The Radio 3 Boards Forum from myforum365.com
13:23:53, 03-12-2008 *
Welcome, Guest. Please login or register.

Login with username, password and session length
News: Whilst we happily welcome all genuine applications to our forum, there may be times when we need to suspend registration temporarily, for example when suffering attacks of spam.
 If you want to join us but find that the temporary suspension has been activated, please try again later.
 
   Home   Help Search Login Register  

Pages: [1]
  Print  
Author Topic: Proms Casualty - Change of Programme, Hallé Orchestra July 27  (Read 187 times)
Ron Dough
Admin/Moderator Group
*****
Posts: 5133



WWW
« on: 16:35:51, 25-07-2007 »

I notice from a perusal of the Proms Board that the Hallé's programme (July 27th) has been altered and that instead of Britten's Our Hunting Fathers with Lisa Milne, it's now Les Illuminations with Joan Rogers.

Rather a pity: nothing against the estimable Miss Rogers, but the replacement song-cycle turns up rather frequently, whilst the lost one is rather rarer. If it is a case of the original singer being unavailable, what a pity they were unable to engage the services of Robert Murray, the young tenor who learnt the work at extremely short notice when a similar indisposition occured at Aldeburgh last year, and acquitted himself with such distinction.
Logged
time_is_now
*****
Gender: Male
Posts: 4653



« Reply #1 on: 18:03:42, 25-07-2007 »

Indeed. I might even have gone to hear it with a tenor. Wink

(Actually, I might have gone to hear it with a soprano - but only in a concerted effort to convince myself that I can bear to hear it sung by a female voice.)
Logged

The city is a process which always veers away from the form envisaged and desired, ... whose revenge upon its architects and planners undoes every dream of mastery. It is [also] one of the sites where Dasein is assigned the impossible task of putting right what can never be put right. - Rob Lapsley
Ron Dough
Admin/Moderator Group
*****
Posts: 5133



WWW
« Reply #2 on: 18:13:35, 25-07-2007 »

I got to know it in an off-air recording with a young Heather Harper, tinners, long before either of her recorded 'live' versions were made. I still prefer a soprano in it. Indeed, preferably her.
Logged
time_is_now
*****
Gender: Male
Posts: 4653



« Reply #3 on: 18:22:07, 25-07-2007 »

Maybe that's the thing, Ronners. I got to know it from Ian Bostridge's recording (long before anyone had told me not to like his voice! Wink). Actually, I think Bostridge's diction is (or was then) rather well-suited to those snaking long impossibly prose-like sentences ...

Probably my favourite Britten solo vocal piece, although Phaedra's a close second.
Logged

The city is a process which always veers away from the form envisaged and desired, ... whose revenge upon its architects and planners undoes every dream of mastery. It is [also] one of the sites where Dasein is assigned the impossible task of putting right what can never be put right. - Rob Lapsley
Ron Dough
Admin/Moderator Group
*****
Posts: 5133



WWW
« Reply #4 on: 23:05:23, 25-07-2007 »

Britten spent much of his life being rather conservative, but in OHF you can hear the young man revelling in his extraordinary facility and daring to be different; it's amazing orchestration, and the vocal lines (pre Pears) have a character and angularity markedly different to those which became shaped by his life-partner's vocal strengths and weaknesses.
Logged
Pages: [1]
  Print  
 
Jump to: