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Author Topic: Making money from composition?  (Read 1394 times)
ahinton
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« Reply #30 on: 07:15:48, 14-07-2007 »

[Can I sashay in dressed as Minerva or Sir Walter Raleigh or someone to distract attention and suggest Pax Britannica all round and a quick chorus of O Fairest Isle.]
Love the first bit - can we have Pax Europa instead, though? Smiley
Same thing, innit? - or at least it presumably will be once Gordon Brown becomes President and evicts the occupants of Buck House, Windsor Castle, Sandringham, etc. Anyway, there's nowt wrong with Purcell's Fairest Isle, which would surely make a far better non-monarchist national anthem than the one we have now...

Best,

Alistair
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Ian Pace
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« Reply #31 on: 10:13:34, 14-07-2007 »

Some of us attended public school/Oxford as well, but have attempted to survive the deprivation it entails Wink
Were this remark to be taken seriously (and I am not saying that I am doing so or that this was the intent), one might be forgiven for assuming that this view of British "public school" and Britain's oldest universities is such that there can be nothing other than severely negative things to say about them.
Indeed so - also about Britain's being the only country in Europe (as far as I know) that sustains a two-tier education system of this type on such a scale. That is a major factor, perhaps the most important one, in sustaining the hideously class-bound nature of British society. Abolishing the public schools is a more pressing demand than abolishing the monarchy or disestablishing the Church of England (important though both of those also are).
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
perfect wagnerite
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« Reply #32 on: 10:24:28, 14-07-2007 »

Steady on, old chap ! Some of us attended public school/Cambridge !
Some of us attended public school/Oxford as well, but have attempted to survive the deprivation it entails Wink
Were this remark to be taken seriously (and I am not saying that I am doing so or that this was the intent), one might be forgiven for assuming that this view of British "public school" and Britain's oldest universities is such that there can be nothing other than severely negative things to say about them. It seems to me that one of the worst things about "public schools" is the mere quaintness of the term itself, since what is meant by it is "fee paying schools". Now the same jibes may be made (at least by some of those who appear to feel this way about public schools and centuries-old universities) at so-called "private" medical treatment for the same reason - i.e., simply that is is paid for directly by the user.

From whatever moralistic standpoint such "criticisms" be levelled, it might be worth remembering that all that is involved is the paying of money for services. Leaving aside the fact that there are some scholarships to the said public schools and universities and that much "private" medical treatment is funded by insurance policies and employers rather than directly out of the user's wallet, it is worth noting that the alternative is rarely if ever "free", in the sense of being wholly funded by the state. A friend has put her four children through the state education system and told me that it cost her well over half of what she'd have paid had she sent them to public school - books, clothing, contributions towards school building repairs, you name it (she didn't mention backhanders to help subsidise poorly paid teachers, but you never know, I suppose). Likewise, less and less medical services are being offered on a "free at the point of use" basis and some such services are not offered under NHS at all - just look at opthalmic work, dentistry, osteopathy and chiropractic, for example. Not only that, but less and less such services are being offered under NHS when needed by the patient; I should know, for I have had on occasion to be thankful for my private medical insurance policy that has paid for immediate treatment for which I'd have had to wait a long time under NHS (and, let's not forget, this alternative would have meant that I'd have been forced to stop making a fortune from composition while I waited!).

Would you regard those taxpaing citizens who offer their professional services at all levels in the "private" education and health industries the same evident contempt as the public schools and private clinics themselves?

Ah, taxpayers! God bless 'em! (sorry, Ian, I realise that you don't believe in God, but it's just a harmless euphemism, you understand). Yes - it is always worth remembering that none of the above services and facilities come "free" in any case; they can't do, because they cost money (vast amounts of it), so someone therefore has to pay for them. Just try getting a decent school education or medical treatment if you're really poor; of course it can be done in many cases, but let's not kid ourselves that there are others where it's a whole lot easier to get at least some services "on the state" (insofar as it's possible to get them "on the state" at all) if one is better off.

No, Ian - this kind of thing just will not stand up to scrutiny, I'm afraid. Nothing that is paid for out of taxpayers' money can be provided unless that tax is first paid; the British government has no money of its own, so has to rely solely on what it can extract from Britain's citizens and it has always been the case that, the better off one is, the more one can afford to pay for professional services to ensure as much tax avoidance as possible (and I'm specifically not referring to illegal tax evasion activity here, either).

