thompson1780
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« Reply #15 on: 22:57:42, 02-11-2007 » |
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Ah here we go again - I was brought up to think zithers and dulcimers and cembalons were all hit (and as the part in Vienna Woods is clearly plucked you can understand why I believed it to be a Mandolin).
And now I learn that Zithers are plucked.
Please excuse me whilst I try to selotape my world together.
Tommo
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Made by Thompson & son, at the Violin & c. the West end of St. Paul's Churchyard, LONDON
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richard barrett
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« Reply #16 on: 23:30:41, 02-11-2007 » |
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And now I learn that Zithers are plucked.
If we ever meet up again I'll try to remember to bring mine along and you can have a good old pluck. It isn't as nice as this one though. Back on topic: at the moment, these things: Haydn - "Paris" Symphonies (Harnoncourt) Hans-Joachim Hespos - kaleidoskopes luftsilberMonteverdi - L'Orfeo (La Venexiana) Anthony Braxton - Six Compositions (GTM) 2001CPE Bach - viola da gamba sonatas (Friederike Heumann) Actually all the music I love gives me a lift. If I allow myself to listen properly.
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MabelJane
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« Reply #17 on: 23:48:20, 02-11-2007 » |
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Ah here we go again - I was brought up to think zithers and dulcimers and cembalons were all hit (and as the part in Vienna Woods is clearly plucked you can understand why I believed it to be a Mandolin).
And now I learn that Zithers are plucked.
Please excuse me whilst I try to selotape my world together.
Tommo
You must have missed my zither thread, Tommo. http://r3ok.myforum365.com/index.php?topic=1645.msg54519#msg54519There's a link to Anton Karas playing The Third Man theme in my second post.
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Merely corroborative detail, intended to give artistic verisimilitude to an otherwise bald and unconvincing narrative.
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Andy D
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« Reply #18 on: 23:55:30, 02-11-2007 » |
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Hendrix playing live Wild Thing, Like A Rolling Stone, Red House.....
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MT Wessel
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« Reply #19 on: 01:28:50, 03-11-2007 » |
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?
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« Last Edit: 01:15:24, 04-11-2007 by MT Wessel »
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lignum crucis arbour scientiae
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Antheil
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« Reply #20 on: 04:07:52, 03-11-2007 » |
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I don't know which member in particular was ignoring your PMs, AtTL, but it does strike me in passing that there's another not a million miles away for whom that picture might also have a passing relevance....
Not sure who you mean Ron, (french frank?) but have found another of my old French rustique ones.
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Reality, sa molesworth 2, is so sordid it makes me shudder
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offbeat
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« Reply #21 on: 17:49:21, 03-11-2007 » |
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Must be lots of music which gives me a lift but just three i can of think of at the moment Academic Festival Overture - Brahms Ancient Airs and Dances - Respighi - most of it imo Schumanns Rhenish Symphony especially the joyous last movement
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Il Grande Inquisitor
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« Reply #22 on: 17:52:07, 03-11-2007 » |
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Schumanns Rhenish Symphony especially the joyous last movement Absolutely, offbeat! I listened to this on the iPod (Gardiner) as I walked through the water meadows yesterday afternoon. There's something gloriously autumnal about it, full of sunshine.
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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A
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« Reply #23 on: 17:57:13, 03-11-2007 » |
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Purcell 'Come ye sons of Art'
A
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Well, there you are.
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Morticia
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« Reply #24 on: 12:35:46, 05-11-2007 » |
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Tcha! How could I have forgotten Ancient Airs and Dances? Also the Moderato from Concerto Grosso No.2 - Handel.
Cantus Arcticus holds me spellbound. Not quite the same as a "lift" but .....
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oliver sudden
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« Reply #25 on: 00:32:32, 06-11-2007 » |
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Haven't heard anything by Haydn yet that hasn't managed it. Telemann is also a good bet. And, well, the best of Graupner seldom fails to raise the corners of the mouth a bit. Sorry to be back on my hobby horse though...
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thompson1780
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« Reply #26 on: 08:24:30, 06-11-2007 » |
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I would agree almost on Haydn, but I don't seem to be lifted by the 7 last words from the cross.
And is "Best of Graupner" the title of your next album, Ollie?
Tommo
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Made by Thompson & son, at the Violin & c. the West end of St. Paul's Churchyard, LONDON
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Kittybriton
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« Reply #27 on: 13:50:43, 06-11-2007 » |
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This thread has given me serious cause for thought. Is it the lugubrious Scot in my family line (had to think carefully about phrasing there - Lugubrious Scott, great-uncle. Scot in my genes? not the hairy, bearded sort! I am very particular about who gets into my jeans) that makes it difficult for me to identify music that lifts my mood? I have actually been known to dance to "A man alone" from The Ipcress File. (Still waiting to see the opera), and sometimes I listen to Just to change my mood. We have a new "Dogloo" on the back porch. The dogs will stand in the rain rather than go inside. I know my place.
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« Last Edit: 13:58:09, 06-11-2007 by Kittybriton »
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Click me -> About meor me -> my handmade storeNo, I'm not a complete idiot. I'm only a halfwit. In fact I'm actually a catfish.
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Mary Chambers
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« Reply #28 on: 14:33:22, 06-11-2007 » |
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Bach, Jauchzet, frohlocket (Christmas Oratorio), lots of Haydn; Britten, The Driving Boy and quite a few other bits of Spring Symphony.
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Stanley Stewart
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« Reply #29 on: 17:20:23, 06-11-2007 » |
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An impulse buy. Barbara Cook's new album, "No One Is Alone" on the drg label. She must be near the 80 mark but her voice remains fresh and can she handle a lyric. Accompanied by a trio; Eric Stern, MD/piano, John Beal, bass, and Jack Cavari. guitars; she brings vitality and sheer zest to a selection of Sondheim, Bernstein, Styne, Comden-Green, Kern, Hammerstein, Rodgers & Hart - and I'd love to accompany her on 'The Surrey with the Fringe on Top' after such a scintillating performance. If you're troubled by seasonal affective disorder, or simply feeling sad, here is the cure!
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