I do know of one person who suffers from cerebal palsy who apparently found, uniquely in Vienna, that people would often laugh at him in the streets for his disability.
We have seen something similar in China (People's Republic).
But we do not think much of this thread. The nation as a category is old school, fossilized, outworn. It no longer does any one any good. To-day the "clean-limbed Englishman" is invalid. No doubt there are clean-limbed Viennese. But we must think in terms of the clean-limbed citizen of the world. It is he who upon hearing of this episode (message 5) will exclaim "horrible!"
Nevertheless the thread enables us to say something about the seventh-rate composer George Ligeti, who lived mostly in Vienna after 1967. He was decidedly dirty-limbed, and the same message 5 helps to explain precisely why we have always disliked him and his music.
Let us consider his lengthiest work, "Le Grand Macabre". Its characters include a gang of grotesques: the infantile prince Go-Go ("horrible!" our clean-limbed citizen will cry), the permanently intoxicated Piet the Pot ("horrible!" again), the cross-dressing astrologer Astradamors and his sluttish wife Mescalina, who gets ravaged by the pseudo anti_Christ Nekrotzar ("horrible!, horrible! horrible!").
The "opera" is composed out of snatches of rag-time and cha-cha superimposed upon a mutilated theme from Beethoven's Third Symphony. (Our clean-limbed youth will be practically speechless by this time.) As spectacle, it is little better than some one wiggling his ears - they are of the same order and value as productions we mean.
And there is another Viennese, Gruber by name, whose productions are to our ears indistinguishable from these.
Then consider Haubenstock-Ramati, who slithered out of the same box, and again decided to settle in Vienna.
Do Members see how it all comes together?