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Author Topic: Quality judgements about music are a waste of time...  (Read 1037 times)
increpatio
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« Reply #15 on: 13:45:04, 09-07-2007 »

Are you OCD-ish about such things, incre?

(I don't blame you if so. I am myself, a little bit.)

I do find such things irksome when they occur in print; here, I would regard it as being maybe a little bit more annoying than, say, accidentally saying "bonana", possibly worth leaving in or drawing attention to for (possibly very slight) comic value.  I certainly wouldn't have bothered except for the fact, so it seems to me, that this thread seemed to be rather going in that direction anyway...
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ahinton
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« Reply #16 on: 14:02:24, 09-07-2007 »

Nothing to do with Freud, I'm afreud; it's because you are a composer and, as all of us afflicted with that complaint know only too well, cheques (or rather the lack thereof) - whether or not "detailed or "highly objective" - tend to be a not too infrequent subject of conversation...
Eek! Missing quotation mark!
Sorry about that - and thanks for pointing it out (I've corrected it now).

Best,

Alistair
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increpatio
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« Reply #17 on: 14:06:35, 09-07-2007 »

Nothing to do with Freud, I'm afreud; it's because you are a composer and, as all of us afflicted with that complaint know only too well, cheques (or rather the lack thereof) - whether or not "detailed or "highly objective" - tend to be a not too infrequent subject of conversation...
Eek! Missing quotation mark!
Sorry about that - and thanks for pointing it out (I've corrected it now).

Best,

Alistair

Eek! You've gone and done it again!

" "

Oh wait...if you've fixed your one, that means that I had an extra one, so that the third one is ok, so the above one wasn't necessary at all.  Just to show that I'm not terribly obsessive about This Sort Of Stuff, I'll leave it in.

There.

See?  I'm totally okay with that.
« Last Edit: 14:09:18, 09-07-2007 by increpatio » Logged

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George Garnett
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« Reply #18 on: 09:49:20, 20-07-2007 »

Yikes! I've only just seen I've been invited to climb into the ring against Ron Dough. Have you seen the size of the 'Carnoustie Crusher', Ollie! You must be kidding. Despite the kind provision of a very fetching pair of turquoise silk shorts, I think I will decline, discretion being the better part of valorisation, and all that.

But since it's a horrible wet day outside, maybe just one very quick round of the parlour game "It all depends on what you mean by...."?

Quote
..aesthetic judgements more analagous to belief rather than knowledge..

I'd be happy with that (particularly as "more analogous to" can cover quite a large tract of territory Smiley ). The only thing I would want to add is that IMHO they are beliefs about something. They are not just individual reports of personal preference. They are (unlike mere personal preferences) the sort of things people can give reasons for, can have substantive debates about, can misapprehend or be mistaken about. 

Quote
...in the ear of the behearkener...

Happy with that too Smiley, but only in the sense that it must be so. There isn't anywhere else where we apprehend music so that's where (broadly speaking, perhaps add in a bit of cerebral cortex) it would be. But that doesn't in itself imply anything one way or the other on the question of the objectivity or subjectivity of the judgements.

That cow over there is indeed in the eye of this cow-beholder but there's not much we can deduce from that fact alone about the objectivity or otherwise of cows. That's where our apprehensions of cows would be, whether cows were objectively and externally real or the result of congenital cow-delusions on my part. Something 'being in the eye", "in the ear", or "getting up the nostrils" of the beholder is the starting point, not the finishing point, of those arguments. Quite happy with "Beauty is in the eye of the beholder" ('Beauty' is the name of the cow by the way). It's the unwarranted conclusions that people go on to draw from that where I think they go wrong.

I couldn't have those shorts anyway could I?   
« Last Edit: 07:44:49, 21-07-2007 by George Garnett » Logged
oliver sudden
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« Reply #19 on: 10:39:11, 20-07-2007 »

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oliver sudden
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« Reply #20 on: 10:49:17, 20-07-2007 »

Quite happy with "Beauty is in the eye of the beholder" ('Beauty' is the name of the cow by the way). It's the unwarranted conclusions that people go on to draw from that where I think people go wrong.

I couldn't have those shorts anyway could I?   
I can see I'm going to have to if not don the red pair myself at least have a cheer from the corner in question, though. In saying in the nicest possible way: yes, but George, that's certainly an elegant formulation of the problem but we're not actually talking about a cow. We can point at a cow, measure it, take pictures of it, squeeze bits of it to supply ourselves with nourishment, etc. If the phrase were only the literal truth of it being in the eye (or sensory apprehension mechanism) of whoever then there wouldn't really be much point in saying it, would there?

