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Author Topic: Carmen - radio 3  (Read 469 times)
harpy128
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« Reply #15 on: 00:17:48, 05-11-2007 »

Ah, so nothing that hasn't been done a million times before, then?  Wink  Ho-hum, and an elephant's bum...

Yes, judging from the interviews etc beforehand this director may not have seen many opera productions so, as has been pointed out, some of the stuff that was intended to be iconoclastic actually looked fairly routine (like the mobile phone gag which wouldn't seem at all novel to anyone who'd been to, say, Cosi Fan Tutte at the ROH).

Still, I did find the whole thing greater than the sum of its parts - and it can so easily go the other way.
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Il Grande Inquisitor
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« Reply #16 on: 18:50:41, 10-11-2007 »

I finally got round to watching the online video of Carmen this afternoon and I thought it was a truly dreadful staging. Of all operas, Carmen has to have passion, but I've rarely seen anything so cold and lifeless. The setting was ridiculous and to exclude the dialogue seemed a very strange decision. I thought that vocally, Alice Coote was good, as was Julian Gavin, but there seemed to be little on-stage chemistry. Compared to the ROH's Carmen, which I thought was one of the best things I've seen at Covent Garden, this was flat. Contrary to problems others had, the online streaming worked fine, although because of the lighting, it wasn't always easy to see what was going on. I hope that R3 will have another go at a web-stream (and that ENO offer something better with the new Aida, which I am due to see later in the month).
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
Antheil
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« Reply #17 on: 19:05:27, 10-11-2007 »

I confess I have only seen the Wendy Ewing Carmen, I stuck with the video stream once it had stopped stuttering but I thought it was flat.  The lighting was awful.

But, on the other flipper, we should be grateful to R3 for letting us see this shouldn't we?
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Il Grande Inquisitor
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« Reply #18 on: 19:13:34, 10-11-2007 »

But, on the other flipper, we should be grateful to R3 for letting us see this shouldn't we?

Yes. I think it shows a certain innovation, which is welcome. It will be a return to the Met before long for the Saturday night broadcasts - interesting that so many of them have turned up on Sky in the past couple of months; a lovely Onegin with Hvorostovsky and Fleming, The Magic Flute (in English), Puccini's Il Trittico and, on Monday evening, Bellini's I Puritani with Anna Netrebko.
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Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency
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