What's the problem, CD? You write good stuff, you've got nothing to fear
. Actually, I think the objectivity this practice produces is quite refreshing. And not many composers I know can write a decent programme note anyway...
Well, thanks, martle, I didn't know my music was on your radar...
-- I wasn't worried so much about objectivity as about well-meaning folks having a very different idea than I of what would be my 'essence.'
That isn't a bad thing, but, as I say, nerve-wracking. In the extreme