A wealthy British person once told me that "only idiots pay tax"; when I asked why that person considered such taxpayers to be "idiots", the reply came that this was because they'd not managed to make sufficient money to be able to afford to avoid paying any. This is someone who has even set up perfectly legitimate businesses that actually cost the taxpayer VAT and recoup for him more than the total amount of VAT that he pays on all his business and personal purchases, so he has figured out how to avoid indirect taxes as well as the rather easier direct ones. Now I am not implying that I approve of this kind of activity - still less that I wish to consort with the kind of people that indulge in it to the point that they extract more from the state than they pay to it - but I do recognise that this kind of thing occurs in many different ways and on a not inconsiderable scale, with the inevitable consequence that poorer people who do pay tax are helping to subsidise people like him.

Another thing that those poorer taxpayers presumably do at some point is pick up the tab for state industry debt which, like all other personal and corporate debt, is not exactly small.

Anyway, none of this is any more directly pertinent to the hows, whys and wherefores of making money from composition than those hows, whys and wherefores are to that wonderful Zemlinsky symphony - at least not beyond the fairly obvious fact that the taxpayer is not obliged to dig more than a pinhole in his/her pocket to help fund strange people like me who write "funny modern music" (whatever that is). Because most composers' compositional activities fall under the self-employed sole trader category (or self-owned incorporated entity in the case of a few better-off composers) for tax purposes, HMRC (the equally quaintly termed "Inland Revenue" as was, which nonetheless never knowingly exempted any residents of Lewis, Unst, St. Mary's or the Isle of Wight from anything) regards most composers as businesses pretty much like any others; fortunately, however, unlike those who own businesses in the education, health, law, financial services, etc. industries, composers are at least able to avoid the worst excesses and costs of state regulation of their professional activities, so perhaps this is one small compensation for a bunch of people who, as Elliott Carter (remember him?!) implied, cannot expect to make much money out of their work.

Best,

Alistair

Having been educated at a public school (on a scholarship) and Oxford myself, I think I know what Ian means.  The public school system exercises what I believe to be a profoundly unhealthy influence over our society (power is concentrated in the hands of people who have been to the same small number of schools and two universities, resulting in the promulgation of a common value system - and New Labour is every bit as involved as Cameron's Tories, with their thirteen old Etonians in the shadow cabinet).  Richard Hoggart made a telling point about how the public schools sell themselves as teaching primary virtues leadership, initiative and so on while in fact many of their values are secondary - conformity, class solidarity, obeying orders and toeing the line and so on.  One of my most powerful memories is a school assembly at the time of the first miners' strike and the three-day week, at which my headmaster - a man with a fine line in sonorous banality, and certainly not given to irony - intoning that the miners not only were failing in their patriotic duty, but represented the greatest threat to England and what it represented since the blitz.

And yet ...

First, recognising the emptiness (in my view) of those values, and learning how to rebel against them, was one of the formative experiences of my life (some of us wore the accusation of lacking school spirit as a badge of honour);

Second, the quality of education I received at the hands of a number of exceptional individuals was outstanding.  A history teacher who taught with passion and enthusiasm that an understanding of the past was essential to interpreting the present; a music teacher who determinedly mounted big choral works to a high standard, involving much of the school in the process; I had sung in both Bach Passions by the time I was fifteen, and that was a life-changing experience too.

But, years later, as a parent, I turned down a place for my daughter at the local independent girls' school for a place at the local comprehensive.  Now I should explain that the local comprehensive happens to be the school that Brighton's middle class parents move house and occasionally cheat to get their kids into; but the best of what I had at school is there too, without - except in the growing obsession with competitive sport - any of the ideological bunk that I was subject to.  And I think that there are better ways of learning independence of thought than rejecting a school system (there is in any case plenty for a independently-minded child to rebel against, like commercial pop-music and body-fascism).  I think what I take from this is that education at best is about exposure to exceptional individuals, and they can be found in private and state sector alike.  But there is nothing systematic about this; excellence in the most positive sense has nothing to do with the public school ethos, but as long as we are a society that is steeped in it, that the people who own and run our society will never really care about making that excellence more widely available.  Thatcher and Major came from much less privileged backgrounds than Blair, so are probably more culpable in the matter of pulling up the ladder behind them.