I do suspect that what I understand the implied full version of the phrase to be, viz., '...not necessarily extant anywhere else other than in the eye of the beholder, however many of those beholders might agree that it's actually out there somewhere' is indeed a step too far for you, George?
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George Garnett
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« Reply #21 on: 11:42:06, 20-07-2007 »

Well, I agree, Ollie, yes, that is what people generally mean when they say it, and that is the point of their saying it.

All I was saying was that it is often presented as if it were an argument for 'beauty' (or whichever aesthetic term you care to insert) being purely subjective, an argument which purportedly would go something like:

1. Beauty is in the eye of the beholder. ("Well, yes, that seems to be true. Difficult to disagree with that.")

2. Things that are in the eye of the beholder are subjective. ("Well, um, I suppose so, when you put it like that.")

3. Therefore... ("Hang on, I always like to watch closely when someone says "'therefore". ) 

4.  .....beauty is purely subjective. ("Well, er, <scratches head>, I suppose so, but I'm sure summat fishy went on there.")



But it isn't an argument (because (2) isn't true, or more precisely because "in the eye of the beholder" shifts meaning between (1) and (2) so the syllogism doesn't work). It's just a shorthand opening statement of the subjectivist position. 

That's what I was trying to get at when I said it was just the starting point for any discussion of subjectivity v. objectivity in aesthetics, not the finishing point, or a step in the argument (because it doesn't itself contain a step).

 
« Last Edit: 07:45:42, 21-07-2007 by George Garnett » Logged
Ian Pace
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« Reply #22 on: 11:54:39, 20-07-2007 »

All I was saying was that it is often presented as if it were an argument for 'beauty' (or whatever aesthetic term) being purely subjective, an argument which would go something like:

1. Beauty is in the eye of the beholder. ("Well, yes, that seems to be true. Difficult to disagree with that.")

2. Things that are in the eye of the beholder are subjective. ("Well, um, I suppose so, when you put it like that."

3. Therefore... ("Hang on, I always like to watch closely when someone says "'therefore". ) 

4.  .....beauty is purely subjective. ("Well, er, <scratches head>, I suppose so, but I'm sure summat fishy went on there.")

But it isn't an argument (because (2) isn't true, or more precisely because "in the eye of the beholder" shifts meaning between (1) and (2) so the syllogism doesn't work). It's just a shorthand opening statement of the subjectivist position. 

Well, doesn't the line of reasoning you are presenting (but not endorsing) also require a particular idea of what is the 'subjective'? If the subject, the beholder, is 'decentred', and not seen simply as the source of all meaning, but instead at least in part as the product of other, relatively objective factors (including such things as biology), then are their decisions on beauty necessarily so 'subjective'? There may be physical properties of sound, sight, employments of time, etc., which tend to produce certain types of reactions in human beings because of how they are physically constituted, and which they may find beautiful or otherwise. Whilst there will always be some people who interpret such things in very unusual ways, can one not still say that the reasons for thinking some things are more beautiful than others in this manner have a degree of objectivity about them?
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
George Garnett
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« Reply #23 on: 12:11:55, 20-07-2007 »

Yes, Ian, I agree. The term 'subjective' is pretty slippery too in that (purported) argument and changes shape, if you don't keep a stern eye on what it's up to, between (2) and (4).

FWIW, I personally do think something broadly along the lines you describe, hanging on in particular to the 'etc' in 'biology etc'.

And also FWIW, and partly because of the slipperiness of 'subjective', I think the debate often works more productively in terms of the 'universalisability' v. 'particularity' of aesthetic judgements rather than along the (sort of parallel but only up to a point) 'objective' v. 'subjective' divide.
« Last Edit: 07:47:20, 21-07-2007 by George Garnett » Logged
increpatio
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« Reply #24 on: 13:39:22, 20-07-2007 »

And also FWIW, and partly because of the slipperiness of 'subjective', I think the debate often works more productively in terms of the universalisability v. particularity of aesthetic judgements rather than along the (sort of parallel but only up to a point) 'objective' v. 'subjective' divide.

