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Author Topic: decoding your letter from the Casting Department  (Read 132 times)
Reiner Torheit
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Posts: 3391



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« on: 11:30:02, 26-09-2008 »

We've shortened the role to reduce the amount of dull learning involved for you

= we've cut your aria.

It's the central role of the opera

= you appear in Act Two

she represents the wisdom of the eternal peasantry of the land

= lots of stage rehearsals required - not so much a character as a piece of human scenery

she's a contemporary character

= we'd like you to bring your own costume

he is the pivotal character of the story

= you have to hang around the whole evening for 14 bars on the penultimate page

we wouldn't normally offer such a small role to someone of your status and experience

= but none of the younger singers will agree to do it for the money

it requires your special ability with languages

= there are 160 pages in Norwegian to learn

there are no other mezzo roles in the opera we could cast you in

= because you are too fat

it's the title role of the opera

= but there's not a fee, as such...

the entire production concept is shaped around you in this role

= no-one else fits the costume

you are our first choice for the part

= no other twit would do it for this money
« Last Edit: 11:32:39, 26-09-2008 by Reiner Torheit » Logged

"I was, for several months, mutely in love with a coloratura soprano, who seemed to me to have wafted straight from Paradise to the stage of the Odessa Opera-House"
-  Leon Trotsky, "My Life"
thompson1780
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Gender: Male
Posts: 3615



« Reply #1 on: 13:55:12, 26-09-2008 »

This is going to be a fantastic production and there are many aspects we are all looking forward to:  the radical costumes.....

= You are Danielle De Niese.  There is no costume budget and it's a nude part.....

...the innovative new setting...

= ....it's in a Gymnasium.....

...and the electrifying stage direction plans.

= ... and you have to sing whilst bouncing on a trampoline.

Tommo
PS  OK, I'll go to the Naughty Corner
Logged

Made by Thompson & son, at the Violin & c. the West end of St. Paul's Churchyard, LONDON
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