Finally, on the tax point - it's worth remembering that the state shovels money into private education through tax breaks - VAT exemption and charitable status.  It's one of private education's dirty little secrets that it costs the taxpayer far more to subsidise a pupil at Eton than it does to finance a state school pupil directly. 
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At every one of these [classical] concerts in England you will find rows of weary people who are there, not because they really like classical music, but because they think they ought to like it. (Shaw, Don Juan in Hell)
richard barrett
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« Reply #33 on: 12:24:45, 14-07-2007 »

What I do find a little strange here is that Ian sneers at what he sees as a symptom of someone else's public school/Oxbridge education and then tells us he's attempted to survive the "deprivation" involved... most of us don't go on about this kind of thing very often, so I wonder where exactly the problem is here.
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George Garnett
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« Reply #34 on: 12:31:41, 14-07-2007 »

Perhaps we need a separate "Public Schoolboy Guilt Complex Competition" thread?

Anyone want to counter the idea, which seemed to be at least lurking in some comments earlier in the thread, that 'teaching' was somehow either unworthy for a proper rebellious creative artist, sapped creativity or was a dubious establishment perk that composers could pick up like a CBE or something to keep them from frightening the horses too much?

In my innocence I would have thought teaching was something that was well worth doing in its own right and A GOOD THING in itself. And, looking at all this wholly from outside, it seems to me rather a good way (if only one among a number of ways) of squaring the circle of how to ensure that composers can earn a decent living (if they so choose) while still writing the music they want to write, and without the 'command economy' approach of handing down large grants directly to state approved composers - with all the tears before bedtime that entails. No? At least in the UK, as far as I can see though am ready to be corrected, we seem to manage it reasonably well without ending up with a separate species of 'academic music for other academics' (which does seem to me a real danger), don't we?

In principle, it's rather a good wheeze, isn't it, rather than something to be regretted? 
« Last Edit: 20:00:29, 07-09-2007 by George Garnett » Logged
ahinton
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« Reply #35 on: 15:58:12, 14-07-2007 »

Some of us attended public school/Oxford as well, but have attempted to survive the deprivation it entails Wink
Were this remark to be taken seriously (and I am not saying that I am doing so or that this was the intent), one might be forgiven for assuming that this view of British "public school" and Britain's oldest universities is such that there can be nothing other than severely negative things to say about them.
Indeed so - also about Britain's being the only country in Europe (as far as I know) that sustains a two-tier education system of this type on such a scale. That is a major factor, perhaps the most important one, in sustaining the hideously class-bound nature of British society. Abolishing the public schools is a more pressing demand than abolishing the monarchy or disestablishing the Church of England (important though both of those also are).
How "two-tier" is it still, in reality? To me, it's about the quality of education available in the establishment concerned, far more than it is about how pays for it and how it's paid for. Educationally speaking, there are some first-rate (I almost wrote "first-class" but thought better of it in this particular context) state comprehensive schools, as well as far fewer grammar schools and maybe even less public schools of the same standard (but this only because there are far fewer grammar and public schools per se); there are also schools in all categories whose educational standards are woefully lower than the best in each such sector.

You persist in banging on about what you've just called "the hideously class-bound nature of British society", yet the moment you are faced with someone who comes from Britain and who on the one hand promotes the music of a composer whom you seem to despise above all others for his background and his "élitism" yet who on the other hand comes from a non-artistic lower-middle-class background, you back off from the real arguments and instead merely trade the kinds of insult and high-and-mightiness for which we know you when you're not engaged in really interesting discussion of cetain music. I am not, nor have I ever been or felt myself to be in any sense "class-bound" - hideously or otherwise - so why should anyone else be? Maybe that's just because I don't easily fit into "British society", whether represented by the landed gentry and toffs or the so-called "working classes" or any points north, south, east or west thereof, but that doesn't make me want to get into rants about any of them.

You write that "abolishing the public schools is a more pressing demand than abolishing the monarchy or disestablishing the Church of England (important though both of those also are)"; from this one must deduce that you believe that the educational standards in those schools are so poor that they must be wiped off the map of British life, for what else are schools of any kind for if not to educate well? What positive results would such abolition achieve? Similarly, what difference do you suppose it will make to contemporary "British society" when the monarchy is gently urged to abolish itself as quietly and without fuss as possible? - and why do you, as a self-confessed atheist, single out the Church of England for abolition over and above the Roman Catholic Church, the so-called "non-conformist" British Christian Churches, the Orthodox Christian Church in Britain or any of the other religious faiths practised within these isles?

