TommyPearson
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« on: 11:12:48, 26-06-2007 » |
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Hi everyone, In the last CBSO Podcast, I asked people to comment on the 2007/8 season (Sakari Oramo's last as Music Director) but hardly anyone has taken up the offer! Although we now have nearly 9000 people subscribing to the podcast each month, most seem rather shy in coming forward with their views. Now I KNOW that's not the case with you lot! So I was wondering what your thoughts are on the new CBSO season. I encourage you to give it a glance - www.cbso.co.uk. What would you be looking forward to hearing? What are your views on Sakari Oramo's 10 year tenure in Birmingham? Did any of you go to a CBSO concert in the past season? And what did you think of it? Or maybe you heard a CBSO concert broadcast on Radio 3 (all too rare, sadly) that you particularly enjoyed. Sakari features a Sibelius cycle in his final season, what do you think of his Sibelius interpretations? I'd love to hear your views, positive or negative or both! I'll be featuring the best contributions in July's podcast. Thanks, Tommy
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time_is_now
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« Reply #1 on: 12:23:59, 26-06-2007 » |
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Do you know why there doesn't seem to have been a new Composer-in-Association since Julian Anderson's stint finished in spring 2005? Or have I missed some news?
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The city is a process which always veers away from the form envisaged and desired, ... whose revenge upon its architects and planners undoes every dream of mastery. It is [also] one of the sites where Dasein is assigned the impossible task of putting right what can never be put right. - Rob Lapsley
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Chafing Dish
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« Reply #2 on: 14:33:13, 26-06-2007 » |
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May I recommend a change in the website format, so that one can see not just the composer names but also the work titles without clicking around too much? I am not a local, so I can't come to the concerts, but I am very interested to know what is going on...
Also, the names Elgar, Dvorak, and Nielsen are misspelled in places, just a few typos that caught my eye.
Keep up the fine work!
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richard barrett
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« Reply #3 on: 14:43:27, 26-06-2007 » |
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I had always thought the CBSO had a reputation for innovative programming. Not on the basis of this lineup, it seems.
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time_is_now
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« Reply #4 on: 15:03:29, 26-06-2007 » |
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How do you misspell Elgar? S-T-R-A-U-S-S?
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The city is a process which always veers away from the form envisaged and desired, ... whose revenge upon its architects and planners undoes every dream of mastery. It is [also] one of the sites where Dasein is assigned the impossible task of putting right what can never be put right. - Rob Lapsley
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TommyPearson
Posts: 41
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« Reply #5 on: 15:46:05, 26-06-2007 » |
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I had always thought the CBSO had a reputation for innovative programming. Not on the basis of this lineup, it seems.
Care to expand on that, Richard? Do you mean repertoire generally, or the way the repertoire is grouped? best, Tommy
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Bryn
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« Reply #6 on: 15:53:47, 26-06-2007 » |
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I might just book for the Windsor Elager[sic] in September. Better check what else in on that night first though.
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richard barrett
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« Reply #7 on: 16:44:44, 26-06-2007 » |
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I mean (excuse me if I've miscounted somewhere, but I think my approximation makes things clear enough): There are 65 composers mentioned by name. Of these, 43 were born in the 19th century. By far the most-performed composer is Tchaikovsky, followed by Beethoven, Dvorak, Elgar, Mozart and Rachmaninov. 5 of the composers are alive today. Of the works by these five, ONE seems to have been written for this season (the piece by Simon Holt). In other words: the orchestral repertoire isn't being renewed, and audiences are being served up pretty much the same fare as they can hear anywhere else, in any other season, on Radio 3 or Classic FM or on CD or download. This picture could be multiplied throughout the country, with the possible exception of the BBCSSO under Ilan Volkov, and indeed most other countries too. It looks to me as if orchestras are busy turning themselves into museums, as time goes by and the repertoire remains the same or gets even smaller. I won't go on about this here, because there's already been a discussion around this general subject: http://r3ok.myforum365.com/index.php?topic=952.0
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Andy D
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« Reply #8 on: 17:12:51, 26-06-2007 » |
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The CBSO programmes get less and less interesting each year as far as I'm concerned. There's nothing like Rattle's "Towards the Millennium" series any more. The last really adventurous thing they did was Sakari Oramo's Floof new music festival but that was 4 years ago. I haven't been to a single concert this season, it's usually the same old tired repertoire. When Symphony Hall first opened the CBSO programmes were noticeably different - and better - than the safe programmes of visiting orchestras. Now there's little to choose between them. I haven't even bothered to look yet at what they're doing next year so perhaps I'll be pleasantly surprised? - but probably not.
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Tam Pollard
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« Reply #9 on: 21:20:15, 26-06-2007 » |
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Well, I think it looks fairly interesting (and makes me sorry that Birmingham isn't a little closer). I'm green with envy that Oramo is giving a Sibelius series as he is one of my favourite conducts of the composer, the more so after the slightly mixed BBC Scottish one up here last year. I have fond memories of a performance he gave of the 7th a few years back, and his cycle on Erato is (in my view) very fine.
bws
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TommyPearson
Posts: 41
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« Reply #10 on: 12:51:55, 29-06-2007 » |
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Thanks for all your comments. I will be putting some of them to CBSO Chief Executive Stephen Maddock late next week, when I record the next podcast. Please keep posting until then!
Also in the next podcast (which will be online from Monday 9th July at the CBSO website or iTunes etc) Stephen Johnson will be talking about the orchestral music of Jean Sibelius, looking ahead to Sakari Oramo's Sibelius cycle. I think Stephen is one of the finest broadcasters and writers on music that we have in this country - I urge you to hear him in the podcast (he's in it every month, and we're lucky to have him). If they'd asked Stephen to be a pundit on BBC4's Classic Britannia, maybe there wouldn't have been as many factual errors (Peter Grimes was Britten's first opera, apparently)! Or outrageous, ill-informed comments about Malcolm Arnold!
Sorry, mustn't get cross.
Best wishes, Tommy
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Tam Pollard
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« Reply #11 on: 17:29:00, 29-06-2007 » |
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Tommy, I don't suppose there's any chance the Sibelius will be broadcast on Radio 3?
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TommyPearson
Posts: 41
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« Reply #12 on: 21:02:54, 29-06-2007 » |
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Tommy, I don't suppose there's any chance the Sibelius will be broadcast on Radio 3?
Presumably you mean the concerts, Tam? I'll try and find out but it might be too early to get details. bws Tommy
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TommyPearson
Posts: 41
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« Reply #13 on: 22:21:33, 12-07-2007 » |
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Hi everyone, Thank you for your comments on the new season. I was able to put some of your questions/points to Stephen Maddock in the CBSO podcast and you can now hear it at the site - www.cbso.co.uk/podcasts. There's a chance for you to win tickets to Sakari Oramo's performances of his Sibelius cycle in September at Symphony Hall. It also features Stephen Johnson talking in depth about Sibelius, a real highlight. Hope you enjoy the podcast. So I guess we're all holding our breath for the Proms - I can't believe it's time for another Proms season! I've been absent from the R3/BBC4 broadcasts for a couple of years but pleased to say that I am involved, albeit slightly, this year. I've written the script for Richard E Grant for the Great British Film Music Prom (Prom 2 on Saturday and on BBC2 a few weeks later). That's been a lot of fun. And I'll certainly be promming as much as I can. I've been going to the proms since I was a very young child, often queuing up with my mum (we remember with great affection Gurrelieder with the National Youth Orchestra and Jesse Norman, Boulez conducting - we were right at the front, directly under big Jesse's nostrils!). To all of you watching, taking part, or whatever - have a great season! bws, Tommy
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