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Author Topic: Opera in Bonn  (Read 136 times)
Swan_Knight
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« on: 21:07:22, 14-12-2007 »

Just booked myself a weekend away in January.....the draw was an opportunity to see 'Die Tote Stadt' at the opera house there (and possibly Otello, as well).  Just wondering, though....does anyone have any experience of opera in Bonn? Is it advisable to book in advance, or do you stand a better chance of picking up 'bargains' by arriving on the day?
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Reiner Torheit
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« Reply #1 on: 21:27:18, 14-12-2007 »

an opportunity to see 'Die Tote Stadt' at the opera house there

OK, I can understand that  Wink
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"I was, for several months, mutely in love with a coloratura soprano, who seemed to me to have wafted straight from Paradise to the stage of the Odessa Opera-House"
-  Leon Trotsky, "My Life"
Swan_Knight
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« Reply #2 on: 21:33:29, 14-12-2007 »

Are you implying that Bonn aint exactly a swinging city, Mr Pure Foolishness?  Wink Cheesy
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Reiner Torheit
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« Reply #3 on: 21:46:24, 14-12-2007 »

No-no, I've never been to Bonn at all, in fact! More Ollie's part of the world.  I was just saying, somewhat enviously, that DIE TOTE STADT would be worth boarding a plane for Smiley   I hope you get a good performance - it's a hefty haul for the tenor, in particular!
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"I was, for several months, mutely in love with a coloratura soprano, who seemed to me to have wafted straight from Paradise to the stage of the Odessa Opera-House"
-  Leon Trotsky, "My Life"
ahinton
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« Reply #4 on: 21:49:36, 14-12-2007 »

Are you implying that Bonn aint exactly a swinging city, Mr Pure Foolishness?  Wink Cheesy
May I relate an instance that might throw some light (or dark) on this question?

Almost a quarter century ago, I flew to Kön/Bonn to attend a performance of Sorabji's Opus Clavicembalisticum in the 31st Bonn Beethovenfest at Bonn's flagship concert venue, the Beethovenhalle. The hall holds some 2,200, I think. I arrived at the hall at around 8.30 p.m. in ample time for the performance to commence at 10.00 p.m. The area around the hall was almost entirely deserted and one could have been forgiven for assuming that one was in a small German village at a time of day when all activity had already closed down. By the time that the performance was due to start, about six people had arrived but there was still little sign of life anywhere else in the vicinity. The performance eventually began at around 10.40 with a massive audience of around 60 which, in a place as large as the Beethovenhalle, did not look especially hopeful. In the first interval, I got into a discussion with someone who was involved in the festival who told me that the opening recital - an all-Beethoven programme - had been scheduled to be given by Arrau, no less but that, in view of Arrau's indisposition, his place has been taken by Bolet, no less. Almost 100 people had apparently turned up to that. Anyway, the Sorabji performance ended at around 3.30 a.m. the next day and I then went with the pianist and his wife to a restaurant. My astonishment that anywhere was open, still less actually serving food, at that time of day in this city was surely understandable. The pianist said to me that he had made a discovery of major importance that evening about Beethoven himself; Beethoven came, of course, from Bonn and the discovery was that Beethoven had only thought that he'd gone deaf in later life because he could hear nothing in Bonn...

Best,

Alistair
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Swan_Knight
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« Reply #5 on: 22:01:19, 14-12-2007 »

OK, I get the message!

I'm a bit worried about just 'turning up', though: anyone who's tried to drop in to a performance at Covent Garden knows that there's precious little predictability about these things. 
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