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Author Topic: Manchester Second Stage mooted for the ROH??  (Read 112 times)
Reiner Torheit
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« on: 11:06:03, 24-09-2008 »

The Grauniad takes up the tale:

http://www.guardian.co.uk/music/2008/sep/24/classicalmusicandopera
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"I was, for several months, mutely in love with a coloratura soprano, who seemed to me to have wafted straight from Paradise to the stage of the Odessa Opera-House"
-  Leon Trotsky, "My Life"
Stanley Stewart
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« Reply #1 on: 11:30:55, 24-09-2008 »

Delicious, Reiner.   Even more tempting is a notion of the opening production, composed by Turnage - A Fast Machine Grinding To A Halt at a Party Conference!    Grin
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Reiner Torheit
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« Reply #2 on: 11:42:51, 24-09-2008 »

Quote
stealing audiences from Glyndebourne Touring Opera in Stoke

Good heavens!  Do they mean on BOTH nights of the year?   Roll Eyes
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"I was, for several months, mutely in love with a coloratura soprano, who seemed to me to have wafted straight from Paradise to the stage of the Odessa Opera-House"
-  Leon Trotsky, "My Life"
HtoHe
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« Reply #3 on: 17:28:07, 25-09-2008 »

<<fears that the Royal Opera might disrupt the delicate ecology of touring opera in the region, stealing audiences from Glyndebourne Touring Opera in Stoke and Opera North in Salford and Leeds>>

Is this likely?  It seems to me they would 'steal' audiences from Covent Garden - especially if they charged Manchester prices. The UK is so poorly served for opera that many of us travel to London to see a tempting production.  Manchester is a quarter of the travelling time for me and, I'm sure, for many others.  If they got a purpose-built opera house with seats that could hold a whole person and good sightlines as at, say, Cologne they might even get people travelling from London
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Reiner Torheit
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« Reply #4 on: 17:47:41, 25-09-2008 »

Is this likely?  It seems to me they would 'steal' audiences from Covent Garden -

Exactamundo.  But since the ROH sell-out consistently "at home base", surely this would not be a problem?

I'm guessing wildly here, but I presume that the Manchester operation would involve a (new) theatre with permanent FOH and stage-staff,  but opera/ballet productions coming up from London in rotation whilst other shows are on the Covent Garden stage?   A second orchestra would be needed,  but this half-exists de facto anyhow (although no-one will ever actually admit that it's a pit-ful of deps for the ballet).  I can't believe it would be hard to recruit players of the necessary calibre in the UK. 

We have some experience of this here - the Bolshoi have two stages (they're only 0.5km apart, but the "handling" of the gear and costumes would occupy the same amount of time) and rotate shows between the two.   There are two orchestras,  although the proximity of the the two theatres enables some principal-rotating.

The idea that Britain's "centre of excellence" (to use the old Glory-Of-The-Garden terminology) is sitting there in WC2 with productions queuing to get onto its sell-out stage...  whilst the regions get slim pickings of once-in-a-blue-moon tours is clearly potty.

Opera North will be the losers by this, though, clearly - Manchester's within "night out" striking distance of their performance-bases.  I'd like to hope that such a highly populated and affluent area could support both?   I think it could, but it might back O.N. into a corner on repertoire.
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"I was, for several months, mutely in love with a coloratura soprano, who seemed to me to have wafted straight from Paradise to the stage of the Odessa Opera-House"
-  Leon Trotsky, "My Life"
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