At what point would they part?
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George Garnett
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« Reply #25 on: 11:54:16, 21-07-2007 »

Well, I suppose why I'm wary of doing the arguments in terms of 'subjective' v. 'objective', increpatio, is because there are so many importantly different ways in which both of those terms can be used and hence too many opportunities to slide, either intentionally or unintentionally, from one to another.

I was really thinking here of some of the ontological baggage that 'objective' brings with it, in that it can lead to the hunt for some (very mysterious) 'object' or 'thing' out there somewhere that accounts for, and provides the grounds of, the objectivity. In other words the sin of false 'reification' (at least in the sense that I tend to use that term although it doesn't seem to be quite the same as the way that Ian uses it).

Doing the arguments in terms of 'subjectivity' v. 'objectivity' can also lead (and again mistakenly and unnecessarily IMHO) to the hunt for some set of pre-existing rules against which works of art can be measured to test for aesthetic value, some sort of empirical 'aesthetomometer'. In other words the equally venial sin of the 'naturalistic fallacy'.

Both of those enterprises are mistaken snark hunts or category mistakes (IMHO, of course Smiley) and they can be avoided more readily, I think, if the question is cast instead in terms of "Are aesthetic judgements universalisable, and if so, how is this possible?" 

You can run all the same arguments, pro and con, using the language of 'subjective' v. 'objective' but (as an awful lot of the discussion of this shows, IMHO) there are too many elephant traps lying in wait if you do it that way.

Ahem, OK, I'll come clean (if only because tinners may well out me anyway if I don't Cheesy). I also prefer doing it on the 'universalisability' v. 'particularity' playing field because it has a gentle camber which slopes gently and naturally towards Kant territory Smiley.
« Last Edit: 12:00:18, 21-07-2007 by George Garnett » Logged
time_is_now
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« Reply #26 on: 17:30:30, 21-07-2007 »

I wasn't saying anything George! I've just been watching in admiration for the last couple of days. Smiley
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increpatio
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« Reply #27 on: 19:08:01, 21-07-2007 »

Well, I suppose why I'm wary of doing the arguments in terms of 'subjective' v. 'objective', increpatio, is because there are so many importantly different ways in which both of those terms can be used and hence too many opportunities to slide, either intentionally or unintentionally, from one to another.

I was really thinking here of some of the ontological baggage that 'objective' brings with it, in that it can lead to the hunt for some (very mysterious) 'object' or 'thing' out there somewhere that accounts for, and provides the grounds of, the objectivity. In other words the sin of false 'reification' (at least in the sense that I tend to use that term although it doesn't seem to be quite the same as the way that Ian uses it).

Doing the arguments in terms of 'subjectivity' v. 'objectivity' can also lead (and again mistakenly and unnecessarily IMHO) to the hunt for some set of pre-existing rules against which works of art can be measured to test for aesthetic value, some sort of empirical 'aesthetomometer'. In other words the equally venial sin of the 'naturalistic fallacy'.

Both of those enterprises are mistaken snark hunts or category mistakes (IMHO, of course Smiley) and they can be avoided more readily, I think, if the question is cast instead in terms of "Are aesthetic judgements universalisable, and if so, how is this possible?" 

You can run all the same arguments, pro and con, using the language of 'subjective' v. 'objective' but (as an awful lot of the discussion of this shows, IMHO) there are too many elephant traps lying in wait if you do it that way.

Ahem, OK, I'll come clean (if only because tinners may well out me anyway if I don't Cheesy). I also prefer doing it on the 'universalisability' v. 'particularity' playing field because it has a gentle camber which slopes gently and naturally towards Kant territory Smiley.

Ah, yes.  Thank you for your explication.  While quotations might prove me a fraud, I think it's safer to go with phrases like "well I can't find any reason to think that you won't agree with me that..." for objective and "well I think that X is Y at the moment" for subjective.  It's messy.  Your u vs. b dichotomy no doubt serves just as good a purpose for you Smiley
« Last Edit: 21:48:55, 28-07-2007 by increpatio » Logged

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MT Wessel
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« Reply #28 on: 21:44:54, 28-07-2007 »

' Judgeth Ye not, lest Ye be judged ' (Judges, chapter Judge, verse Judge).

Right. 9:45 pm. Saturday night. Thats it. I'm away down the local for five or six pints and three or four games of fives and threes.

 Sad
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lignum crucis arbour scientiae
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« Reply #29 on: 21:50:29, 28-07-2007 »

Alles klar.
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