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Author Topic: Poetry Appreciation Thread.  (Read 19823 times)
harmonyharmony
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« Reply #465 on: 19:47:45, 02-03-2008 »

Audieris in quo, Flacce, balneo plausum,
Maronis illic esse mentulam scito.

Martial, Epigram XXXIII
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'is this all we can do?'
anonymous student of the University of Berkeley, California quoted in H. Draper, 'The new student revolt' (New York: Grove Press, 1965)
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SusanDoris
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« Reply #466 on: 20:48:37, 03-03-2008 »

Don Basilio #464

thank you for the links, which I shall look at tomorrow.

As a sceptic, I wonder why people who believe words must have had a 'divine' origin so under-estimate the evolved abilities of the human brain.
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Don Basilio
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Era solo un mio sospetto


« Reply #467 on: 11:10:47, 12-03-2008 »

Right, here's a bit of Alexander Pope, from his Epistle to a Lady (the lady was Martha Blount, generally held to have been his mistress.)  In one way it is a cruel piece:

At last, to follies Youth could scarce defend,
It grows their Age's prudence to pretend;
Asham'd to own they gave delight before,
Reduc'd to feign it, when they give no more:
As Hags hold Sabbaths, less for joy than spight,
So these their merry, miserable Night;
Still round and round the Ghosts of Beauty glide,
And haunt the places where their Honour dy'd.

While it shows these former beauties to be grotesque, there is a great sense of pathos there, ending with the extraordinary line "Round and round the ghosts of beauty glide."
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To every thing there is a season, and a time to every purpose under heaven.
A time to weep, and a time to laugh: a time to mourn, and a time to dance
pim_derks
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« Reply #468 on: 11:27:50, 12-03-2008 »

there is a great sense of pathos there

Yes, indeed. Alexander Pope is often seen as a classic poet, but many of his lines are very dark and disturbing and they could have been written by a romantic poet (the ending of The Dunciad, for example).
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"People hate anything well made. It gives them a guilty conscience." John Betjeman
SusanDoris
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« Reply #469 on: 16:27:38, 13-03-2008 »

Don Basilio

Thank you for posting that. I certainly prefer poetry which has meter and rhyme.
I've read it a couple of times but am not sure what Ppe intends by:'As Hags hold Sabbaths,'. May I ask what you think?
It sounds to me as if he is referring to old women who attend church to give themselves status...
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Don Basilio
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Era solo un mio sospetto


« Reply #470 on: 17:26:54, 13-03-2008 »

Just as witches attend their midnight ceremonies (sabbats) out of malice rather than piety, women no longer young and beautiful go to all night parties and bitch about others just to prove they are still fashionable, when in fact they are not enjoying themselves at all and just showing up that they are past their sell by date.

That's reading a bit more into it than Pope says, but I think that's the idea.
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To every thing there is a season, and a time to every purpose under heaven.
A time to weep, and a time to laugh: a time to mourn, and a time to dance
pim_derks
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Posts: 1518



« Reply #471 on: 20:20:19, 13-03-2008 »

The word "hag" reminds me of a poem by Robert Frost:


Provide, Provide

The witch that came (the withered hag)
To wash the steps with pail and rag,
Was once the beauty Abishag,

The picture pride of Hollywood.
Too many fall from great and good
For you to doubt the likelihood.

Die early and avoid the fate.
Or if predestined to die late,
Make up your mind to die in state.

Make the whole stock exchange your own!
If need be occupy a throne,
Where nobody can call you crone.

Some have relied on what they knew;
Others on simply being true.
What worked for them might work for you.

No memory of having starred
Atones for later disregard,
Or keeps the end from being hard.

Better to go down dignified
With boughten friendship at your side
Than none at all. Provide, provide!


Robert Frost
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"People hate anything well made. It gives them a guilty conscience." John Betjeman
Stanley Stewart
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Well...it was 1935


« Reply #472 on: 22:28:01, 13-03-2008 »

        Macbeth          How now, you secret, black, and midnight hags!
                              What is't you do?

        Witches           A deed without a name.

