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Author Topic: Prom 27: BBC National Orchestra of Wales - Jac van Steen  (Read 1142 times)
Bryn
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« Reply #30 on: 01:16:44, 04-08-2007 »

Come to think of it, one of Eddie Prevost's sons used to be, (may still be, for all I know), a bus driver. I have no idea what his musical interests are, however.
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ahinton
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« Reply #31 on: 06:44:04, 04-08-2007 »

On the one hand we're miffed when people have a clichéd view of music lovers, yet on the other we seem only too happy to accept equally barmy clichés about taxi drivers and the like...

Well said indeed, Ron, though I believe that those, like taxi-drivers, who work for a living in capitalist economies are incapable of understanding anything other than simple pop songs using I, IV and V chords by themselves without having their consciousness raised for them by the likes of computer science lecturers from the University of the West of England. Presumably a few are lucky enough to have had such people in the back of their cabs at some point to give them a helping hand away from false consciousness but, without such help, they are largely stuck I'm afraid   -  or so I gather.
Neatly put, sir - although I imagine that such computer science lecturers would almost certainly travel by public omnibus (if they can find any such in the north of Bristol) rather than the even more expensive taxi, especially since the former mode of transport will be driven by an employee (albeit an exploited working-class one) but the latter by one of those dreadful self-employed business-owning members of the private enterprise set...

Best,

Alistair
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Ian Pace
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« Reply #32 on: 13:45:12, 04-08-2007 »

On the one hand we're miffed when people have a clichéd view of music lovers, yet on the other we seem only too happy to accept equally barmy clichés about taxi drivers and the like...

Well said indeed, Ron, though I believe that those, like taxi-drivers, who work for a living in capitalist economies are incapable of understanding anything other than simple pop songs using I, IV and V chords by themselves without having their consciousness raised for them by the likes of computer science lecturers from the University of the West of England. Presumably a few are lucky enough to have had such people in the back of their cabs at some point to give them a helping hand away from false consciousness but, without such help, they are largely stuck I'm afraid   -  or so I gather.
Neatly put, sir - although I imagine that such computer science lecturers would almost certainly travel by public omnibus (if they can find any such in the north of Bristol) rather than the even more expensive taxi, especially since the former mode of transport will be driven by an employee (albeit an exploited working-class one) but the latter by one of those dreadful self-employed business-owning members of the private enterprise set...

I'm quite sure that Tory and New Labour politicians who have no wish to put more money into providing decent education for the working classes (which would require, amongst other things, raising taxes - that thing that Mr Hinton gets all worked up with, perhaps reflecting the influence of certain right-wing economists whose company he keeps?) will be pleased to hear Messrs Hinton and Garnett sneering at those who suggest that this would be an important thing. Perhaps also at the sneering of Alistair "low taxes, democracy is bad, aristocracy of the intellect" Hinton at issues of public transport as well, as there seem no plans to improve transport, like education, to anything approaching European levels?
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
George Garnett
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« Reply #33 on: 15:03:58, 04-08-2007 »

I don't remember sneering at improving education but I do get blackouts occasionally.

It was this sort of stuff I was wrinkling my nose at :

Quote
Given that the proletariat are themselves a product of capital, and represent a low revolutionary potential, I would advocate a model along the lines proposed by Isaac Deutscher and others, in which a radical intellectual vanguard guides this process through enlightened leadership. No current organisation of the left dare advocate such a programme publicly, because of its Stalinist and Maoist overtones.

[Sorry, for the avoidance of doubt that's Gordon Downie, not Ian, though it so happens he was talking to Ian when he said it.] 
« Last Edit: 15:39:41, 04-08-2007 by George Garnett » Logged
Ian Pace
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« Reply #34 on: 15:11:26, 04-08-2007 »

I don't remember sneering at improving education but I do get blackouts occasionally. It was this sort of stuff I was wrinkling my nose at :

Quote
Given that the proletariat are themselves a product of capital, and represent a low revolutionary potential, I would advocate a model along the lines proposed by Isaac Deutscher and others, in which a radical intellectual vanguard guides this process through enlightened leadership. No current organisation of the left dare advocate such a programme publicly, because of its Stalinist and Maoist overtones.
 
Well, the first clause I don't wholly agree with, though issues of consciousness becoming limited through restricted access to education and control of information through the media certainly have to be filtered into the equation (and no-one's consciousness is free from this). However, I don't see any political movement of whatever persuasion in the world, nor imagine there could be one, that does not require some type of enlightened leadership - this is not at cross-purposes with such a movement being democratic.

If, on a more modest scale, such leadership includes the provision of educational programmes to working people designed to enlighten about the distortions (for example concerning Muslims and asylum-seekers) propagated by the tabloid press, and the ways in which such a press attempts to manipulate public opinion by scare-stories and the like, would you have a problem with that?

