Donna Elvira
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« on: 15:58:23, 22-02-2008 » |
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Is anyone going to this? I'm going on Thursday and I'm looking forward to it. Apparently, the leading role will be sung by Paula Delligatti or Cynthia Lawrence, Cavaradossi will be either Joseph Wolverton or John Hudson and Scarpia either Peter Sidhom or Phillip Joll. I have to confess that I've only heard of Peter Sidhom.
I believe that this production has been given at the Albert Hall before. Did anyone see it? If so, opinions would be welcome.
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Ron Dough
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« Reply #1 on: 16:15:38, 22-02-2008 » |
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Philip Joll made his name as Wotan in the WNO Ring years back, when he was still quite young, and seems to have spent much of his more recent career abroad.
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perfect wagnerite
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« Reply #2 on: 16:20:41, 22-02-2008 » |
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I remember Joll's early performances with the WNO - he took on some big Wagner (Wotan, Amfortas, Kurwenal - the latter two recorded under Goodall) at a relatively early age and it took something of a vocal toll - in particular he developed a rough, loose vibrato. I haven't heard him for years but more recent reviews suggest a move into the Italian repertory, and considerable vocal recovery. He always had presence and authority, so all of this augurs well for Scarpia.
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At every one of these [classical] concerts in England you will find rows of weary people who are there, not because they really like classical music, but because they think they ought to like it. (Shaw, Don Juan in Hell)
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Lord Byron
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« Reply #3 on: 16:28:57, 22-02-2008 » |
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i did consider it,according to the quotes from previous production it was a smash hit, the reason it is back i suppose
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Ruth Elleson
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« Reply #4 on: 16:49:30, 22-02-2008 » |
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I think the last run of the production must have been some years ago, as I don't recall it having been on in the eight or nine years since I have been in London. I could be wrong, as I don't always take a lot of notice of these Gubbay things.
There have been a number of these productions: Boheme, Butterfly and Carmen have all been revived (and deserved to be); Aida and Cav & Pag have, I sincerely hope, been shelved for good. They really do vary. They are always amplified, sometimes well, sometimes not so well.
I am sure I saw Philip Joll at a WNO performance of Rigoletto in Bristol in about 1999, though I don't remember his performance in detail.
As for the cast alternation, I have always been quite irritated by the unwillingness of the Raymond Gubbay operation to announce which cast is which. It's as if they think they're marketing only to people who don't go to much opera and won't care who they get as long as it's good. They don't even tell the singers which nights are which until rehearsals are underway! Fortunately I've got an acquaintance in Cast 2 (i.e. the latter name listed against each role on the Gubbay website) who has been able to enlighten me. I can't see there being much difference in overall quality between Cast 1 and Cast 2.
Cast 1: 28/02, 01/03 mat, 02/03, 05/03, 07/03, 08/03 eve Cast 2: 29/02, 01/03 eve, 04/03, 06/03, 08/03 mat, 09/03
I am aiming to get there to do a review on Friday next week (first night of second cast) but haven't actually got a ticket yet.
Oh, and one more thing - these shows are ALWAYS overpriced. Lastminute.com was doing £10 off last time I looked, a few days ago.
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« Last Edit: 16:55:02, 22-02-2008 by Ruth Elleson »
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Oft hat ein Seufzer, deiner Harf' entflossen, Ein süßer, heiliger Akkord von dir Den Himmel beßrer Zeiten mir erschlossen, Du holde Kunst, ich danke dir dafür!
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Ron Dough
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« Reply #5 on: 16:52:33, 22-02-2008 » |
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But if they don't announce the casts then that stops people like your favourite poster from over the way moaning about non-appearance.
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Ruth Elleson
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« Reply #6 on: 16:56:15, 22-02-2008 » |
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That did occur to me, Ron (Has anybody told him yet about Thomas Moser's non-appearance in the first night of Salome yesterday?)
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Oft hat ein Seufzer, deiner Harf' entflossen, Ein süßer, heiliger Akkord von dir Den Himmel beßrer Zeiten mir erschlossen, Du holde Kunst, ich danke dir dafür!
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Ron Dough
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« Reply #7 on: 16:59:23, 22-02-2008 » |
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That did occur to me, Ron (Has anybody told him yet about Thomas Moser's non-appearance in the first night of Salome yesterday?) No, not yet. Either that or he's not a name that's on his radar as a 'star'.
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« Last Edit: 17:00:59, 22-02-2008 by Ron Dough »
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Ruth Elleson
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« Reply #8 on: 17:05:49, 22-02-2008 » |
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That did occur to me, Ron (Has anybody told him yet about Thomas Moser's non-appearance in the first night of Salome yesterday?) No, not yet. Either that or he's not a name that's on his radar as a 'star'. Either way, it ain't going to be me who mentions it over there...
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Oft hat ein Seufzer, deiner Harf' entflossen, Ein süßer, heiliger Akkord von dir Den Himmel beßrer Zeiten mir erschlossen, Du holde Kunst, ich danke dir dafür!
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martle
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« Reply #9 on: 17:15:09, 22-02-2008 » |
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That did occur to me, Ron (Has anybody told him yet about Thomas Moser's non-appearance in the first night of Salome yesterday?) No, not yet. Either that or he's not a name that's on his radar as a 'star'. Either way, it ain't going to be me who mentions it over there... BOO!
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Green. Always green.
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oliver sudden
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« Reply #10 on: 17:16:20, 22-02-2008 » |
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That did occur to me, Ron (Has anybody told him yet about Thomas Moser's non-appearance in the first night of Salome yesterday?) No, not yet. Either that or he's not a name that's on his radar as a 'star'. Either way, it ain't going to be me who mentions it over there... BOO! eek!
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perfect wagnerite
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« Reply #11 on: 09:35:19, 24-02-2008 » |
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That did occur to me, Ron (Has anybody told him yet about Thomas Moser's non-appearance in the first night of Salome yesterday?) No, not yet. Either that or he's not a name that's on his radar as a 'star'. Either way, it ain't going to be me who mentions it over there... And I'm not going to mention Borodina cancelling last night's Met Carmen broadcast either ....
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At every one of these [classical] concerts in England you will find rows of weary people who are there, not because they really like classical music, but because they think they ought to like it. (Shaw, Don Juan in Hell)
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Reiner Torheit
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« Reply #12 on: 13:56:00, 24-02-2008 » |
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Why are we all talking in whispers? Do you think he'll overhear us from here?
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"I was, for several months, mutely in love with a coloratura soprano, who seemed to me to have wafted straight from Paradise to the stage of the Odessa Opera-House" - Leon Trotsky, "My Life"
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Ruth Elleson
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« Reply #13 on: 14:41:14, 24-02-2008 » |
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Are you really suggesting it's worth the risk?
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Oft hat ein Seufzer, deiner Harf' entflossen, Ein süßer, heiliger Akkord von dir Den Himmel beßrer Zeiten mir erschlossen, Du holde Kunst, ich danke dir dafür!
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Reiner Torheit
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« Reply #14 on: 15:20:00, 24-02-2008 » |
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Well, I never believed in biting my tongue on TOP - as the Moderators there had occasion to remind me The quality of discussion there - not only Jim-m'lad but many others too - seems to have fallen-off severely, with "lists of Top 10 Composers Of Whatever", "Music You Love To Hate", and a discussion in which Lionel Bart was seriously advanced as being "better than" Benjamin Britten
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"I was, for several months, mutely in love with a coloratura soprano, who seemed to me to have wafted straight from Paradise to the stage of the Odessa Opera-House" - Leon Trotsky, "My Life"
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