         ACT IV, Sc 1
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SusanDoris
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« Reply #473 on: 11:47:52, 14-03-2008 »

Don Basilio

Thank you  - that makes the verse  much more interestinf.

pim derks

I like that Robert Frost poem; thank you for quoting it.
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Don Basilio
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Era solo un mio sospetto


« Reply #474 on: 14:31:34, 14-03-2008 »

Abishag the Shumanitess is the young girl who is put to bed with King David when he is old and dying to warm him up.

(I have just looked up 1 Kings 1 in a modern translation and it is suitably PC and calls her Abishag the Shumanite and adds "the king did not know her sexually.")

I have never heard a sermon on the subject.
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To every thing there is a season, and a time to every purpose under heaven.
A time to weep, and a time to laugh: a time to mourn, and a time to dance
pim_derks
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« Reply #475 on: 14:32:44, 14-03-2008 »

pim derks

I like that Robert Frost poem; thank you for quoting it.

Not long before he died, Robert Frost made a beatiful recording of it.
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"People hate anything well made. It gives them a guilty conscience." John Betjeman
time_is_now
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« Reply #476 on: 15:26:08, 14-03-2008 »

Abishag the Shumanitess is the young girl who is put to bed with King David when he is old and dying to warm him up.
This clearly predates the invention of the microwave.
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The city is a process which always veers away from the form envisaged and desired, ... whose revenge upon its architects and planners undoes every dream of mastery. It is [also] one of the sites where Dasein is assigned the impossible task of putting right what can never be put right. - Rob Lapsley
Don Basilio
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Era solo un mio sospetto


« Reply #477 on: 13:49:31, 15-03-2008 »

The following is an old chestnut, which I am sure many of you will know, particularly Vaughan Williams lovers.

However, I would be very interested indeed if any of you who don't recognise it or  know it would like to say what you think it may be about.

Here it is:

   LOVE (III)
by XX

Love bade me welcome, yet my soul drew back,
        Guilty of dust and sin.
But quick-ey'd Love, observing me grow slack
        From my first entrance in,
Drew nearer to me, sweetly questioning
        If I lack'd anything.

"A guest," I answer'd, "worthy to be here";
        Love said, "You shall be he."
"I, the unkind, the ungrateful? ah my dear,
        I cannot look on thee."
Love took my hand and smiling did reply,
        "Who made the eyes but I?"

"Truth, Lord, but I have marr'd them; let my shame
        Go where it doth deserve."
"And know you not," says Love, "who bore the blame?"
        "My dear, then I will serve."
"You must sit down," says Love, "and taste my meat."
        So I did sit and eat.

 Huh Huh
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To every thing there is a season, and a time to every purpose under heaven.
A time to weep, and a time to laugh: a time to mourn, and a time to dance
Andy D
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« Reply #478 on: 23:09:53, 15-03-2008 »

"You must sit down," says Love, "and taste my meat."

Sorry, I'm "veggie" Undecided
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strinasacchi
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Posts: 864


« Reply #479 on: 00:21:28, 16-03-2008 »

The following is an old chestnut, which I am sure many of you will know, particularly Vaughan Williams lovers.

However, I would be very interested indeed if any of you who don't recognise it or  know it would like to say what you think it may be about.

Here it is:

   LOVE (III)
by XX

Love bade me welcome, yet my soul drew back,
        Guilty of dust and sin.
But quick-ey'd Love, observing me grow slack
        From my first entrance in,
Drew nearer to me, sweetly questioning
        If I lack'd anything.

"A guest," I answer'd, "worthy to be here";
        Love said, "You shall be he."
"I, the unkind, the ungrateful? ah my dear,
        I cannot look on thee."
Love took my hand and smiling did reply,
        "Who made the eyes but I?"

"Truth, Lord, but I have marr'd them; let my shame
        Go where it doth deserve."
"And know you not," says Love, "who bore the blame?"
        "My dear, then I will serve."
"You must sit down," says Love, "and taste my meat."
        So I did sit and eat.

 Huh Huh


Ooh, I love this poem.  I love the metaphysicals generally - the way they blur boundaries between art and science, between religion and eroticism, between reason and passion.  Yummy.
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