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Author Topic: The Grumpy Old Rant Room  (Read 150226 times)
David_Underdown
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« Reply #5670 on: 19:33:52, 28-04-2008 »

I do know of someone (and Ruth may well know this story too) who apparently complained to the Royal Albert Hall about the reflections from the lid of the Steinway! (wouldn't surprise me it were the same person come to think of it).
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David
brassbandmaestro
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The ties that bind


« Reply #5671 on: 19:47:19, 28-04-2008 »

I always thought you always go for the music rather than what musicians wear on  stage!!!
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time_is_now
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« Reply #5672 on: 20:04:33, 28-04-2008 »

I always thought you always go for the music rather than what musicians wear on  stage!!!
If that were true then musicians could wear anything.

Or nothing, I suppose. (Although that has been known, in the case of at least one Australian wind-player.)
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The city is a process which always veers away from the form envisaged and desired, ... whose revenge upon its architects and planners undoes every dream of mastery. It is [also] one of the sites where Dasein is assigned the impossible task of putting right what can never be put right. - Rob Lapsley
John W
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« Reply #5673 on: 22:27:05, 28-04-2008 »

...and one of our local small orchestras, though in this photo you can't see how small they are  Cheesy


http://www.stratford-herald.com/mainstory.php?ID=1322




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time_is_now
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« Reply #5674 on: 23:42:21, 28-04-2008 »

That looks distinctly like Mauricio Kagel on the left there, John.
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The city is a process which always veers away from the form envisaged and desired, ... whose revenge upon its architects and planners undoes every dream of mastery. It is [also] one of the sites where Dasein is assigned the impossible task of putting right what can never be put right. - Rob Lapsley
Andy D
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« Reply #5675 on: 00:31:43, 29-04-2008 »

...and one of our local small orchestras, though in this photo you can't see how small they are  Cheesy


http://www.stratford-herald.com/mainstory.php?ID=1322






So this is what some are reduced to when the Arts Council removes their funding? Hope the Orchestra of the Swan look more like this next time they play at Brum Town Hall!

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John W
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« Reply #5676 on: 00:37:46, 29-04-2008 »

That looks distinctly like Mauricio Kagel on the left there, John.

In that photo, yes, though he's not that old and he's the orchestra’s artistic director David Curtis. The others are oboist Louise Braithwaite, French horn player Kai Hoffman, viola player Vanessa Murby and percussionist Tim Farmer. They will be "appearing naked with nothing but a music stand and their instruments between them and thousands of viewers". Looking at the photo David seems to have knocked over his music stand, I don't know what with  Roll Eyes
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strinasacchi
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« Reply #5677 on: 12:19:50, 29-04-2008 »

Sigh, it's so hard maintaining one's sense of humour sometimes.  Orchestra dress codes are tricky, particularly in groups who are getting away from the all-black and dj-or-tails look (ie, most period instrument groups).

One of my orchestras has a very detailed dress code.  The details have emerged gradually over the years, in an attempt to make sure we don't look scruffy or sloppy.  The goal, I think, is to make sure we look smart, harmonious, yet are able to keep some individuality (there's something about uniforms, especially on women, that smacks of the amateur choir or a youth orchestra - not a good image for a professional group).  One of the details is a ban on spangly clothes - my fault, after showing up in a top completely covered in sequins which I bought in a moment of madness, and under shop lights, without realising how flashy and distracting it could be on stage.  Fair enough.

My problem is not one of scruffiness or sloppiness.  I enjoy dressing well, both on stage and off, and I do consider looking smart and elegant to be an important part of performing.  I think my colleagues wouldn't disagree that my attention to how I look has helped raise sartorial standards among the women in the group.

I have rather floppy, smooth, dead-straight hair, and I need to pin it back to play.  The style of hairclip that stays in my hair without breaking or bending or making my head look like it's developed a weird ridge tends to be decorated with small sparkly stones.  So I have a small collection of hairclips with stones that match the various dresses I wear for various groups (they all seem to require different colours).  Somehow this one orchestra manager is applying the ban on spangly clothes to my hairclip.  One of the reasons given for this is that if audiences complain about "distracting" sparkles, a promoter will be less inclined to invite us back.  No other orchestra I play for seems to have a problem with things like this.

Sorry to go on about it, but I'm trying to blow off a bit of steam so I can approach the issue with a level head.

 Roll Eyes
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Kittybriton
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Thank you for the music ...


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« Reply #5678 on: 13:20:05, 29-04-2008 »

Is a ponytail an option?
(I should probably mention that my family thinks I have the worst possible taste in outfits, and that after five years as an art student!)
I might confess to an almost pathological hatred of hair slides (barrettes in the U.S.) because to me they always look like "I couldn't be bothered to arrange it nicely, but it was getting in the way too much"
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strinasacchi
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Posts: 864


« Reply #5679 on: 13:36:12, 29-04-2008 »

Is a ponytail an option?

No, my hair is about jaw length and layered.  I suppose I could wear one of those pig-tail-on-top-of-the-head things that look cute on girls of 3, but I'd rather not walk on stage looking like an idiot.  And I've yet to encounter a gel, spray, or any other styling gunk that will keep my hair in place.  I really dislike "done" hair, partly because my hair won't cooperate (short of doing things to it that will ruin it), partly because I hate the stiff, heavy "helmet" feel that products give.  I wear hair slides not because I can't be bothered to "arrange" my hair, but because they really are the only thing that will keep my hair from falling into my eyes when I play the violin.
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time_is_now
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« Reply #5680 on: 13:52:20, 29-04-2008 »

barrettes in the U.S.
I always thought a 'barrette' was a female composer!
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The city is a process which always veers away from the form envisaged and desired, ... whose revenge upon its architects and planners undoes every dream of mastery. It is [also] one of the sites where Dasein is assigned the impossible task of putting right what can never be put right. - Rob Lapsley
A
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« Reply #5681 on: 16:33:05, 29-04-2008 »

barrettes in the U.S.
I always thought a 'barrette' was a female composer!

I thought they were these really young looking girls serving in pubs..? Roll Eyes

A
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brassbandmaestro
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The ties that bind


« Reply #5682 on: 18:12:12, 29-04-2008 »

Not like your avatar then A Grin
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Baz
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« Reply #5683 on: 19:40:49, 29-04-2008 »

Not like your avatar then A Grin

You should try wearing the 'thing' she spends her life ironing!

Baz
(aka Mr Iron)
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A
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« Reply #5684 on: 19:44:51, 29-04-2008 »

They're a devil to iron, they get into such a knot......


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