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Author Topic: Prom 29 - Yi, Rachmaninov, Vaughan Williams  (Read 151 times)
Notoriously Bombastic
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Never smile at the brass


« on: 00:03:21, 09-08-2008 »

What hapened to the traditional post per prom?  I'll start a couple then.

The new commission chugged merrily along in a generic Olympic music manner - think Adams or Torke but Chinese.  Ambitious trombone writing, and the second trombonist was playing a bass trombone for some reason.  Rather a small string sound, but from subsequent pieces it must have been the orchestration's fault.

Rach/Pag does what it says on the tin.  Nice to hear the ending raise a few titters before the applause started.

I'd not heard 'Dives and Lazarus' before, although after a while I realised that I knew the tune as 'John Barleycorn' (it's also used as the bass solo in the first march in VW's Folk Son Suite).  There were a couple of times that I almost heard horns playing with the strings - I'll have to look out for a wind arrangement.

VW 6 was I think the first time this season I've heard a brass section actually try and make some noise rather than merely blend tastefully all the time, and there was great big slabs of it handed out.  I was really enjoying things until the quiet last movement proved too much of a challenge for the horde of coughing heathens.

NB
« Last Edit: 00:29:47, 09-08-2008 by Notoriously Bombastic » Logged
Ron Dough
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« Reply #1 on: 00:20:52, 09-08-2008 »

I'd not heard 'Dives and Lazarus' before, although after a while I realised that I knew the tune as 'John Barleycorn' (it's also used as the bass solo in the first march in VW's Folk Son Suite).  There were a couple of times that I almost heard horns playing with the strings - I'll have to look out for a wind arrangement.

There's one by Gregson, NB, (published by OUP) which turns up on a North Texas Wind Symphony Double CD (GIA CD-681) with the obvious RVW wind band pieces (Folk Song Suite, Toccata Marziale, etc.) as well as an off-the-wall arrangement of Lark Ascending for band with solo flute, and a ghastly version of the hymn Sine Nomine. Perhaps most intriguing  of all are two movements from a pageant written in 1939, one of which is basically the opening of the fifth symphony, though in a different key. 
« Last Edit: 12:58:45, 09-08-2008 by Ron Dough » Logged
IgnorantRockFan
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« Reply #2 on: 12:55:24, 09-08-2008 »

I really liked the Rachmaninov, which I've never heard before (though I know the Pagannini tune from various places, obviously). I'm not really a fan of piano concertos, the balance between a piano and an orchestra never sounds natural to me (just a personal preference). But it sounded perfect last night, perhaps the only time I can remember thinking the piano sounded like it belonged in the orchestra.

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Allegro, ma non tanto
Don Basilio
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« Reply #3 on: 15:13:54, 09-08-2008 »

I haven't heard the Rachmaninov Pagannini Variations for years, but although I always say I don't care for romantic piano concertos (do you know Mozart's late piano concertos, IRF? whole different kettle of fish,) the Big Tune in the middle of Rac/Pag is lovely and totally without the suspicion or worse of pretentious slush I always fear in other Brief Encounters with the keyboard.
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