(by the way, I think this discussion should be transferred over to the music and commodification thread)
« Last Edit: 15:17:40, 04-08-2007 by Ian Pace » Logged

'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
George Garnett
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« Reply #35 on: 15:35:21, 04-08-2007 »

Me? No, none at all. It's this idea that there's a particularly inadequate and backward group called 'working people' who need to have this done 'to' them by some elite of, presumably, 'non-working people' and aren't perfectly capable of doing it for themselves  -  that's the bit that sticks in my craw, wherever that might be. Elsewhere in that same discussion Downie uses the word 'retarded' when describing the sort of music that these poor inadequates seem to like. That had a bumpy ride down the craw too.

Incidentally, while I cheerfully disagree with a great deal of it, I hope Ian won't mind me saying that his extended conversation with Gordon Downie is extremely interesting, for those who are interested in this sort of thing Wink. Here: http://www.musicalpointers.co.uk/articles/generaltopics/DowniePace.htm A few pictures of Janine Jansen would have brightened it up but you can't have everything.

[Yes, agree. This isn't really the right thread.]
« Last Edit: 16:07:57, 04-08-2007 by George Garnett » Logged
Ian Pace
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« Reply #36 on: 15:45:03, 04-08-2007 »

It's this idea that there's a particularly inadequate and backward group called 'working people' who need to have this done 'to' them by some elite of, presumably, 'non-working people' and aren't perfectly capable of doing it for themselves  -  that's the bit that sticks in my craw, wherever that might be.
Very quickly - the assumption that the educators themselves are not 'working people' is by no means necessary (this is an argument I've had back and forth with lots of people on the left, many of whom see 'working class' and 'intellectual' as mutually exclusive terms, which I don't accept).
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'These acts of keeping politics out of music, however, do not prevent musicology from being a political act . . .they assure that every apolitical act assumes a greater political immediacy' - Philip Bohlman, 'Musicology as a Political Act'
ahinton
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« Reply #37 on: 16:04:49, 04-08-2007 »

On the one hand we're miffed when people have a clichéd view of music lovers, yet on the other we seem only too happy to accept equally barmy clichés about taxi drivers and the like...

Well said indeed, Ron, though I believe that those, like taxi-drivers, who work for a living in capitalist economies are incapable of understanding anything other than simple pop songs using I, IV and V chords by themselves without having their consciousness raised for them by the likes of computer science lecturers from the University of the West of England. Presumably a few are lucky enough to have had such people in the back of their cabs at some point to give them a helping hand away from false consciousness but, without such help, they are largely stuck I'm afraid   -  or so I gather.
Neatly put, sir - although I imagine that such computer science lecturers would almost certainly travel by public omnibus (if they can find any such in the north of Bristol) rather than the even more expensive taxi, especially since the former mode of transport will be driven by an employee (albeit an exploited working-class one) but the latter by one of those dreadful self-employed business-owning members of the private enterprise set...

I'm quite sure that Tory and New Labour politicians who have no wish to put more money into providing decent education for the working classes (which would require, amongst other things, raising taxes - that thing that Mr Hinton gets all worked up with, perhaps reflecting the influence of certain right-wing economists whose company he keeps?) will be pleased to hear Messrs Hinton and Garnett sneering at those who suggest that this would be an important thing. Perhaps also at the sneering of Alistair "low taxes, democracy is bad, aristocracy of the intellect" Hinton at issues of public transport as well, as there seem no plans to improve transport, like education, to anything approaching European levels?
I do have to award you full Marx for consistency, Ian, even if for little else here.

Whatever money any currently working politicians may or may not be prepared to invest (and remember that it's not their money as such in any case) in "decent education" (which, for the record, I do of course regard as an "important thing"), I would have thought that your democratic views might have persuaded even you that such education is deserved by people of all classes rather than just the one, but maybe I'm wrong about that - and/or maybe you feel that people who can afford to pay for private education (either directly out of their incomes or out of school fees planning) should have no right to state education for their offspring, or maybe I'm wrong about that, too....

If I get "worked up" about "raising taxes" (regardless of who is doing it), has it not occurred to you that I may be concerned that there's precious little point in raising tax rates and inventing new taxes if the majority of people simply cannot afford to pay them; taxes are already very high in UK and, if they get much higher, some people will increase their efforts to evade them but many more may well find themselves unable to avoid defaulting on them.

By "European levels" you refer, of course, to mainland Europe. I would be the first to agree that a substantial part of the French rail network and the national health services of France and Spain put ours rather to shame, yet do the French and the Spanish pay vastly higher taxes than we do in UK? I don't think so - at least not on average. Furthermore, many French and some Spanish people do not believe that the success of such flagship state services can be expected to last much longer, because there is simply not the money there to pay for it. As I mentioned before, it's no more use expecting the average taxpayer to go on forking out more and more if he/she simply doesn't have the wherewithal to meet such commitments than it is to sue someone who has no money.