Best,

Alistair
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ahinton
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« Reply #36 on: 16:45:34, 14-07-2007 »

Having been educated at a public school (on a scholarship) and Oxford myself, I think I know what Ian means.  The public school system exercises what I believe to be a profoundly unhealthy influence over our society (power is concentrated in the hands of people who have been to the same small number of schools and two universities, resulting in the promulgation of a common value system - and New Labour is every bit as involved as Cameron's Tories, with their thirteen old Etonians in the shadow cabinet).  Richard Hoggart made a telling point about how the public schools sell themselves as teaching primary virtues leadership, initiative and so on while in fact many of their values are secondary - conformity, class solidarity, obeying orders and toeing the line and so on.  One of my most powerful memories is a school assembly at the time of the first miners' strike and the three-day week, at which my headmaster - a man with a fine line in sonorous banality, and certainly not given to irony - intoning that the miners not only were failing in their patriotic duty, but represented the greatest threat to England and what it represented since the blitz.
Beautifully and most elegantly put, if I may say so, as an eloquent exposé from personal experience of all the things that are, for the most part, the most reprehensible and unpalatable aspects of British public school life and conduct, although I take leace to doubt that they are quite as bad or (more importantly) as extensive and pervasive as once they were. The only issue I have here is that the teaching of the virtues of leadership and initiative are surely not bad of themselves, since someone has to be in charge of government, businesses, the Church(es), the health and education industries, charities and all else (in no particular order of precedence) - not to mention the armed forces (and I will make a point of NOT mentioning them!), just as, without enterprise and initiative, the working classes of all classes and none will be out of jobs; the only problem with this, it seems to me, is a matter of due proportion and balance, for it's no earthly use to any young school attendee to be banged on at incessantly about such things to the point where some of their confidence might suffer irreparable damage, for, in the real world, we obviously can't have only leaders and masters of initiative. All that I would add here is that there are no British laws of which I am aware that specifically confine the right to confer the "privilege" of inculcating such virtues upon the public schools; what's to stop any kind of school doing the same, or similar?

And yet ...

First, recognising the emptiness (in my view) of those values, and learning how to rebel against them, was one of the formative experiences of my life (some of us wore the accusation of lacking school spirit as a badge of honour);
Not being of a naturally rebellious nature when I was at school, I do admit that nevertheless I drew the line at what I saw as the utterly absurd obsession about having, on school days, to wear the "school uniform" in public (which, of course, was not something paid for by the state, even though I attended a state grammar school); I was particularly incensed, for a number of reasons, by the expectation that a school cap should be worn (in all weathers), not least because not wearing one at least made it impossible to doff the wretched thing at anyone and the sheer nonsense of donning a blazer upon which was emblazoned a pompous-looking ersatz coat-of-arms bearing a motto in Latin was not lost on this particular student who happened to have noticed its incongruity as a "representation" of a school which was in the process of phasing out the teaching of Latin. When brought to book by the school headmaster over this, I said as much, adding that the said motto "finis coronat opus" must stick in the craw of the only Latin master left in the school, since he was suffering the painful ignominy of being made redundant one academic year at a time. I was ordered to kow-tow (at which point I remind anyone beginning to wonder that this was NOT a public school) and refused by asking why I should; I was told that, when out in the street, I represented a good school (which I have to admit it was) and ought therefore to be proud of it. I then asked why wearing the uniform was the only way to demonstrate this and the headmaster made some remark about standards of dress, smartness of appearance and such. I reminded him that I was wearing a decently cut civvy street suit that I'd bought and paid for with money I could ill afford and that if he ever caught me somewhere near the school on a school day looking like a scrufball he was welcome to expel me on the spot. He relented.

Second, the quality of education I received at the hands of a number of exceptional individuals was outstanding.  A history teacher who taught with passion and enthusiasm that an understanding of the past was essential to interpreting the present; a music teacher who determinedly mounted big choral works to a high standard, involving much of the school in the process; I had sung in both Bach Passions by the time I was fifteen, and that was a life-changing experience too.
This is not the first time I have heard this kind of thing from people who have attended public schools, although, again, I am not seeking to hold up the concept as more virtuous than in any other school per se, for the highest educational standards are not the exclusive province of such schools any more than they are dependent upon the particular sources funding upon which the schools depend.

