price compared to the joy of sharing its revelation.
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« Last Edit: 09:46:34, 06-02-2008 by oliver sudden »
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stuart macrae
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« Reply #355 on: 12:32:54, 06-02-2008 » |
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Correct Mr. Sudden! There are indeed some sharp tools in this box are there not?
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Sydney Grew
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« Reply #356 on: 12:35:43, 06-02-2008 » |
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HERE and HERE is something ( puzzle 49) to please the modernist members! It comes from one of a handful of recent works which may be said to have entered the repertoire, in that it is already often played at symphony concerts. It deserves that status in our opinion - you will find no long-held and repeated solo oboe notes here!
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Ron Dough
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« Reply #357 on: 12:42:09, 06-02-2008 » |
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Since your example is completely silent on my system, Mr Grew, I can only assume it is a section from Mr Cage's 4' 33"....
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martle
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« Reply #358 on: 12:46:43, 06-02-2008 » |
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Mr Grew, we venture a guess that Puzzle 49 is the Scotsman MacMillan's Confessions of Isoble Gowdie. But we may, as in so many things in life, be completely wrong.
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Green. Always green.
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Sydney Grew
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« Reply #359 on: 12:57:49, 06-02-2008 » |
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Mr Grew, we venture a guess that Puzzle 49 is the Scotsman MacMillan's Confessions of Isoble Gowdie. But we may, as in so many things in life, be completely wrong. Sorry, Mr. Martle - it is not MacMillan or indeed any Scotsman at all! Speaking of which: Since your example is completely silent on my system, Mr Grew, I can only assume it is a section from Mr Cage's 4' 33"....
We shall download from the two links as a test and come back if they are not working for us.
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