Don Basilio
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« on: 17:21:49, 30-09-2007 » |
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As we drove round Italy a number of cities would put on their name board a message such as "Conegliano - city of art and wine." The other half nearly swerved the car with chuckles at the message "Ferrara - city of bicycles".
As we walked round Ferrara, I was reminded of a whole number of operatic, musical and other cultural connections with the place. Maybe members would like to mention some of them (one item per post to start with)...
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To every thing there is a season, and a time to every purpose under heaven. A time to weep, and a time to laugh: a time to mourn, and a time to dance
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Reiner Torheit
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« Reply #1 on: 18:51:14, 30-09-2007 » |
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Well, let's kick-in with the rise of the Italian solo singer that was to give birth to the form of opera... Ferrara was the home-town of soprano diva (and lutenist) Anna Guarini 1563-98. She was one of the first "high sopranos" on record, and both Agostini and Monteverdi wrote for her... the poet Tasso (whose poetry Monteverdi would later use as a source for librettos) celebrated her artistry in verse. With two other female singers they appear to have formed an early example of the Baroque Babes, the Concerto di Donne, and they toured Italy as a trio. Having served the d'Este family, under whose fabulously wealthy patronage she became widely famous, her family appear to have arranged a marriage for her - evidently against her will - to a much older and extremely stern aristocrat, Count Trotti. Rumours flew of an affair with one of Trotti's own Personal Guard, but whilst the Duke d'Este remained alive and her protector, Anna was safe. The instant that the Duke died, Trotti smashed down her bedroom door (with the assistance of her own brother), and hacked her to pieces with a meat-cleaver. Amazingly the Duke's successor gave Trotti a full pardon and elevated him in the aristocracy with the gift of further lands. The appointment of Pope Clement in the following year effectively wound-up this brief flowering of musical experimentation in Ferrara, and the Concerto di Donne was no more. One would like to imagine that Guarini's last words to her husband included wishing him a journey to Hell on a bicycle, but other than that I'm stuck for a Continuity Link with the topic
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« Last Edit: 18:53:03, 30-09-2007 by Reiner Torheit »
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"I was, for several months, mutely in love with a coloratura soprano, who seemed to me to have wafted straight from Paradise to the stage of the Odessa Opera-House" - Leon Trotsky, "My Life"
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perfect wagnerite
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« Reply #2 on: 19:57:17, 30-09-2007 » |
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I recall that the sisters in Cosi Fan Tutte were from Ferrara (I say "recall" because my score is in the loft and Kobbe doesn't help!).
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At every one of these [classical] concerts in England you will find rows of weary people who are there, not because they really like classical music, but because they think they ought to like it. (Shaw, Don Juan in Hell)
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martle
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« Reply #3 on: 23:04:30, 30-09-2007 » |
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Frescobaldi?
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Green. Always green.
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Don Basilio
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« Reply #5 on: 10:00:50, 01-10-2007 » |
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I recall that the sisters in Cosi Fan Tutte were from Ferrara (I say "recall" because my score is in the loft and Kobbe doesn't help!).
They were indeed. John Eliot Gardner's recording of Cosi was live in the opera house there. There's someone who inspired a lot of opera scenarios (and at least one beast in Harry Potter) who lived there, although a bit earlier than the development of opera. And some famous musical fountains, although not in Ferrara itself.
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To every thing there is a season, and a time to every purpose under heaven. A time to weep, and a time to laugh: a time to mourn, and a time to dance
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Reiner Torheit
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« Reply #6 on: 11:05:23, 01-10-2007 » |
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There's someone who inspired a lot of opera scenarios
This wouldn't be a young lady whose third marriage was into the d'Este family, would it? Whilst meanwhile in Switzerland they had peace, brotherly love and the cuckoo clock? (I can only think of one operatic scenario involving her, in fact - although for a while it had to be performed (as LA RINEGATA) the entire story and all the characters relocated to Turkey, as V Hugo objected to the unlicensed use of his story for the libretto).