For the record, I do not keep the company of economists of any wing or none, nor do I have reason or desire to do so; those are not the kinds of circles in which I move. I do recognise, however, that you did at least use the word "perhaps" in your remark here...

I have never said or written that "democracy is bad". I also do not sneer at public transport as such. Do bear in mind, however, that almost all "public" transport is run and owned by private companies and, given that hardly any such companies could ever hope to derive a profit from fare-paying customers alone (any more than a classical concert promoter could expect to derive one from box office receipts alone), they rely on subsidies from the taxpayer to help keep their shareholders happy. Do also bear in mind that, in principle, "public transport" in UK includes licensed taxis and air services, of the latter of which we have far more domestic coverage than was once the case (a fact that certain environmentalists conveniently choose to overlook when on their "public transport good, private transport bad" soapboxes).

Once again, Ian, you seem still to be developing yuour curious obsession to seel to act as some kind of political mouthpiece for me, which I do not at all appreciate because (a) I can and would far rather speak for myself and (b) you are insufficiently clear about your facts to enable you to do this and can we now PLEASE get away from taxis and taxes and bac to Jac? Surely the only new labour we should be pondering in this thread is that which David Matthews may at some point contemplate investing in the composition of a seventh symphony? Would you like to put your own soap back in its box and tell us what you thought of the Prom, Ian?

Best,

Alistair
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ahinton
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« Reply #38 on: 16:07:00, 04-08-2007 »

It's this idea that there's a particularly inadequate and backward group called 'working people' who need to have this done 'to' them by some elite of, presumably, 'non-working people' and aren't perfectly capable of doing it for themselves  -  that's the bit that sticks in my craw, wherever that might be.
Very quickly - the assumption that the educators themselves are not 'working people' is by no means necessary (this is an argument I've had back and forth with lots of people on the left, many of whom see 'working class' and 'intellectual' as mutually exclusive terms, which I don't accept).
I don't accept it either; in fact, I find it rather distasteful.

Best,

Alistair
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ahinton
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« Reply #39 on: 16:15:20, 04-08-2007 »

Me? No, none at all. It's this idea that there's a particularly inadequate and backward group called 'working people' who need to have this done 'to' them by some elite of, presumably, 'non-working people' and aren't perfectly capable of doing it for themselves  -  that's the bit that sticks in my craw, wherever that might be. Elsewhere in that same discussion Downie uses the word 'retarded' when describing the sort of music that these poor inadequates seem to like. That had a bumpy ride down the craw too.
I am largely in agreement with you here.

Incidentally, while I cheerfully disagree with a great deal of it, I hope Ian won't mind me saying that his extended conversation with Gordon Downie is extremely interesting, for those who are interested in this sort of thing Wink. Here: http://www.musicalpointers.co.uk/articles/generaltopics/DowniePace.htm A few pictures of Janine Jansen would have brightened it up but you can't have everything.
I have read it some time ago and yes, it is indeed interesting (if abit wearing, overlong and, on the GD side, rather heavily fundamentalist, proselytising and constrictive in places); I have now tried to imagine it illustrated by photos of Janine Jansen with or without her violin and in various states and amounts of sartorial diaphony (apologies to her compatriot Bernard van Dieren for the use of that term here), but have found my composerly imagination sadly wanting here - indeed, I cannot even quite get my head around the idea of including a pic or two of Ms Jansen performing a violin and piano work by GD with Ian at the piano and GD page-turning in the context of that discussion. Ah, well...

[Yes, agree. This isn't really the right thread.]
I agree, too - but it IS the right thread for discussion of that Prom, so let's have some of that, please!...

Best,

Alistair
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Tony Watson
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« Reply #40 on: 18:02:53, 04-08-2007 »

After all these years education is still failing what might be quaintly called (these days) the working classes. It's more a matter of effective discipline and courses that suit the pupils than money. I still think we should have just fine tuned the grammar/secondary modern system.

But back to the Prom and the Matthews symphony. What a good season it's turning out to be for the contrabass clarinet. And how nice to see a bass flute appearing. Was it really a bass flute and not just an alto one?
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thompson1780
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« Reply #41 on: 15:01:05, 09-08-2007 »

I've just heard the last bit of the Prokofiev on the rebroadcast (which started at at 2.00.)

I didn't bother listening the first time round, 'cos of all the hype from a certain poet.

But La Jansen really can play - I love her tone, vibrato, phrasing, etc.  A really top class performance.

Now I don't know whether to be grumpy, sad, or happy.

Tommo
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SusanDoris
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« Reply #42 on: 16:16:23, 09-08-2007 »

Thursday afternoon 4:10

Having heard only part of the Prom last week, I listened to it all today - absolutely lovely; I enjoyed every minute.
Then I read through this thread and was hoping the conversation would turn back to the music!
I also wanted to say how much I love Ravel's La Valse, I think it is just gorgeous.
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