tonybob
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« on: 19:38:01, 28-07-2007 » |
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featuring an unlikely named trio of brassers: Cormac Ó hAodáin Håkan Hardenberger Torbjörn Hultmark
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sososo s & i.
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oliver sudden
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« Reply #1 on: 20:19:40, 28-07-2007 » |
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featuring an unlikely named trio of brassers: Cormac Ó hAodáin Håkan Hardenberger Torbjörn Hultmark
Can someone help me pronounce this Cormac O'Hoedown chap's name? I do have a handle on a reasonable number of languages from that point of view but I confess that with Gaelic (?) I've no idea where to start...
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Ron Dough
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« Reply #2 on: 21:26:58, 28-07-2007 » |
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Here's a little guide to help you, Oz
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martle
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« Reply #3 on: 21:47:05, 28-07-2007 » |
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I ate ribs during the banter. What did anyone reckon to the Wiegold? It struck me as one of those pieces you simply 'gotta be there' for. But I got a lot out of it even over the radio. As I said, not just anyone could have pulled off a project like that. And it was a 'project', not just a composition. Highly impressive.
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Green. Always green.
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Ron Dough
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« Reply #4 on: 21:56:46, 28-07-2007 » |
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Just as soon as I've finished recording, martle, I'll be back to it, though I want the "Between the Ears" slot, also. Fabulously inventive, kept me thoroughly engrossed from second to second: that's all I'll say for now. What a marvellous Sinfonietta, as well. Sound like a different set of engineers, too, rather more aware of what's needed than we've heard in many of the Proms up to now.
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Ron Dough
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« Reply #5 on: 22:14:30, 28-07-2007 » |
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I was thinking more of the performance, opi: it's a work not altogether unknown to me, since I bought my first copy of the An?erl as far back as 1969. Interesting how Charlie Mack has reconsidered his tempo for the first movement since the Decca/VPO recording: very glad to hear that he's retained that cymbal crash one beat earlier than the return of the fanfares in the finale: I just can't understand how anyone can perform it any other way, once they're aware of it like that...
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HtoHe
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« Reply #6 on: 22:23:42, 28-07-2007 » |
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Sounds like it's been enormous fun in the hall all day. Sinfonietta is such a vibrant piece and the way it was played really must have sent everyone home humming. I wonder if there was an encore. Radio 3 had to wrap up smartish so we don't really know. Difficult to follow that finale I should think.
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Tony Watson
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« Reply #7 on: 22:32:30, 28-07-2007 » |
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So much virtuoso playing on show today. I still don't know how they play parts of that Sinfonietta (what an excellent choice to end the day with) and the Schumann was very impressive too.
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Ron Dough
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« Reply #8 on: 22:52:13, 28-07-2007 » |
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It's changed again since that latest live Supraphon, too, hasn't it? A very rich and fluid reading: rather glad he had the BBCPhil, too...And yes, that early Pye LP has indeed a rawness and perhaps the electricity of instrumental desperation too, in places.
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Ron Dough
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« Reply #9 on: 23:07:25, 28-07-2007 » |
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He works very well with the BBC Phil - I seem to remember he had rather a prickly relationship with the BBCSO.
Now why doesn't that surprise me in the slightest? He expects 100%....'nuff said.
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Stanley Stewart
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« Reply #10 on: 01:01:24, 29-07-2007 » |
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A most refreshing day of joy at both afternoon and evening Proms. I was rather disappointed that we didn't see the evening Prom on BBC 4. As Martle says, perhaps we needed to be there; and a transmission of the evening performance, on BBC 4, would have been a happy compromise, particularly for the enticing Wiegold before the glorious Sinfonietta conclusion. Yes, I'm aware that the earlier Prom on British Cinema was shown on BBC 2 but sports coverage is frequently juxtaposed between BBC 1 and BBC 2 with a repeat Highlights, followed by Sports Extra, later in the day. I have no objection to this practice but coverage of the arts seems to be under sufferance at the BBC compared to transmissions of, say, snooker.
Most of all, I continued my sort-out of video cassettes during the afternoon Prom and was thrilled to find the 1997 off air v.c. of Janacek's 'The Cunning Little Vixen', directed by Nicholas Hytner at the Chatelet Theatre, Paris, with Charles Mackerras conducting the Orchestre de Paris. Sung in Czech with English subtitles. it has Eva Jenis as the Vixen, Hanna Minutillo as the Fox and Thomas Allen as the Forester. Brian Large, TV director. Straight to DVD tomorrow.
Altogether, an embarrassment of riches to end the week but TV coverage of the evening Brass Day concert would have made it sheer bliss.
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Tony Watson
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« Reply #11 on: 01:16:41, 29-07-2007 » |
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I certainly would have liked to see all those brass instruments too. What a pity the BBC could show such a special concert on TV, if only at a later date. When there's a snooker or golf tournament on, it seems to be on all day every day. But I suppose that's because the BBC pay for a job lot and they want to get their money's worth, whereas with the Proms each concert has to be negociated separately.
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Ron Dough
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« Reply #12 on: 09:37:20, 29-07-2007 » |
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That Felsenstein production was legendary, as was much of his other work in East Berlin. I've still not found the case containing all my favourite opera videos which seems to have been diverted into the stores rather than here when I moved, though there is one box containing the WNO Vixen from the eighties (with the brilliant choreography by Stuart Hopps - the chicken-coop scene still sticks in my memory as absolutely brilliant. even though I can't have seen in for many years). Also in the box is another wondrous bit of opera staging: the premiere 1991 ROH production of Birtwistle's Gawain in the original version before the cuts were made, broadcast on Good Friday 1992.
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Ron Dough
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« Reply #13 on: 12:14:21, 29-07-2007 » |
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Oz, re O'Hoedown:
Trelawney pronounced it O Hay-don, though it might just have been a BBC announcer guess (not unknown these days) or that the player in question is from one of the other two Irish dialects. Were it this side of the water, I'd have expected it to sound not unlike O'heathen, except with the 'th' replaced by a 'd'.
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oliver sudden
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« Reply #14 on: 12:28:48, 29-07-2007 » |
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I suppose O'Helium is out of the question.
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