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"I was, for several months, mutely in love with a coloratura soprano, who seemed to me to have wafted straight from Paradise to the stage of the Odessa Opera-House" - Leon Trotsky, "My Life"
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Don Basilio
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« Reply #7 on: 13:28:41, 01-10-2007 » |
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This wouldn't be a young lady whose third marriage was into the d'Este family, would it? Lucrezia Borgia? I hadn't though of her. Thank you. I was sure this question would come up with some matters I didn't think of. I was thinking of a poet in Ferrara whose major work provided subject matter for a number of well known Handel operas, as well no doubt other composers.
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To every thing there is a season, and a time to every purpose under heaven. A time to weep, and a time to laugh: a time to mourn, and a time to dance
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Ruth Elleson
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« Reply #8 on: 13:10:54, 02-10-2007 » |
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I was thinking of a poet in Ferrara whose major work provided subject matter for a number of well known Handel operas, as well no doubt other composers.
Judging by the number of Handel operas I've seen based on Orlando furioso, dare I suggest we're talking about Ariosto? Didn't know he was from Ferrara (but then there are an awful lot of things I don't know ).
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Oft hat ein Seufzer, deiner Harf' entflossen, Ein süßer, heiliger Akkord von dir Den Himmel beßrer Zeiten mir erschlossen, Du holde Kunst, ich danke dir dafür!
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Don Basilio
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« Reply #9 on: 13:32:24, 02-10-2007 » |
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Spot on Ruth.
According to the biog in the front of the Penguin Orlando Furioso, Ariosto was the son of an official of the Ferrarese court and spent all his adult life in the service of the Ferrarese ducal family.
On a previous visit, I seem to remember finding a Casa Ariosto in the back streets.
And the musical fountains?
And, not musical, but very tasteful, a Visconti film and its novel?
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To every thing there is a season, and a time to every purpose under heaven. A time to weep, and a time to laugh: a time to mourn, and a time to dance
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Ruth Elleson
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« Reply #10 on: 16:55:39, 02-10-2007 » |
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... as well no doubt other composers.
To come back to this point, there were rather a lot of other composers. Here's the wikipedia link: http://en.wikipedia.org/wiki/Orlando_Furioso#Music
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Oft hat ein Seufzer, deiner Harf' entflossen, Ein süßer, heiliger Akkord von dir Den Himmel beßrer Zeiten mir erschlossen, Du holde Kunst, ich danke dir dafür!
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Don Basilio
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« Reply #11 on: 23:10:20, 02-10-2007 » |
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Thanks again Ruth.
I tend to muddle up operas based on Ariosto and operas based on Tasso.
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To every thing there is a season, and a time to every purpose under heaven. A time to weep, and a time to laugh: a time to mourn, and a time to dance
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Don Basilio
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« Reply #12 on: 15:23:58, 05-10-2007 » |
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And here is an Ariosto-type beast at Ferrara: Ariosto invented the hippogriff, which the inventive Ms Rowling included in her popular and profitable boarding school tales. This is a griffin (left), with an opera loving English tourist (right).
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« Last Edit: 15:30:26, 05-10-2007 by Don Basilio »
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To every thing there is a season, and a time to every purpose under heaven. A time to weep, and a time to laugh: a time to mourn, and a time to dance
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martle
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« Reply #13 on: 16:28:06, 05-10-2007 » |
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Nice to catch a glimpse of you, Don! (And your pal there.)
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Green. Always green.
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harmonyharmony
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« Reply #14 on: 21:51:40, 06-10-2007 » |
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Something's been nagging at me since this thread went up. Some kind of link to Ferrara that was otherwise evading me. Did Monteverdi work there? I can't find it on Wikipedia so that can't be true . Aha! I'm thinking of Josquin's Missa Hercules Dux Ferrariae, which sticks in my memory partly because it's the first example of a text forming the basis for the music notes in the cantus firmus on which the mass is based (apparently it's called sogetto cavato which I didn't know before). Hercules is Duke Ercole d'Este I.
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'is this all we can do?' anonymous student of the University of Berkeley, California quoted in H. Draper, 'The new student revolt' (New York: Grove Press, 1965) http://www.myspace.com/itensemble
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