But, years later, as a parent, I turned down a place for my daughter at the local independent girls' school for a place at the local comprehensive.  Now I should explain that the local comprehensive happens to be the school that Brighton's middle class parents move house and occasionally cheat to get their kids into; but the best of what I had at school is there too, without - except in the growing obsession with competitive sport - any of the ideological bunk that I was subject to.
A very interesting and most valid point in this argument, indeed. People do regard certain state schools as though they actually are public schools and will fight almost to the death to get their children into them.

And I think that there are better ways of learning independence of thought than rejecting a school system (there is in any case plenty for a independently-minded child to rebel against, like commercial pop-music and body-fascism).  I think what I take from this is that education at best is about exposure to exceptional individuals, and they can be found in private and state sector alike.  But there is nothing systematic about this; excellence in the most positive sense has nothing to do with the public school ethos, but as long as we are a society that is steeped in it, that the people who own and run our society will never really care about making that excellence more widely available.  Thatcher and Major came from much less privileged backgrounds than Blair, so are probably more culpable in the matter of pulling up the ladder behind them.
I agree with all that you say here, except that I'm by no means certain that greater accusations should be levelled at Thatcher and Major than at Blair as you suggest here, for I do not think that any of them has presided over all that much in the way of credible and viable education policies, frankly.

Finally, on the tax point - it's worth remembering that the state shovels money into private education through tax breaks - VAT exemption and charitable status.  It's one of private education's dirty little secrets that it costs the taxpayer far more to subsidise a pupil at Eton than it does to finance a state school pupil directly.
Good point - and one which I'd overlooked. What it does, however - especially when taken alongside recognition that it can cost quite a lot to send children to certain state schools and that the Etons, Roedeans, Rugbies, Harrows and Cheltenham Ladies' Symphonies (I mean Colleges!) have no particularly great exclusive hold on high-cost education - is to illustrate that governments of all colours offer all kinds of tax breaks in many quarters that could in certain circles qualify as "dirty little secrets". One has only to look at three products in the British investment industry that have been paraded as championing the "small saver" over the past two decades - the PEP (Personal Equity Plan), devised by Thatcher's Conservatives, the ISA (Individual Savings Plan) which took over from it during the present administration's régime and the absurdly-named Stakeholder Pension invented by the Blair lot; the first two were supposed to be (and originally were) tax-exempt at the back end (i.e. no taxes on income taken or on gains when encashed) and the last, like other pension products, tax-relieved up-front (i.e, when contributions are made by the investor). What has happened? Well, some of those conscientious investors who used up their full limits on investment every year in PEPs and then ISAs now have portfolios that have grown to several hundreds of thousands of pounds in value with almost no tax benefit to the government of the day and the Stakeholder has been relished mainly by people who already pay the top rate of tax because they can get the maximum relief of contributions and don't have to have NRE (NEt Relevant Earnings) from employment or self-employment in order to be entitled to make them - in other words, these things have benefited the well off far more than the less well off. The ISA is now not so tax-efficient as it once was (due to a series of back-door stealth moves of a Brown hue), so some of these portfolios are now being moved offshore to protect them from the ravages of the Treasury.

To get back to the subject, I openly admit that I don't much (and cannot in any case afford to) care where the money comes from to fund what I do, as long as it comes; I don't expect it from government and the thought that any kind of funding source may come tainted at the outset with orders as to how things should be done is, of course repellent. So I try to put up and shut up, but still need the money. I'm not "Elliott Carter" either, you see...

Best,

Alistair
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Tony Watson
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« Reply #37 on: 16:50:37, 14-07-2007 »

one must deduce that you believe that the educational standards in those schools are so poor that they must be wiped off the map of British life, for what else are schools of any kind for if not to educate well? What positive results would such abolition achieve?

Most of our grammar schools were abolished long ago and it had nothing to do the standard of education they offered (which was very high) but because they only catered for the most academically able.

and why do you, as a self-confessed atheist, single out the Church of England for abolition over and above the Roman Catholic Church, the so-called "non-conformist" British Christian Churches, the Orthodox Christian Church in Britain or any of the other religious faiths practised within these isles?

I'll point it out before Ian does that he didn't call for the abolition of the Church of England but the disestablishment of it.
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ahinton
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« Reply #38 on: 17:19:34, 14-07-2007 »

one must deduce that you believe that the educational standards in those schools are so poor that they must be wiped off the map of British life, for what else are schools of any kind for if not to educate well? What positive results would such abolition achieve?

Most of our grammar schools were abolished long ago and it had nothing to do the standard of education they offered (which was very high) but because they only catered for the most academically able.

and why do you, as a self-confessed atheist, single out the Church of England for abolition over and above the Roman Catholic Church, the so-called "non-conformist" British Christian Churches, the Orthodox Christian Church in Britain or any of the other religious faiths practised within these isles?

I'll point it out before Ian does that he didn't call for the abolition of the Church of England but the disestablishment of it.
Indeed - point well made and taken - although I'm still less than certain why he'd seek to change its status without changing that of other churches in Britain - but then perhaps he'll tell us...

Thanks for putting me right on that.

Best,

Alistair
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George Garnett
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« Reply #39 on: 17:21:56, 14-07-2007 »

It's one of private education's dirty little secrets that it costs the taxpayer far more to subsidise a pupil at Eton than it does to finance a state school pupil directly.

Something of a killer fact Shocked. Do you have, or know where I could find, the comparative figures, Perfect W?

The figures I have seen quoted for the Independent Schools as a whole is that they get tax breaks amounting to £88m a year. Divide that among their 440,000 pupils and that works out about £200 per pupil.

That's a lot (said he, speaking as one of the idiots who doesn't know how to avoid paying tax) and I can't myself see how it can really be justified but, even so, it can't possibly come near the cost to the taxpayer per state school place, can it?  How does the Eton statistic fit in with this?  


[A Non Public School boy, in case that helps give me street cred Cool ]
« Last Edit: 18:18:55, 14-07-2007 by George Garnett » Logged
marbleflugel
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« Reply #40 on: 17:49:32, 14-07-2007 »

I speak as someone who had a good (and) challenging time at secondary school, more life lessons than academicals. A while back I was shepherding a youngster from Eton through somer local pr calls and the inevitable question of elitism came up-these guys have a practice studio with multi media feedback and variable acoustics worth thousands, wheras the state schools are associated with a skills gap.

I think several socio-political points are worth adding into the equation.

1. getting rid of public schools throws the baby of excellence out with the bathwater. far better to open up the facilities to wider use, and to use this as a chanell to encourage diversity but also focus and social skills for those who take up the exchange.
2. the traditional class structure of the music/ arts scene is not going to change overnight where government  policy is populist and equivocal -and its view of the skills gap in general is equivalently polemic rather than empathic.
(a nod to my old borough of Lewisham for bringing on an afro-caribbean tubist, but thats an extreme rarity in a sea of diffuse politically correct mediocrity as I've heard from teachers there and in the home counties)
3. As well as the meretricious public  schools producing some freeloaders, the better ones foster social skills and entrepreneurship more effectively than the box-ticking recent traditions of secondary education.
An example of this is the Brownian return ,woefully underfunded, to competitive sports after the cynical
faux-leftist position that competition fosters hostility (look at the popularity of gang membership and its
consequences lately in the absence of youth clubs and accessible sports facilities-sold off as real estate- for example)
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Arnold Brown
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« Reply #41 on: 18:06:35, 14-07-2007 »

Perhaps we need a separate "Public Schoolboy Guilt Competition" thread?

Anyone want to counter the idea, which seemed to be at least lurking in some comments earlier in the thread, that 'teaching' was somehow either unworthy for a proper rebellious creative artist, sapped creativity or was a dubious establishment perk that composers could pick up like a CBE or something to keep them from frightening the horses too much? In my innocence I would have thought teaching was something that was well worth doing in its own right and A GOOD THING in itself. And, looking at all this wholly from outside, it seems to me rather a good way (if only one among a number of ways) of squaring the circle of how to ensure that composers can earn a decent living (if they so choose) while still writing the music they want to write, and without the 'command economy' approach of handing down large grants directly to state approved composers - with all the tears before bedtime that entails. No? At least in the UK, as far as I can see though am ready to be corrected, we seem to manage it reasonably well without ending up with a separate species of 'academic music for other academics' (which does seem to me a real danger), don't we?

