A passionate plea for a return to live, "Dionysian" music-making in place of sterile artificially-perfect recordings - from Kenneth Hamilton's new book "After The Golden Age", reviewed in the Wall Street Journal:
http://online.wsj.com/article/SB120122345824015449.html?mod=opinion_journal_booksI must admit I find myself very much in agreement with the thrust of Mr Hamilton's argument, and almost reassured that when I don't feel I want to listen to
any recorded music, this is not an abnormal feeling?
This is almost the flip-side of Richard's posting about extempore embellishment in Baroque music...?