This is where my ignorance comes to the fore.
And I've left the book that might have been useful at work... (which also means that I'll have to entirely plan the Palestrina part of my lecture tomorrow)
Here's what Grove lists as his (complete?) works:
Editions
Christopher Tye: The Instrumental Music: ed. R.W. Weidner, RRMR, iii (1967) [W]
Christopher Tye: The Latin Church Music, ed. J. Satterfield, RRMR, xiii–xiv (1972) [S i–ii]
Christopher Tye: English Sacred Music, ed. J. Morehen, EECM, xix (1977) [M]
Christopher Tye: Masses, ed. P. Doe, EECM, xxiv (1980) [DM]
Christopher Tye: Ritual Music and Motets, ed. N. Davison, EECM, xxxiii (1987) [DR]
Elizabethan Consort Music II, ed. P. Doe, MB, xlv (1988) [DE]
Latin church music
Alleluia [Per te Dei genetrix], 4vv, S ii, DR
Ave caput Christi, 6vv, GB-Ob Mus.Sch.E.423 (single voice); opening, 3vv, S ii, DR
Cantate Domino (Ps cxlix), 6vv, DR (lacks T)
Christus resurgens, 6vv, Ob Mus.Sch.E.423 (single voice); DR
Domine Deus caelestis, 6vv, Ob Mus.Sch.E.423 (single voice); 2 sections, 3vv, S ii, DR
Gloria laus et honor, 4vv, S ii, DR
In pace [in idipsum], 4vv, S ii, DR
In quo corrigit (Ps cxviii.9), 6vv, Ob Mus.Sch.E.423 (single voice); 2 verses, 3vv, S ii, DR
Kyrie ‘Orbis factor’, 4vv, S ii, DR
Magnificat (i), 6vv, Ob Mus.Sch.E.423 (single voice); Quia fecit, 4vv, S ii, DR
Magnificat (ii), 6vv, Ob Mus.Sch.E.423 (single voice), Tenbury 354–8 (Esurientes, 4vv, attrib. Parsons)
Mass ‘Euge bone’, 6vv, S i, DM
Mass ‘Western Wind’, 4vv, S i, DM
Mass, 5vv (lacks T), DM
Miserere mei, Deus (Ps lvi), 5vv, S ii, DR
Omnes gentes, plaudite (Ps xlvi), 5vv, S ii, DR
Peccavimus cum patribus, 7vv, S ii, DR
[Post partum virgo …], inc.; Tellus flumina, 3vv, Unde nostris, 4vv, S ii, DR
Quaesumus omnipotens, 6vv (lacks T), DR
[Salve regina] Ad te clamamus exules, 5vv, S ii, DR
Sub tuam protectionem, 4vv, S ii, DR
Te Deum, 6vv, Ob Mus.Sch.E.423 (single voice); DR
English church music
The Actes of the Apostles, translated into English Metre … 4vv (London, 1553) (metrical version of Acts i–xiv with a musical setting of 2 stanzas of each; hymn tunes and other items adapted from this collection not listed here), M
Blessed are all they, 4vv, M
Christ rising, 6vv (lacks 2nd B), M
Deliver us, good Lord, 4vv, M
From the depth I called to thee, 4vv, M
Give alms of thy goods, 4vv, M
If ye be risen again, 4vv, M
I have loved, 4vv, M
I lift my heart to thee [=Amavit eum Dominus; O Lord, deliver me], 5vv, M
I will exalt thee [= I will magnify thee], 4vv, M
Magnificat and Nunc dimittis, 4vv (derived from Parsley's Morning Service; attrib. Parsley in DRc A6 but Tye in other sources), M; alternative version of Nunc dimittis, M
My trust, O Lord, 5vv, M
Nunc dimittis, 4vv, M
O God, be merciful unto us, 4vv (2 versions), M
O Lord, deliver me [=I lift my heart to thee], 5vv, M
O Lord of Hosts, 4vv (attrib. Sheppard in 15638), M
Praise ye the Lord, ye children, 4vv, M
Save me, O God, for thy name’s sake, 4vv, M
To Father, Son and Holy Ghost [=Laudes Deo], 5vv, M
Consort music
all a 5 unless otherwise stated
Amavit [eum Dominus] [= I lift my heart to thee] (not on c.f.), W, DE
Christus resurgens, W, DE
Dum transisset (i), W, DE
Dum transisset (ii), W, DE
Dum transisset (iii), W, DE
Dum transisset (iv), W, DE
Fantasia [=Rubum quem]
In Nomine, ‘Beleve me’, W, DE
In Nomine, ‘Blamles’, W, DE
In Nomine, ‘Crye’, W, DE
In Nomine, ‘Farewell my good 1. for ever’, W, DE
In Nomine, ‘Follow me’, W, DE
In Nomine, ‘Free from all’, W, DE
In Nomine, ‘Howld fast’, W, DE
In Nomine, ‘I come’, W, DE
In Nomine, ‘My deathe bedde’, W, DE
In Nomine, ‘My farrewell’, Ob Tenbury 1464 (B only)
In Nomine, ‘Rachells weepinge’, W, DE
In Nomine, ‘Re la re’, W, DE
In Nomine, ‘Reporte’, W, DE
In Nomine, ‘Rounde’, W, DE
In Nomine, ‘Saye so’, W, DE
In Nomine, ‘Seldom sene’, W, DE
In Nomine, ‘Surrexit non est hic’, W, DE
In Nomine, ‘The flatts’, Ob Tenbury 1464 (B only)
In Nomine, ‘Trust’, W, DE
In Nomine, ‘Weepe no more Rachell’, W, DE
In Nomine, a 4, W, DE
In Nomine, a 5, W, DE
In Nomine, a 6, W, DE
In Nomine, Ob Tenbury 1464 (B only)
Lawdes Deo [= To Father, Son and Holy Ghost] (not on c.f.), W, DE
O lux beata Trinitas, a 5, DE
Rubum quem [viderat Moyses] [= Fantasia, Sol mi ut] (not on c.f.), W, DE
Sit fast, a 3 (exercise in proportions), W, DE
Sol mi ut [= Rubum quem]
Misattributed works
Ascendo [ad Patrem meum], attrib. Tye in GB-Och 984–8, is by Maillart
Et cum pro nobis, attrib. Tye in Och 979–83, Lbl R.M.24.d.2, is a section of Taverner's O splendor gloriae
Haste thee, O God, attrib. Tye in EL 4 (now in Cu), Och 88, is by Sheppard
Jesum Nazarenum, attrib. Tye in Lbl Add.31226, is a section from Byrd's Turbarum voces in passione Domini secundum Ioannem
No info on dates for individual works.
Wish that my institution's library was better stocked for stuff like this, but I'll be heading down to Durham in a couple of weeks so I may well have a look there.
I'll be looking out for some of the books listed in the bibliography of the article (which I can reproduce if people are interested...).
It's such a fascinating period for English music (actually, I find the course of British music up to around Handel's time to be absolutely fascinating generally, but perhaps this period even more so) and if I could clone myself, I would certainly send a clone off to research the period more thoroughly!