In principle, it's rather a good wheeze, isn't it, rather than something to be regretted? 

Back at the composition end of things: yes, George, on the whole it is a pretty good wheeze IMO. I remember hearing Michael Finnissy saying that composers had no place working in universities. Now, what's he doing these days? Oh... Anyway, this has sort of come up before, elsewhere; and I think some people may have been wary of the possibility of the creation of an 'academic' sub-species of composer - but I honestly don't think that's the case in this country, if one looks at the variety of styles and approaches of composers working in UK Unis and conservatoires. (It was probably true of the US years ago, but not any longer, I think. Interested to see what Aaron, Evan et al have to say on that.)
And yes, if you take the job seriously (as I hope I do), it can be fulfilling in its own right, and act as a stimulus not just to composing but to general intellectual and creative health, depending on the quality of your students.

Shame about the admin...
<retires and waits for roslynmuse to start ranting loudly>
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marbleflugel
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« Reply #42 on: 18:25:19, 14-07-2007 »

Those enlightened guys working within Unis of course have the vital opinion here, George's point about musioc for and by academics seems to me to be coming to pass in the refuge which the system can be
for those who've has their quota of initial attention and are now pro tem back in relative obscurity and penury. Pro-active, reality checking etc etc all to the good but I think some time active as a musician,
rather than exclusively as a composer would be a good thing before making with the theroreticals.
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Arnold Brown
Ian Pace
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« Reply #43 on: 20:08:25, 14-07-2007 »

Quickly....

Re: possible merits of the public school system - I'll just point out that the rest of Europe does not have anything like it, and educational standards are in general higher there, I believe. If they can provide a good education for all, then so can we.

Myself: yes, I went to a public school and Oxford, do not claim any privileged insight or anything like that as a result, only bring it up because I'm not going to pretend to come from a less privileged educational upbringing than I have. And no, I'm not 'sneering' (the notion of public school as 'deprivation' isn't my own invention - I remember reading Eagleton making a similar comment) - I simply think that the type of apartheid-like education system we have in this country is a primary factor in maintaining a highly unequal society. I've heard, of all people, former Tory MP George Walden making a similar comment, and you would hardly call him a far-left class warrior (well, maybe some of the lunatic right-wing fringe in his own party might, but I think we can safely disregard their views... Wink )

C of E: disestablishment simply means removing any special status in terms of the state/monarchy/government, so it becomes just another church amongst others. Then the Queen/government will no longer appoint bishops, and all of that. I don't understand what Alistair means about changing the status of other churches as well - this measure (supported by quite a number of leading figures within the C of E) would be to give it the same status as the others. Are you suggesting the others should take whatever the ecclesiastical equivalent of a cut in pay would be, in order to preserve differentials....? Wink

To George's point re teaching vs. 'command economy' of state grants: it's worth bearing in mind here that those composers who get the most regular and prominent performances, and those who have the better university jobs, are categories that by no means necessarily coincide. I would hate to think that the perfectly laudable idea that composers pass their skills on in the context of a university should be seen as a substitute for proper funding of music.
« Last Edit: 20:20:08, 14-07-2007 by Ian Pace » Logged

'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
Ian Pace
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« Reply #44 on: 20:17:30, 14-07-2007 »

I think some people may have been wary of the possibility of the creation of an 'academic' sub-species of composer - but I honestly don't think that's the case in this country, if one looks at the variety of styles and approaches of composers working in UK Unis and conservatoires. (It was probably true of the US years ago, but not any longer, I think. Interested to see what Aaron, Evan et al have to say on that.)
And yes, if you take the job seriously (as I hope I do), it can be fulfilling in its own right, and act as a stimulus not just to composing but to general intellectual and creative health, depending on the quality of your students.
Just a thought on this - the impression I get is that the universities in the US in general (and of course this is a big generalisation) much more 'cut off' from the rest of American society than is true of their British equivalents, for various reasons, one of which may be simple geography (many university campuses literally in the middle of nowhere). You've been involved in British and American institutions, martle - do you feel this sort of thing? And could be part of the reason why it's possible to foister an atmosphere of rather aloof 'academicism' in the US, which is less the case here?
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
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