martle
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« Reply #15 on: 12:40:37, 27-09-2007 » |
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Agree that Saks was riveting and terrifying at ENO. Top choice. (I was at college with him, and he was a pussy cat back then!)
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Green. Always green.
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time_is_now
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« Reply #16 on: 13:57:01, 27-09-2007 » |
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he was a pussy cat back then
As were all tigers once!
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The city is a process which always veers away from the form envisaged and desired, ... whose revenge upon its architects and planners undoes every dream of mastery. It is [also] one of the sites where Dasein is assigned the impossible task of putting right what can never be put right. - Rob Lapsley
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martle
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« Reply #17 on: 14:00:02, 27-09-2007 » |
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Green. Always green.
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harpy128
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« Reply #18 on: 15:10:42, 27-09-2007 » |
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Tomlinson? Many a true word spoken in jest... That looks like a fierce pussycat to me, albeit still of student age.
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harpy128
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« Reply #19 on: 14:54:53, 28-09-2007 » |
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The other Hagen seems to be James Moellenhoff
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HtoHe
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« Reply #20 on: 10:44:16, 01-10-2007 » |
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HtoHe, Ruth - I think he'll last.
Well, he was fine as the Wanderer. Without giving too much away, you people with tickets for the cycles proper should be spared the technical hitch that stopped Friday's preview. I thought the production was becoming too unconventional for words when the Wanderer's first lines were sung from offstage but it transpired that, as far as I can work out, JT simply couldn't get on stage ! Anyway, they went back and did it again - I presume that won't be necessary next time. One thing that does need sorting out, imho, is the timing. I think the intervals are too long anyway but given that 'Siegfried', for example, has 100 minutes of scheduled intervals they really ought to try and keep to the plan. Friday's performance overran its 2245 estimated ending by a good 20 minutes. The inevitable result of this is that some people will be literally unable to stay to the end and still get home and, indeed, people were drifting off from 2240 onwards. Well, last night tonight and that's me off to Germany first thing in the morning. I won't go into my opinions about the production itself for fear of sppoiling it for those going to the future performances; all I'll say is I think you'll enjoy it.
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harpy128
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« Reply #21 on: 10:47:43, 01-10-2007 » |
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Thanks HtoHe. Sorry I missed the technical hitch, they always enhance one's enjoyment
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Ruth Elleson
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« Reply #22 on: 11:36:09, 01-10-2007 » |
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Without giving too much away, you people with tickets for the cycles proper should be spared the technical hitch that stopped Friday's preview. I thought the production was becoming too unconventional for words when the Wanderer's first lines were sung from offstage but it transpired that, as far as I can work out, JT simply couldn't get on stage ! He seems jinxed by this sort of thing! The very first time I visited the "new, improved" ROH was for Gawain in January 2000, when the show was stopped for over half an hour while the stage lift was fixed so JT's Green Knight and his fake horse could get out of the basement...
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« Last Edit: 11:45:43, 01-10-2007 by Ruth Elleson »
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Oft hat ein Seufzer, deiner Harf' entflossen, Ein süßer, heiliger Akkord von dir Den Himmel beßrer Zeiten mir erschlossen, Du holde Kunst, ich danke dir dafür!
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harpy128
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« Reply #23 on: 13:49:51, 01-10-2007 » |
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<feels hopeful>
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HtoHe
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« Reply #24 on: 15:29:34, 01-10-2007 » |
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Without giving too much away, you people with tickets for the cycles proper should be spared the technical hitch that stopped Friday's preview. I thought the production was becoming too unconventional for words when the Wanderer's first lines were sung from offstage but it transpired that, as far as I can work out, JT simply couldn't get on stage ! He seems jinxed by this sort of thing! The very first time I visited the "new, improved" ROH was for Gawain in January 2000, when the show was stopped for over half an hour while the stage lift was fixed so JT's Green Knight and his fake horse could get out of the basement... Oh dear. The longest delay I had at the ROH was when Haitink stopped in the middle of the Meistersinger overture because, iirc, he suddenly realised there was a major problem with the power. Don't think it was as long as half an hour, though. On the other hand, I was at a Goetterdaemmerung in Stuttgart where Hagen lost his voice in Act 1 and they couldn't start Act II until they'd helicoptered another Hagen in from Mannheim. Such resourcefulness; but it was still getting on for 0100 before I got back to my B&B. Must dash now. Just thought I'd mention that after the success of Opera Cape on Rheingold day, I couldn't resist reinvesting a portion of my winnings on The Crooked Ring in the 1640 at Bath this afternoon!
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operacat
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« Reply #25 on: 17:52:46, 01-10-2007 » |
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Going to Cycle 2 RHEINGOLD 17 Oct WALKUERE 19 Oct SIEGFRIED 21 Oct TWILIGHT 24 Oct
Anyone else? I will be at the back of the Amphitheatre, as usual!
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nature abhors a vacuum - but not as much as cats do.
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operacat
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« Reply #26 on: 17:54:01, 01-10-2007 » |
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oooh, what a lovely tiger cub!!
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nature abhors a vacuum - but not as much as cats do.
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operacat
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« Reply #27 on: 17:55:15, 01-10-2007 » |
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I meant to say...how can we get in touch with each other beforehand?
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nature abhors a vacuum - but not as much as cats do.
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George Garnett
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« Reply #28 on: 20:16:33, 01-10-2007 » |
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Oh dear. The longest delay I had at the ROH was when Haitink stopped in the middle of the Meistersinger overture because, iirc, he suddenly realised there was a major problem with the power. Don't think it was as long as half an hour, though. If it was the same occasion that I remember (and I assume it doesn't happen all that often) the whole place went totally dark part way through the overture and the orchestra carried on playing for some time before finally giving up hope of the lights coming on again. I'm always impressed when that happens .
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oliver sudden
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« Reply #29 on: 20:27:27, 01-10-2007 » |
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the whole place went totally dark part way through the overture and the orchestra carried on playing for some time before finally giving up hope of the lights coming on again. I'm always impressed when that happens . That happened to us in a concert in Dessau a couple of years ago. What was rather nice was that the piece we were playing at the time was a march by Kagel which in any case is composed to be a bit, well, wrong. So when it all collapsed in a heap in the darkness it was rather wonderfully appropriate.
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« Last Edit: 20:30:53, 01-10-2007 by oliver sudden »
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