BobbyZ
|
|
« Reply #15 on: 21:05:34, 11-04-2007 » |
|
George Benjamin Britten Bill Murray Perahia Nancy Astor Piazzolla
|
|
|
Logged
|
Dreams, schemes and themes
|
|
|
Ian Pace
|
|
« Reply #16 on: 21:07:05, 11-04-2007 » |
|
Roberto Gerhard Stäbler
Robert Franz Schubert
James Dillon Thomas Ades (if that's allowed?)
|
|
|
Logged
|
'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
|
|
|
Bryn
|
|
« Reply #17 on: 21:11:31, 11-04-2007 » |
|
Definitely not!
|
|
|
Logged
|
|
|
|
Martin
|
|
« Reply #18 on: 21:11:50, 11-04-2007 » |
|
Eiddwen Harr(h)y Christophers
Harry Christopher(s) Elton
Christopher Elton John
Elton John Stanley
John Stanley Myers
Stanley Myers Foggin
|
|
|
Logged
|
|
|
|
Ian Pace
|
|
« Reply #19 on: 21:12:11, 11-04-2007 » |
|
A related game is to find dissimilar people with the same surname, to imagine as guests:
The Cages came over, John and Nicholas, and the Feldmans, Morton and Marty. The Matthews were there as well, Colin, David and Bernard.
|
|
|
Logged
|
'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
|
|
|
roslynmuse
|
|
« Reply #20 on: 21:25:58, 11-04-2007 » |
|
This is turning into I'm Sorry I Haven't A Clue! (words last heard spoken by Roger Wright when asked what was the purpose of Radio 3)
Mornington Crescent, anyone?
|
|
|
Logged
|
|
|
|
martle
|
|
« Reply #21 on: 22:29:46, 11-04-2007 » |
|
Damon Alban Berg (well, almost) Little Richard Wagner
|
|
|
Logged
|
Green. Always green.
|
|
|
autoharp
|
|
« Reply #22 on: 08:55:57, 12-04-2007 » |
|
I 'ad all those Scott-ish composers over once - Cyril, James, Stephen and Francis George
|
|
|
Logged
|
|
|
|
Mary Chambers
|
|
« Reply #23 on: 09:30:57, 12-04-2007 » |
|
The Paynes, Anthony and Cynthia.
|
|
|
Logged
|
|
|
|
tonybob
|
|
« Reply #24 on: 09:32:19, 12-04-2007 » |
|
The Goldsmiths, Harvey and Berthold. /nearly...
|
|
|
Logged
|
sososo s & i.
|
|
|
time_is_now
|
|
« Reply #25 on: 09:52:07, 12-04-2007 » |
|
The Paynes, Anthony and Cynthia.
... which becomes even funnier when you combine Cynthia Payne with Tony Payne's real wife Jane Manning! About 10 years ago Robin Holloway wrote a (still unperformed) opera about Cynthia Payne, called Girls and Boys Come Out to Play. Its moral, as he once told me, is 'pleasure for the masses: a brothel in every town' ... It was commissioned by ENO but they turned it down.
|
|
|
Logged
|
The city is a process which always veers away from the form envisaged and desired, ... whose revenge upon its architects and planners undoes every dream of mastery. It is [also] one of the sites where Dasein is assigned the impossible task of putting right what can never be put right. - Rob Lapsley
|
|
|
Mary Chambers
|
|
« Reply #26 on: 09:56:28, 12-04-2007 » |
|
About 10 years ago Robin Holloway wrote a (still unperformed) opera about Cynthia Payne, called Girls and Boys Come Out to Play. Its moral, as he once told me, is 'pleasure for the masses: a brothel in every town' ... It was commissioned by ENO but they turned it down.
How wonderful - and it leads me of course, to the Holloways, Robin and Stanley. For interesting political discussion, I'd suggest the Bushes, Alan and George.
|
|
|
Logged
|
|
|
|
thompson1780
|
|
« Reply #27 on: 11:24:39, 12-04-2007 » |
|
For some reason I can't get this out of my mind....
Oliver Knussen Dorma
Tommo
|
|
|
Logged
|
Made by Thompson & son, at the Violin & c. the West end of St. Paul's Churchyard, LONDON
|
|
|
martle
|
|
« Reply #28 on: 14:49:40, 12-04-2007 » |
|
Tommo Herbal tea out of nostrils job!
Vincent d'Indy Pandy
Pierre Boulez Patterson
Might have to head for the coatstand...
|
|
|
Logged
|
Green. Always green.
|
|
|
Il Grande Inquisitor
|
|
« Reply #29 on: 14:55:09, 12-04-2007 » |
|
Or the Scott trio, Cyril, Walter and Terry.
|
|
|
Logged
|
Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
|
|
|
|