Prompted by Time_Is_Now, here's a thread in which to talk about all issues reating to working with electronics, and in particular what used to be called 'tape-pieces', i.e. work that is 'set' in some electrind format or other and is not, therefore, open to interpretation. But I think we may permit ourselves also to include issues related to live electronic performance/ processing.

Some juicy areas  here, I'd suggest: ethical/ economical/ 'interpretative'/ authorship/ ownership/ role of composer qua performer qua technician...etc. Y'all get the deal.

Shoot.